Metaphors In Heart Of Darkness

The Poisonwood Bible and Heart of Darkness are set in the Congo where each plot has a similar structure; white characters from a highly civilized and industrial Western country venture into the heart of darkness and become significantly changed by their environment and experiences. Heart of Darkness, by Joseph Conrad, follows the story of Marlow, an English sailor who is sent by the Belgian Company into the Congo in order to find and retrieve Kurtz, a man who has deteriorated into savagery. Barbara Kingsolver’s The Poisonwood Bible is about Nathan Price, a desperate missionary, who forces his wife and four daughters to leave their comfortable life in Georgia to go to the Congo. Although each story takes place in a different time period, both

Heart of Darkness portrays the differences between the civilized Europeans and the “savages” of which they were tasked to bring into civilization. Marlow recounts a tale of his experiences as a captain of a river-steamboat for a Company that trades ivory. He retells the story of his predecessor, Fresleven, a Dane, characterized as being told of being “the gentlest, quietest creature that ever walked on two legs.” Fresleven dies in a scuffle with the natives due to an argument regarding two black hens. This is the first image shown by Conrad that depicts the madness displayed by Europeans who venture into the “heart of darkness”.

In Joseph Conrad's novella, Heart Of Darkness (1899), the narrator, Marlow describes his experience of a trip to the Belgian Congo. The novella has often been the subject of study with regards to its attitude towards imperialism and colonialism. It enjoys an important position in the postcolonial era, with some critics heralding it as an anti-imperialist novella that challenged its contemporary period's attitude towards imperialism. Thus, it also becomes interesting to analyse the attitude towards the colonised subject. This paper attempts to analyse the author's treatment of the natives and Europeans in Heart of Darkness, and to determine whether the

Ignorance of another's personal values or situation results in an impassable schism between the two parties. People fail to understand each other, and as such, they regard each other in lower lights. In “Heart of Darkness”, Joseph Conrad, through Marlow, writes his novella through a lense of ignorance and the perspective of the typical white person of the time in order to relate his story to the reader. Marlow and the accountant are contrasted with Kurtz to display the effects of evil on an individual.

In writing, authors use the illusion of good v. evil in a form of color scheme: white is good, black is evil. However when we take a look at Joseph Conrad 's book, Heart of Darkness, the color lines seem to have faded, and reversed roles in a sort of way. The book is based on imperialism of the Congo and the true horrors of what happened during the time. Since this book is based off of true events it can get to be pretty devastating to see how people were treated. The use of colors is inversed to what is normally established as a precedent of good and bad to show that imperialism is evil.

Hunt Hawkins presents the controversy that Joseph Conrad’s, Heart of Darkness, encounters, as its contents portray Africans as dehumanizing, savage, and uncivilized beings. In order to provide a sufficient amount of information with regards to the controversy, Hawkins introduces the analysis of distinct scholars to describe racism, imperialism, and human nature. As a result, an analysis of the characters are provided to the audience and allow an individual to understand why Conrad decided to write Heart of Darkness the way he did. Thus, during this process, Hawkins describes the manifestation of the darkness that eventually consumes Kurtz.

Conrad uses examples of order and chaos throughout his novel to aid in the delivery of the differentiation of the truth of human nature and the sham of civilization. In these examples, order represents civilization and chaos represents the wilderness of Africa. When Marlow finally left the central station to retrieve Mr. Kurtz, he and his crew stop at an abandoned cottage in the middle of the jungle where a European once lived and noticed an old book on the table. Marlow says, “Not a very enthralling book; but at the first glance you could see the singleness of intention, an honest concern for the right way of doing work, . . . The simple od sailor, with is talk of chains and purchases, made me forget about the jungle and the pilgrims in a delicious sensation of having come upon something unmistakably real” (78). This book represents order, and it was heavily used by the white man; this implies that this book was his way of protecting himself from the chaotic jungle around him. As Marlow read this book, he began to forget about the chaotic world around him, and it made him feel something normal from civilization. Conrad is using this plot event and the setting of the cottage to show the difference in the Europeans principles of order and chaos, as well as show how some of them use this order to shield themselves from the chaos.

The lights from the city reflected the Thames River because London is described as being light, the light symbolizes Conrad’s view of civilization. According to Conrad civilization is where evil is present but ignored. The light is the knowledge that is gained through exploring. Conrad uses Africa and the Congo River to represent the evil that waits in the unknown. The darkness is said to be full of savages and cannibals it is further emphasized as being the uncivilized part of the world where people eat people and the savages wait in the trees and in the darkness. Africa in this novella is portrayed as “the Heart of Darkness” the place where the men’s inner evil is exposed, this is done through their thoughts and actions.

The use of various literary devices in Joseph Conrad’s novel helps to bring his story to life, which ultimately is to his advantage. Conrad brings the reader into the darkness, displayed the corruptibility of humankind and left them pondering the absurdity of evil and imperialism. One of the strongest literary devices that Conrad uses to engage the reader in his novella is the use of imagery. However other important literary devices that are used throughout the novel as well as in the extract above is: similes, metaphors, personification, foreshadowing, and symbolism and narrative techniques.

Joseph Conrad’s Heart of Darkness takes a multi-faceted approach to the issues that surrounded 19th century colonization and imperialism in Africa. Marlow’s journey into the heart of Africa serves to highlight the hypocrisy of this endeavor, and how this deceit followed the rhetoric utilized by the colonizers in order to justify their colonization of Africa and the treatment of the natives. As the novel progresses, Africa becomes more of a backdrop for Conrad to truly expose the depravity of European intervention in Africa.Through Marlow’s narrative, varying connotations of words and his own main character’s reactions,as well as copious amounts of descriptive imagery, Conrad casts Europeans in a negative light in order to criticize imperialism and colonists.

In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective of the main character, Marlow. Throughout the novel, Marlow describes how the Europeans continuously bestow poor treatment to the native people by enslaving them in their own territory. Analyzing the story with the New Criticism lens, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.

To be bluntly honest, after having gotten to page 8 without having understood a word of the text, I was very frustrated. Not only did Heart of Darkness have an old-fashioned English style of writing but the first few pages were completely filled with references, symbols, metaphors and vivid imagery. I found myself either looking up each metaphor to understand it better or rereading each imagery because of its vividness. Thankfully, as the book progressed and Marlow’s story began, the plot became clearer and the story started to carry on more smoothly.

Often in literature, the physical journey the main character takes represents their psychological growth. In Heart of Darkness by Joseph Conrad, Marlow’s journey into the heart of the Congo represents his progression into the darkest parts of his mind. As he travels deeper into the foreign terrain, he begins to question the world around him and himself.

In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective through the main character, Marlow. Through the lens of New Criticism, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.

‘Heart of Darkness’ was written in 1899 by a Polish novelist Joseph Conrad, about the expedition up the Congo River in the Heart of Africa. This essay will mainly deal with the reference of the ‘darkness’ in the novel and it even deals with the theme which will further support the statement.