“Wait For Me Daddy”: Analyzing National Gaze in an Iconic Canadian Photograph
The photograph known by the name “Wait For Me Daddy” is arguably one of the most recognizable images of Canadian history. The black and white image depicts a small family being torn apart by the Second World War, as a mother runs after her young son while he reaches for his soldier father. Behind them stretches a long line of other soldiers who are going to war. The “Wait For Me Daddy” image involves the intersection of nuclear and national families, as well as national values and emotions which are represented visually. Wendy S. Hesford and Brenda Jo Brueggemann have written about this intersection of familial and national gazes, using examples of national memorials
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As Hesford and Brueggemann state in their writing, national gaze is a fictitious lens “through which the nation is seen and understood by its members and that creates and/or presumes a sense of national identity and belonging” (160). The “Wait For Me Daddy” image became very popular shortly after it was taken in 1941, and is still seen as a positive delineation of the national gaze of Canadians during the Second World War. The photograph’s inclusion of a nuclear family and war-time activities in an indistinguishable Canadian location may be the reasons why this photograph has become such a popular visual representation of national …show more content…
Ryan Edwardson points out in his essay that Canadians have an especially difficult time uniting as one nation because of the diversity of Canada’s citizens and because it is a geographically vast country (185). Philip Kennicot explains that maps can help people understand an area that is too large for them to otherwise understand (qtd. in Green 140). In the same way, the “Wait For Me Daddy” image helped Canadians understand and identify more with their large country. Canadians sometimes identify more with their province, or even a smaller region within their province, than with the whole of the nation. Often it is purely because their local area may be completely different in terms of environment and culture than an area on the other side of Canada. During World War II, there were very few ways to broadcast information to the entire country, and people were a lot more disconnected from the country as a whole than they are now. The “Wait For Me Daddy” photograph has very few distinct physical landmarks to hint at it’s location, but with no context whatsoever, there are a couple of hints that the picture was taken in Canada. The words “Premier Hotel” are written on the side of a building behind the soldiers, hinting that the image was taken in an English-speaking country. With a little bit of knowledge of Word War II a
Rhetorical Analysis of “Losing the War” by Lee Sandlin War is an incredibly ambiguous phenomenon. In today’s world it feels easy to forget anything but life in relative peace. World War II shook the globe. Now, it has has dwindled to mere ripples in between pages of history textbooks and behind the screens of blockbuster films. In Lee Sandlin’s spectacular essay, “Losing the War,” he explains that in the context of World War II, the “amnesia effect” of time has lead to a bizarre situation; “the next generation starts to wonder whether the whole thing [war] ever actually happened,” (361).
Yusef Komunyakaa, the author of “Facing It,” is a Vietnam Veteran who appears to write as a means to express his grief, pain, and postwar experiences. Being a Veteran myself and having been to the Vietnam Memorial in Washington, D.C. several times, I empathize with Komunyakaa. The first thing I noticed upon walking down the path to the monument was how quiet and peaceful it was, yet the sorrow and pain was deeply rooted. I located the names of family, friends, and the MIA Marine’s name “CAPT RICHARD R. KANE” on my MIA/POW bracelet. This experience sent chills throughout my body and was emotionally overwhelming.
When faced with war soldiers change, for better or for worse. Modern culture celebrates the glory of patriotic sacrifice. However, this celebration often leaves out the gritty details and trauma of violence behind war and the way it affects people. Homer’s The Odyssey and William Wyler’s The Best Years of Our Lives clearly discuss these details. Both debate the long-awaited return of warriors that went off to fight a war and the way the experience changes the protagonists.
Those who don’t live or have ever been may think that Canada is a country that is not diverse maybe even monocultural, that Canada is flat full of only farmland and rural towns, that we live lives fueled by hockey and that is all that Canada is. In reality every Canadian knows it is much more it is diverse, scenic and urban. In the essay “My Canada” by Anita Rau Badami she said this about Canada “the country had been doing a slow dance for me over the nine years that I had lived here, showing me tantalizing little bits of itself every now and then.” The quote by Badami says that Canada has little charms spread throughout the country, such as the vastness and natural beauty of Lake Louise and all National Parks. Festivals in Edmonton which displays Canadian culture and a variety of other cultures from around the earth.
Professor Payne’s thesis was supported by examining three specific case studies. First, she investigated how photographs authorized by the Government of Canada have supplied a construction of Canadian identity. Second, Payne showed how photographs support the Canadian
For the duration of his essay “The Stranger in the Photo is Me”, Pulitzer Prize-winning journalist and professor Donald M. Murray depicts his train of thought while flipping through an old family photo album. While describing his experience, Murray carries the reader through the story of his childhood, describing snapshots of some of his favorite memories growing up. Throughout the piece, he shifts back and forth between a family oriented, humorous tone and a nostalgic, regretful one and by doing so, he parallels the true experience of looking through a family photo album. Murray expresses a more serious tone while reflecting on a certain photograph of him in uniform from the beginning of World War II and goes on to explain how in his opinion,
Throughout history, one of the most common occurrences during times of warfare is the death of the soldiers who are fighting for their country. Depending on one’s point of view, a soldier’s death at war could be honorable and glorified, or it can be a gruesome, anonymous demise. In the two poems, “Epitaph on a Solider” by Cyril Tourneur and “The Death of a Ball Turret Gunner” by Randal Jarrell, there is a stark contrast between the emotional impacts experienced by the reader. Through each author’s unique writing style, “Tourneur’s Epitaph on a Soldier” shows glory in a soldier’s death and is supportive of war, while Jarrell’s “The Death of a Ball Turret Gunner” gives a much more painful impression of war and the passing of those involved in it.
In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.
Analysis of “Migrant Mother” The famous photo of the Dorothea Lange known as “Migrant Mother” has become an icon of the great depression. It is an image of mother and her three children. The photo was captured in 1936 in Nipomo, California. To analyze any piece of art is totally depending upon the reader’s perception, what the readers sees in that piece of art they can present their own views about it.
CANADIAN IDENTITY By Rebecca Grimwood Does Canada have a secure identity, or have we become an American wannabe? The two countries share the longest border in the world, and have a similar amount of land mass. Many wonder if Canada is simply a smaller version of America. Although Canada is aware of America’s entertainment industry, concept of multiculturalism, and history, there are fundamental differences that make Canada’s identity unique and secure.
In the poem “Treblinka Gas Chamber”, by Phyllis Webb and in the TRC’s “The History”, both texts share a common theme of inhumane treatment towards children within certain cultural and ethnical groups. While the two authors explore distinct historical contexts, both texts are centred on racial segregation with nationalistic motives. Phyllis Webb appeals to a logos strategy through the use of allusion. In her poem, “Treblinka Gas Chamber”, Webb presents fictional and historical examples to display her knowledge and establish her credibility.
As many as 13 photographers were commissioned by the FSA and produced well over 270,000 images (prints and negatives) during this time span. Not only did the FSA provide visual proof of the social and economic problems facing America, these photos are significant for they exposed the disparities of living in America and helped shape policy and social reform after the First World War. They set a precedent for a new genre of storytelling that combined visuals with words, and collectively remembered for documentation of strife and discontent in America. The FSA photos and documentaries are part of history and continue to be included in numerous photo books, magazines, newspapers, news services, museums, and exhibits as one of the most convincing examples of documentary photography. In retrospect, this form of visual advocacy served a higher purpose that elevated art as a form of social awareness and brought legitimacy to social reform and to the masses.
The day is bright, sunny, and beautiful as my aunt, uncle, brother and I walk towards the main building to tour the immense and impressive Arlington cemetery, located in Washington D.C. As I approached the main building with my family I noticed the many photos taken during funeral services of past presidents and other important figures in our history. The photos were of John F. Kennedy’s burial service, family that grieved were standing around the casket and soldiers were poised and saluting the flag waiting for the three cannons to ring in the distance; signifying the duty that the president had served. Each photo that I looked at made me feel as if I was there at those important moments in our history; moments of the president’s speeches, important events and parades.
In Schindler's List, children rush toward an ominous line of waiting trucks. In their exuberant innocence, the youngsters wave a farewell whose finality they cannot know as their parents stand helpless, paralyzed by the horror of what awaits their offspring. Like many scenes in Schindler's List, this parting becomes more than an indelible, wrenching moment of shared pain. It is rendered with a restraint and a prodigious filmmaking technique that transform an image into an act of scarcely bearable communion for the audience.
The Migrant Mother photograph represented what people were going through day by day and the emotions he or she was forced to overcome. Just the basic picture itself has many meanings and interpretations. Dorothy Lange captured a heart wrenching image of a mother and her children. The contrast and shadows of the photograph give it a dark and grieving tone. The mother is positioned in the center as the focus, however, the children are surrounding her in the background.