Do you truly know tragedy? Until you've seen Ogygia Theatre's production of Medea, the answer cannot possibly be a resounding "yes." Our theater is a perfect replica of the Greek theaters where all classic Greek tragedies, such as Medea, were performed. The actors give a performance unlike anything seen today in modern theater. But if that isn't enough to convince you to come, the story itself contains one of the most complex and fascinating tragic heroes (or rather, heroines) whom has ever been written. Ogygia Theatre presents Medea, a play that will haunt you until your dying days. This production of Medea will not only allow the audience to see theatre in an entirely new way, but you'll be able to hear it and feel it differently as well. Our theater is entirely outdoors, a perfect replica of the semicircular theaters of Ancient Greece. Sunlight is utilized as all light - everything is done with nature in mind. The Greeks engineered their amphitheaters to have impeccable sound. As a result, the audience will be able to hear every last one of the actors without even the slightest amount of strain, no matter which seat they're. All senses will be tuned in to the production at the perfectly replicated Greek amphitheater. …show more content…
All of the actors will be wearing masks throughout the duration of the play, in accordance with Greek tradition. This way, the entire audience will be able to see who is speaking even from the farthest seat away and experience it just as if they were in Ancient Greece! The acting company features a talented chorus section - every last one of the performers is a triple threat. These chorus members will draw the audience in to make them feel part of the play
Theatre 115 Response One Chapter 10 highlights the importance of the interaction between the audience and the performers. If the audience on a given night is altogether apathetic in regards to the performance they have gone to see, then it will serve as a negative impact on the overall confidence of the actors once they pick up on it. Theatre is often used to provide an insightful reflection of the way in which society is functioning at a given time. One example that was not listed in the book is Hair, which goes well with the other listed works critiquing the Vietnam War. Certainly, it is a piece that is capable, even today, of stirring up certain sentiments within an audience, even if the audience was not necessarily alive during the original
The play I performed was Medea. The play was about an out of the ordinary women who went against her family and married a man. She abandoned her home to be with a man who then left her for a royal bed. She then went on a revenge rampage. I had to play two different people in the play .
Most didn’t sit and watch in silence like today.” (The Globe Theater, Robson). The Audience presented their emotions towards the show if they felt like it. If they did not like the play they would throw things and booed to the actors, on the other hand if they did like the play that was showing they would cheer on and encourage the things that were happening on stage. People in this time acted and knew differently than people do
The cast of the play are unaware of the audience, however, the audience is able to listen to dialogue that occurs throughout the theater, whether it is in the headsets between technicians, on stage between the actors playing their characters in the play and between the director and actors who make adjustments when necessary. The third fourth wall was at its edge of breaking, where the audience is almost unable to tell whether what they are experiencing is real or not. As an observer of the rehearsal of this play, this wall was broken when I understood that what I was watching was a rehersal of a play, of a rehearsal of a play. It was difficult to describe or understand when the cast of 10 out of 12 were actually in or out of character. The complexity of this play lies in the use of metatheatre, which has been exploited to its fullest extent
The Greeks were the first to introduce the concept of theater. As a matter of fact, one performer, Thespis, created the idea of a chorus, which was a group of people that expressed opinions, gave advice, and had the author’s point of view. The chorus would be the equivalent to the “score” in modern theater. The International Thespian Society, an organization formed to honor student’s success in the theater, was named after Thespis. In Greek theater, the place that the actors performed was called the “paraskene,” while in modern theater it is called the stage.
As matter of fact, the actors at some points are out in the audience, which makes for a kind of unique experience; things like lighting cues, set pieces just kind of spice it up. I think people will recognize the touch TJ theatre puts on
Medea plots her revenge by murdering the king, the bride and her two children in order to make Jason suffer and take away everything Jason cared about. The Greek gods felt that Medea was in her right and they proved this by allowing and even helping her escape in the end of the play
In Euripides’ text The Medea, Medea can easily be painted as the villian. She is a woman who killed her own children in an attempt to spite her husband. But, by examining the text, we can see that she deserves some sympathy. She has little to no control over her own life and has to rely on the will of men. And as a foreigner in Corinth abandoned by her husband, she faces even more challenges than the native women of Corinth did.
She describes the world to be unjust, especially to women. Medea believes that women are looked as inferior to men, and even so, men are quick to display their unlikely maltreatment. To her, women have little to no say in their marriage, their bodies, and general society. Medea’s outlook of women is first conveyed through this quote, bringing upon the theme of the state of women within Greece. This quote reveals the state of women within Greece, a leading theme of the story.
Paul Vu Dr. Elizabeth C. Ramírez THTR 475A.03 2 May 2017 Macbeth and Medea: Breaking Expectations Macbeth by William Shakespeare and Medea by Euripides are known for their powerful critiques on the social expectations of women. Women during the time of Elizabethan and Greek theatre were often stereotyped and considered the weaker sex. Men were depicted as strong individuals who supported and protected women. However, both Shakespeare and Euripides broke expectations by portraying strong and iconic female characters in their respective plays. The idea of a strong female character was often unheard of during the time of Elizabethan and Greek Theatre.
Lysistrata is a Greek comedy written by Aristophanes in 411 B.C. The version of Lysistrata that I have chosen to direct was translated by Charles T. Murphy in 1957. Murphy’s interpretation of the comedy illustrates story of Lysistrata’s devotion to end the Peloponnesian War in a new, contemporary approach. If I were to direct this play, I would aim for the audience to not only understand the plot, but also learn from the performance and leave talking about my artistic adaptations of the comedy. In order to direct this play there would be certain necessities that I would need such as actors, costumes, and sets.
Plot of the Medea differs from the most of the Greek tragedies by its uncommonness. Throughout the play there are only two characters are involved in the scene. The main character is Medea and the second character is someone else. This appearance of Medea throughout the tragedy in all scenes represents her power and ability to manipulate male characters despite their position.
Moreover, Phaedra and Medea are complex and well-developed characters, antithetical to the ideal Greek woman. As women, they are expected to let things happen to them, especially if the
Before a play begins, I see people sitting in hard metal chairs. Seeing the people fills me with nervousness and excitement. Every person looks different than the last. I see different faces, different clothes, and different expectations on what they are about to see. The sound of quiet talking fills the air, traveling about the room, causing each person to speak just a little louder so he will be heard.
Many Greek dramas require doing many things throughout the play. For example, wearing a mask throughout the play. Mask was used to identify characters and make the actor voice to sound louder. In medieval times, plays used for less formal events. The stage was similar to Greeks but had an open platform.