Most critics around the world believe the play led to increase awareness on the need for women’s rights in all continents, on the other hand some critics opine that the play depicted women as inferior creatures and dolls who have no personality of their own. Nora Helmer the main character strives to achieve the perfect concepts of life set by the society and her husband. Nora is trapped in her home where her Torvald has built a wonderful life for his ‘doll wife’. Nora’s transformation comes when she discovers the role in doll house imposed on her by the society and her husband and she is desperate to free herself in order to discover her identity.
Ibsen’s play A Doll 's House, written in 1879, examines the importance of social class and the expectations that follow. A Doll’s House tells the story of married couple, Torvald and Nora Helmer who strive to fulfill social expectation. However, the ending is known to be a shock for some, as roles reverse and Nora comes to realize that she has been mistreated like a doll throughout the whole marriage. Throughout A Dolls House by Henrik Ibsen, doll 's and the dolls house are symbolic of how Nora is a submissive wife controlled and dominated by Torvald, and both are repressed by societal standards.
Much like a bad dream where one cannot move, Esperanza has no power or voice; her entire life resembles this nightmare. She is discriminated against, not only for her race, but for her gender and social status as well. Dealing with all this unfair treatment, she is easily taken advantage of, leading to a desperation for a better life. She craves for a “real house” but, due to her family’s poverty, they are forced to move frequently into dingy apartments. In The House on Mango Street, Cisneros’s use of rhetorical devices like imagery, analogies, and motifs, helps to create the text’s longing tone.
Another reason why Connie why wants to be independent from her mother is because she does not want to be like her. “Her mother went scuffling around the house in old bathroom slippers…” ( Oates 616). Connie’s mother is an image of the future Connie doesn't want -the life of a domestic housewife. Lastly, you can see that Connie has a love-hate relationship with her other, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence; “Sometimes, over coffee, they were almost friends, but something would come up – some vexation that was like a fly buzzing suddenly around their heads – and their faces went hard with contempt.”
The reader becomes very aware of the situation Nora is faced with as Ibsen challenges us to think about the societal times women were a part of during the late 1800’s. As Unni Langas states in her article describing gender within the play, “..this drama is not so much about Nora’s struggle to find herself as a human being, as it is about her shocking experience of being treated as a woman..” (Langas, 2005). This gives the reader an insight into Nora Helmer’s character. She is evidently perceived as the Doll trapped in the Doll house, as she is viewed as an entertainer rather than her own person in the eyes of her husband and children.
In a male dominated society, women are forced to conform to the moulds that have been prescribed for them. When they do not fit into the categories that have been defined for them, they face ultimate rejection and suffer the consequences of non-conformity. This male dictated view of women is evident in the writings of 19th Century women writers who unconsciously view society through the perspectives that have been imprinted in their minds by society. A case in point is Kate Chopin through her work, Desiree’s Baby which chronicles the tale of an abandoned baby that is raised by a wealthy couple, the Valmonde’s. They were childless and raised her lovingly as their own.
Ladies of Union Street share the present and what 's to come. Every story in Union Street offers comparative qualities with the others. Lisa Goddard is another lady who abuses her youngsters as a result of the financial hardships. Despite the fact that she has a spouse, she oversees everything alone. Having two kids and another on its way, she moves as though “tiredness and desperation were written all over her face” (Barker 107).
Curley’s Wife: The Struggle of Getting Out From Her Cage Throughout literature, women who are characterized as shameless temptresses are often the way they are because of a desperation to break away from society’s oppression of low-class, uneducated females. This is never more true than for Curley’s wife in the fictional novella Of Mice and Men by John Steinbeck. Through considerate yet concise descriptions of her fantasy of Hollywood stardom, putting down of others, and attention-seeking ways, Curley’s wife is revealed to be a downtrodden female who suffers from her own internal, emotional conflict. Curley’s wife muses about her Hollywood ideal as a reassurance that she is a woman of worth and potential.
It treats women poorly to cause them to comply with gender expectations. Not only do women have to face pressures of conformity in real life, but they also face intimidation in fairytales. Grimm’s Snow White and Cinderella perpetuate society’s notion that a woman is the inferior being whose value lies not only in her beauty but also in her abilities to perform domestic work and satisfy men. Grimm uses the characters of Cinderella and Snow White to perpetuate the idea that women should lead quietly domestic lives. In Cinderella, Cinderella spent most of her time in a kitchen.
Henrik Ibsen’s A Doll’s House is a play set in 19th century Norway, when women’s rights were restricted and social appearance was more important than equality and true identity. In A Doll’s House, Nora represents 19th century women entrapped by society to fulfill wifely and motherly obligations, unable to articulate or express their own feelings and desires. Ibsen uses Nora’s characterization, developed through her interactions with others as well as her personal deliberations and independent actions, language and structure in order to portray Nora’s movement from dependence to independence, gaining sovereignty from the control of her selfish husband, deceitful marriage and the strict social guidelines of morality in 19th century Norway. Initially, Nora appears to be a dependent, naïve, and childlike character; yet, as the play unfolds, she appears to be a strong, independent woman who is willing to make sacrifices for those she cares about as well as herself.
Although the way she was acting was not considered proper, and was not the behavior expected from the newly, grieving widow. She stated, “I will live for myself,” which leads us to believe that until then she lived for her husband (Chopin 2). The “Story of an Hour” depicts the role of a woman as a servant to their husband. As if, they only lived, breathed, and functioned because of their husbands and their role as a wife. The readers can infer that Louise’s death comes from the exhaustion and devastation of thinking that she had gained her freedom and no longer had to strive to be a perfect woman that has to abide by society’s standards.
In “The Yellow Wallpaper,” Gilman uses the “psychological horror tale” to criticize the role of women within society in the late 1800’s. For Gilman, the conventional nineteenth-century middle-class marriage, with its stringent distinction between the “domestic” roles of the women in society and the “active” work of the male, ensured that women remained inferior citizens. In the story, John’s assumption of his own superior wisdom and maturity leads him to misjudge, patronize, and dominate his wife, all in the name of “helping” her. The narrator is reduced to acting like a cross, petulant child, unable to stand up for herself without seeming unreasonable or disloyal. The narrator has no say in even the smallest details of her life, and she retreats
Kate Chopin is an American writer known for her deception of impacts, the restricted view of the nineteenth-century society, had on women. At that time, people were very restrictive about the perspective of a women’s place in the society. Women did not have a voice of their own. They were trained to believe that the goal of their life is to serve their husband. In the stories “Desiree’s Baby” and “The Story of an Hour” Chopin has portrayed how this condition of the society affected women and their view about marriage and life.
Both authors agree that society's definition of beauty is not realistic. In pearcys poem Barbie Doll.the girl ends up committing suicide because people focused to much on her looks. When she was born she was a usial baby until she went through puberty she was told she had a fat nose and fat legs.in the poem it says “everyone saw a fat nose and thick legs. This figurative language shows us that people focused to much on her imperfections. this evidence soports my claim beacuse even though girl was healthy and strong, this show that everyone focused on her fat legs had big nose and this displays that the definition of beauty is not realistic To add on she was given alot of advise to look prittier but instead she chosse suicide.