According to Mental Health America, 1 in 5 adults suffer from a mental illness. That’s more than 40 million Americans who live with a disorder every day, oftentimes unseen by other people. “Richard Cory” is a poem by author Edwin Arlington Robinson that touches on the idea of hiding mental illness behind a mask. The work goes hand in hand with William Golding’s Lord of the Flies, which also highlights different points on the map of human flaws and how a mask allows them to come into fruition. While Golding uses masks both physically and symbolically in order to illustrate the concept of instinct savagery of civilization, Robinson talks about people’s concealment of their flaws. “Richard Cory” and Lord of the Flies utilize the idea of masks …show more content…
Many people become a whole different person when they are in a social situation, whether it be as someone who is extroverted with others being introverted on their own or someone who is shy around others being confident on their own. Oftentimes, the rationale for this behavior is to shield mental illnesses or disorders from the judgmental eye of other people; this is the case for Richard Cory. The serene, utopic tone of the poem is filled with misleading phrases that build up towards the poem’s abrupt final line. The collective narrator describes the character from their perspective, as a person who is “clean favored, and imperially slim” (Robinson 4) and “glittered when he walked” (Robinson 8). That deceives the reader into thinking that everything in the life of Richard Cory is perfect. People make this same mistake in real life, oftentimes with people suffering from mental illness on the receiving end. They see him this way because of the mask he wears: as a “gentleman from sole to crown” (Robinson 3). Their misconception leads to a probable shock after unearthing the events portrayed in the poem’s closing line when it is stated that he “went home and put a bullet through his head” (Robinson 16). The juxtaposition of the calm summer setting of the previous line also contributes to the climax’s impact. This commentary on the nature of human relationships and the importance of human connection that the author provides contrasts with Golding’s use of mask in Lord of the Flies. Both authors use the idea of a veil to express the idea that humanity is flawed and covers up their flaws by living as someone completely different than ourselves. The way “Richard Cory” and Lord of the Flies differ in their use of masks is the part of man’s extended list of defects that the works address. “Richard Cory” describes the emotionally
These thoughts along with others couldn’t escape my mind as I was reading this. This quote also acts as a lesson. People aren’t always the way they seem. It only takes a small mask to cover the face of a monster. I can tell this quote is very significant to the book because this is a real
He used this motif of wearing a mask a great deal in his novel, and it leads us to believe that, everyone wears a mask, even society. The idea shown in this poem is also shown through the narrator’s introduction into the novel. For example, in the prologue, Ellison wrote, “I am an invisible man…I am invisible, understand, simply because people refuse to see me” (3). This shows how the narrator represents the norms of society in that people are forced into wearing masks in order to even be seen in other people’s eyes. The narrator begins, in literal terms, as one of those people who haven’t realized that being themselves is just not enough.
In Paul Laurence Dunbar’s poem, “We Wear the Mask” the speaker wears a mask to hide his internal suffering because he does not want the rest of the world to think he is weak. This poem relates the prejudice black people face against white people. The speaker starts the poem with the lines, “We wear the mask that grins and lies,” (1). Here he describes the kind of “masks” that he wears.
He utilizes the mask when he says that “I was brought up in America but educated at Oxford…” (Fitzgerald ##). He wants everyone including Nick Carraway, the narrator, to know that he is a valuable and worthy person. However, it backfires when Nick Carraway says “I knew why
In the second stanza of the poem, Cory is contrasted between his “regal self-image and Cory as the restrained communicator who patronizingly bestows favors upon his lowly brethren, the townspeople” (Kavka 152). The difference is expressed by the lines “ And he was always quietly arrayed, / And he was always human when he talked” (5-6). These lines are used to ensure us, the observer, that Richard Cory is still human in a rather remorseful way (Kavka 152).
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
The children babbled of it on their way to school. One imitative little imp covered his face with an old black handkerchief, thereby so affrighting his playmates that the panic seized himself, and he well-nigh lost his wits by his own waggery.” Hoopers appearance leads the town to believe their own interpretations of why he chose to wear the black veil.
The authors ability to create a dynamic character that has no identity and searches to find one is a feat attainable only by the best. The narrator’s motivations to buy the disguise may have begun as just a way to hide, but ended up being much more. The narrator continues to wear them as a way to have a new identity and to feel more important and less “invisible”. By knowing why the narrator wore a disguise, how he felt, and knowing the symbolic significance of wearing them we are able to have a deeper understanding of the character and his
In the book the Lord of the Flies the masks that Jack’s group uses helps them overcome their fear of killing the pig by hiding their true feelings. When Jack volunteers himself as the leader of hunting he doesn’t realize that he would have to overcome new challenges. Masculinity “masks” and the clay masks they wear in the Lord of the Flies are basically just “things trying to look like something else” (Golding 63). Jack explains to his group of hunters that the masks they were going to wear are so they can look like something they are not or to hide what is keeping them from killing a pig. This shows that they are trying to push away their true selves and by looking like something else they can make a character of who they choose to be based on the reason they put the “mask” on.
The main theme of the poem is centered on the masks that we wear in society, but the poem digs deeper than the simple statement, ‘we all wear masks’. Teasdale presents the insight that when we are walking on the sidewalk, surrounded by the chaos of the streets, we delve into our own thoughts and the mask lifts. Because we are among strangers rather than coworkers, family, or peers, we do
The essence of childhood often creates a preconceived notion of inherent innocence, however, the concepts prevalent in William Golding’s novel Lord of the Flies and Stephen Crane’s poem “I Stood upon a High Place” present an unorthodox depiction of instinctive human behavior. Characters within these writings discover the true characteristics of human nature as their view of morality morphs to adapt to their surroundings. The two pieces of literature function to epitomize the heinous nature instilled within man, which depends upon the interactions between members of a society and environmental influences. In Lord of the Flies, Golding portrays the innate depravity possessed by mankind through a group of stranded children left to the task of
The complex idea that is shown with my mask is loss of innocence. Loss of innocence is shown in Lord of the Flies especially when the boys kill Simon, the only truly innocent one on the island. His whole time on the island, he knew that the other boys were the beast, the savage ones. He always knew that their innocence was lost. Another way loss of innocence is shown in Lord of the Flies is that as the boys were being rescued, Ralph cried for the first time and he cried for “the end of innocence, the darkness of man’s heart, and the fall through the air of the true, wise friend called Piggy.”
It is, obviously, a symbolic one, that is meant to hide the suffering of people. It hides everything, “our cheeks and […] our eyes”, and “the eyes [being] the mirror of the soul”, the mask hides the inner you. (Dunbar, l. 2) (Paulo Coelho, Manuscript Found in Accra). But, in addition to the hiding, there’s also the lie about the emotion. Indeed, the mask isn’t only meant to hide the emotions, but also to create new ones on the surface, as we can see when the author said “We wear the mask that […] lies” (Dunbar, l. 1).
The essay concludes that the two novels are similar in their messages and their authors’ beliefs, however they differ in the sense that Lord of the Flies is more superficial than
William Golding’s novel Lord of the Flies does not simply describe the life of a group of children stranded on an island, but rather it is a representation of the qualities of human nature. As the novel progresses, the children grow deeper into savagery, performing actions that would be often criticised in society. The absence of law and order devolves even those that attempt to recreate it, like Ralph and Piggy. In this novel, Golding uses children to answer the question whether or not humans are born inanimately good or truly evil. Golding answers this question by symbolising the main characters and their descent into savagery.