Meli’sa’ thesis provided supportive research regarding the history and successful dance therapy interventions for working with African American male youth. As an African American, I think it is important to provide other dance therapist information for working with African American and educate them about our culture.
Jehoiachin was 18 years old when he began to reign. During his reign of three months and 10 days he was taken captive to Babylon with 10,000 captives. Zedekiah 's real name was Mattaniah. He was the youngest son of the good king, Josiah. He was the third son of Josiah that took over the throne.
Sinéad Healy Mrs. Rule Christian Women Code 7 12 February 2018 St. Kateri Tekakwitha Kateri Tekakwitha is not the typical Christian Woman. She is a source of intrigue due to her Native American background. Despite her popularity, due to her uniqueness, she lived a life typical to all other notable Christian women, and similarly, leaves behind a legacy that inspires others, and instills Christian values. Tekakwitha is a model for perseverance after devastation, and finding God through nature and purity.
The emergence of this theater provides valuable opportunities to dancers all over the world, especially those great African-American dancers. The dancers created by the Alvin Ailey American Dance Theater have performed for more than 20 million people all around the world, and through numbers of television broadcasts, countless others are able to enjoy those great pieces of dance. Just as what Ailey said in the 25th anniversary of his company, in 1983---"I wanted to explore black culture, and I wanted that culture to be a revelation.” Definitely, Alvin Ailey had achieved his ambition, and undoubtedly we are all the better for
The area that is now home to the City of Duarte was originally inhabited by the Gabrielino Indians. In 1841, 7,000 acres of land was granted to former Mexican Corporal Andres Duarte. Throughout the late 1800s, a growing number of settlers came to the land. Much of Andres Duarte’s land was sold off in 40-acre plots to cover his debts, giving new families the opportunity to build homes here. By 1957, the community was ready to fight for incorporation, and on August 22 of that year, the City of Duarte and Duarte Unified School District were formed.
After the residential school system was put to an end, there were thousands of people searching for compensation on the unnecessary abuse they had faced. From the 1980’s onward, former students have inaugurated legal campaigns in order to receive the acknowledgement, reorganization, and compensation needed from the federal government and the churches involved (Miller 10/10/12,03/04/15). The Indian Residential School Settlement Agreement (IRSSA) was put into place. It has established multi-million dollar funds, recognized the damage inflicted upon our indigenous peoples cultures, and help formers students recover. The IRSSA was implemented on September 19, 2007 and includes five main components; The Common Experience Payment, Independent Assessment
Why are disabled kids thought of as less then everyone else? In "The Scarlet Ibis" by James Hurst, Narrator sees his brother Doodle for the first time and notices that he isn't all that normal. Narrators parents believe that Doodle will die so they named him William Armstorng, which made him sound important. Narrator wants a brother, he wants someone to play with but his mom keeps telling him that Doodle can't do much because of the way he is. One day Doodle smiles at Narrator and that was the small act that made Narrator believe that Doodle was actually all there.
Manasa Jannamaraju Mrs. Teslich P1 Farewell to Manzanar Essay 23 February, 2016 Dreams, Hopes, and Plans Farewell to Manzanar by Jeanne Wakatsuki Houston and James D. Houston, distinguishes the experience of Japanese Americans that were sent to internment camp during World War II. Japanese Americans were moved out of their homes into internment camps after the bombing of Pearl Harbor. The Japanese Americans struggled in the internment camp and the camp changed their lives drastically. This book is all about dreams, hopes, and plans.
In her article, Embodying Difference, Jane Desmond argues that dance offers important insights into the ways moving bodies articulate cultural meanings and social identities. In other words, she explains the importance of studying the body’s movement as a way of understanding culture and society. She has two main arguments. First, she argues for the importance of the continually changing relational constitutions of cultural forms. Desmond further explains that the key to shedding light on the unequal distribution of power and goods that shape social relations are the concepts of cultural resistance, appropriation, and cultural imperialism (49).
(NAMI p. 3) Furthermore, Cultural Trauma probes the internal conflicts over the form and meaning of representation and culture in successive generations of black Americans after slavery. (Washington p.2). Black identity stemmed from cultural trauma during slavery. “African American”
Mambo Girl (1957), a movie musical, follows Kailing, a talented young woman widely admired for her singing and dancing capabilities, as she searches for acceptance after learning the truth about her background. Shall We Dansu? (1996) follows Mr. Sugiyama, a Japanese accountant who goes on a secretive and intimate journey into the world of ballroom dance. Both Mambo Girl and Shall We Dansu? emphasize the close relationship between intimacy and Latin dance by linking Kailing and Mr. Sugiyama’s manners of dancing Latin to the emotional connection each has with other characters.
Alvin Ailey was a prevalent modern dance choreographer in the 20th century known for breaking down the racial barriers within dance. Born in Rodgers, Texas and growing up around the era of social rebellion and the fight for reconstruction of cultural stereotypes, Alvin Ailey’s company played an important role in the civil rights movement. Founding the Alvin Ailey American Dance Theatre in December 1958, Ailey brought the vision of greater racial equality and used his modern dance as a platform for both his personal and cultural expression. Through the medium of dance, Alvin Ailey emerged African American aesthetic, fostered awareness for the need of multi-racial modern dance, and pioneered dance as a political and social movement. Ailey made a point of producing the works of black choreographers and musicians, focusing his productions on black American themes.
Wangari Maathai grew up being taught to love the environment and respect the fig tree. Which in her elders called the “Tree of God”. She did and like the roots of the fig tree she describes in her memoir unbowed. she was given a fertile environment to grow. Where there was no reason to fear or to have uncertainty.
This dissertation is dedicated to my father, Asep Djadja Saefullah who has been supporting me to gain knowledge from the time I was born, and to my mother, Nurhayati Saefullah who has been taking care of me since I was in her womb, and to my dearest wife Vina Adriany who has been invaluable believing me in any kind of love and supports, raising our kids: Iqbal Saefullah, Hanfa Saefullah, and Tsalitsa Saefullah who have been sacrificing themselves without accompanied fully by his father but never stop of making me
Vulpi talks about how the hunger artist is help to no one and that his work is useless. Also that because he acts in hunger alone, he understand his motives alone. He talks about how when the hunger artist is starving himself prevents him from partaking in life and with others. Also that the he said "For the hunger artist success was fatal. The pride and the egotistical satisfaction that he felt from his accomplishment prevented the hunger artist from seeking communion with others."
Break dance, or breaking, is an overtly male-dominated form of dance that emphasizes strength, athleticism, and masculinity. Break dancing has become a mainstream form of dance that conventionally celebrates masculinity and strength, however women, to a varying degree, are just recently beginning to gain recognition in this male-dominated form. These women, known as b-girls, have embraced the on-going struggles in a predominantly male-dominated culture. My thesis will be examining how women have acclimated to this heavily male influenced culture of break dance and the struggles and hardships that they have had to overcome to make their place and identity within the b-boy community. In this pursuit, I will be further discussing how women are endeavoring to mitigate the effects of the palpable marginalization and gender constructions surrounding the dance form.