In Raymond Carver’s short story, “Cathedral,” Carver shows that people can change throughout time. Upon meeting the blind man, the narrator undergoes character development throughout the story, going from a very philistine, insensitive, blunt character to a polite, interested, perceptive man. Before the narrator met the blind man, he was a very impudent and narrow-minded person, but when he met the man it was as though a switch flipped, and he was opened to a different lifestyle. Our first interaction with the narrator is when he tells us about the blind man and we find out that he is coming to visit. The narrator tells us that he “wasn’t enthusiastic about [the blind man’s] visit,” which is okay in hindsight, however a little insensitive …show more content…
We learn the blind man’s name is Robert upon meeting him and at first the narrator is a little hesitant toward Robert, not knowing what kind of questions to ask. The narrator asks what side of the bus Robert sat on, as though it mattered, but after a little the narrator warms up to him. While the three of them ate dinner, the narrator “watched [Robert] with admiration,” because he was amazed at how fluid everyday activities were for him (paragraph 45). In the beginning of the story, the narrator was very blunt, but we see that once he meets Robert, he starts to think a little before asking things. The narrator even seems slightly unsure about things when he answers questions. At one point Robert asks the narrator if he is religious and in his answer, the narrator says “I guess I don’t believe in it,” saying I guess as though he is unsure whether or not it is true (paragraph 104). The narrator in Raymond Carver’s “Cathedral” undergoes a vast character change. When the narrator meets Robert, the blind man, it is as though he sees the world with a different perspective. Before meeting Robert, the narrator is an impudent, blunt, insensitive racist, but once he is introduced to the blind man and gets to know him a little bit, he become a politer, more perceptive
The story follows the narrator encountering his wife’s friend Robert, who is blind, and assimilating his prejudices throughout the encounter. When the story begins the narrator is more than closed off to the idea of the blind man visiting his home. He is uncomfortable with Robert’s knowledge of him because he does not wish to associate himself with a blind man, a condition which he looks down upon. When Robert arrives, he attempts to be friendly to the narrator, a sentiment that is little reciprocated. While never encountering a blind man, he has many preconceived notions prior to his arrival.
In both short stories, “Cathedral” written by Raymond Carver and “A Good Man is Hard to Find” written by Flannery O’Connor, we encounter characters that have a limited perspective on life. We find that the unnamed narrator in “Cathedral” has a bias mindset towards the blind man, Robert before he even meets and gets to know him. While in “A Good Man is Hard to Find,” the grandmother is ignorant of her surroundings while being oblivious to her own flaws. Both stories demonstrate the overcoming of blindness through prejudice and vanity to end up seeing something greater than themselves through the use of characterization, symbolism, and epiphanies. In “Cathedral,” the narrator’s wife invites her blind friend, Robert, to stay in their home
From that moment, the narrator show his true side to me. It shows that he doesn’t not care about his wife feeling toward the blind man. After carefully reading “cathedral”, the narrator is jealous of the blind man relationship with his
Blindness applies as both a physical and mental ailment. Raymond Carver portrays this concept to readers with his short story, Cathedral. Told from the point of view of a nameless narrator, Cathedral tells a tale of healing mental blindness and, ultimately, curing one’s ignorance. As the nameless narrator encounters Robert, a blind friend of his wife, he changes from a man with a nearsighted mentality to an aware, empathetic human being. The traits, psyche, and point of view of the narrator of Raymond Carver’s Cathedral each drive the plot toward a theme of healing and transformation.
Even those of us with sight can be blind; and although it may not be physical, the blindness that is cognitive can be damaging to ourselves and our relationships with those around us. Raymond Carver’s short story “Cathedral” portrays a perfect example of this. In this story, Raymond Carver uses point of view to help emphasize the narrator’s initial bias for those who are visually impaired and to better convey how his (the narrator’s) negative opinions are altered throughout the story. “Cathedral” is a short story about a blind man who goes to visit an old friend after the death of his wife. The story is told from the perspective of said friend’s husband, who has significant ‘cognitive blindness.’
In the world of literature, stories are often released for the purpose of social commentary or even to reflect on the authors past in a that its similar to an autobiography. Raymond Carver is a unique author often creating short stories that are of his own personal life through fictional characters that embody the turmoil he has gone through and social commentary on social issues. This is seen especially in his 1981 short story, Cathedral with a revised version being released in 1983, but we are gonna focus on the 1981 original. Cathedral’s plot centers around a blind man named Robert who after his wife dies, he lives with his departed wife’s friend who soon alongside her husband, helps teach Robert to learn a new way of seeing. The plot of the story while simple, is very complex under the surface, being a plot that is about three people who is dependent on each other and the connection that develops.
In Raymond Carver’s “Cathedral,” written in 1983, the author points out that empathy and perspective are the only way to truly experience profound emotion. The narrator is struggling is sucked into his own comfort zone, he drowns his dissatisfaction on life, marriage, and job in alcohol. A man of limited awareness breaks through his limitations by socializing with a blind man. Despite Roberts physical limitations, he is the one who saved narrator from himself and helped him to find the ones vies of the world.
Raymond Carver is said to be one the most influential American writers and poets in the 20th century, especially in his works of short stories. One of his most famous pieces is “Cathedral.” This well-known short story is the final piece in Carver’s collection Cathedral published in 1983. Carver includes much symbolism through the story’s plot, structure, point of view, tone, and character build. The depictions of each character’s experiences, the irony in the story, and hearing the narrator’s point of view in “Cathedral” work in harmony to support its themes that prejudice and ignorance as well as the nature of reality are present and change throughout the course of the story, and all lead to a strong character development by the close.
“His being blind bothered me” (Carver 1). In Raymond Carver’s short story Cathedral, Carver establishes an ignorant narrator, who is dependent on alcohol and fixated upon physical appearance; he juxtaposes the narrator to a blind man who sees with his heart rather than his eyes. Through indirect characterization, Carver contrasts the narcissistic narrator to the intuitive blind man while utilizing sight as a symbol of emotional understanding. He establishes the difference between looking and seeing to prove that sight is more than physical.
After a small introduction when the two characters first meet, the narrator recognizes that he “didn’t know what else to say” (Carver, 4), signifying his inability in connecting with Robert. A reason behind the trouble in connecting is discussed in “Literary Analysis of Cathedral” by Niwar A. Obaid, where he writes “The narrator’s apparently judgmental and doubtful tone… [set] a difficult attitude once the blind man and the narrator actually meet”. Obaid lists the narrator’s tone as one of the primary reasons why the narrator is reluctant to get to know Robert better. Since the narrator’s tone is caused by his prejudices, as previously shown, one can infer from Obaid’s writing that the real reason behind the narrator’s reluctance to form a relationship is his prejudice against the blind. Later in the story, Carver juxtaposes Robert’s readiness to learn more about the narrator to the narrator’s initial refusal to develop a relationship to Robert.
In “Cathedral” by Raymond Carver, the narrator struggles with an internal conflict that involves him never being able to be in a vulnerable or sensitive state, especially when he is with his wife. The narrator creates suspense by having the reader wait until the end to realize what the blind man was referring to when he states, “From all you’ve said about him, I can only conclude—” (Carver 35). The reader can observe that the blind man was explaining that the husband was missing out on all aspects of life and the little things the world has to offer. The husband was so closed-minded, that he was missing out on having a deeper connection with his wife.
What they look like, that is? Do you follow me? If somebody says cathedral to you, do you have any notion what they’re talking about? Do you know the difference between that and a Baptist church, say” (111)? Robert is beginning to affect the narrator.
In Raymond Carver’s “Cathedral” he writes a story about a husband's journey to his epiphany. Robert, a blind man, teaches the husband how to see without his eyes. Often a person with the ability to see takes this for granted, leaving them only to see what is on the outside rather than seeing people, and things for what they really are. In this short story, Carver conveys the narrators epiphany through the symbol of the cathedral. Carver develops a story with symbolism throughout his story, beginning with the first line, “This blind man, an old friend of my wife’s
Conflict is the essence of any literary fiction. The main goal of an author is to tell a story that keeps the reader interested. At the story’s core, conflict is the momentum of happening and change and is crucial on all levels for delivering information and building characterization as well as building the story itself. Conflict is the source of change that engages a reader and keeps them interested. In a story, conflict and action does what description and telling of feelings and situations do not.
In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience