Metaphor and metonymy could build a strong imagery of alienation in films
The study revealed that TV Chandran has used a wide array of metonymy and metaphors in all the films selected for the study to image the concept of alienation. Metaphor is so widespread that it is often used as an 'umbrella ' term to include other figures of speech like metonyms which can be technically distinguished from it in its narrower usage. Lakoff and Johnson argue that 'the essence of metaphor is understanding and experiencing one kind of thing in terms of another. Furthermore, metaphors need not be verbal, and in films, a pair of consecutive shots is metaphorical when there is an implied comparison of the two shots. These visual metaphors in films can also
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Lakoff and Johnson also note that metaphors may differ from culture to culture but argue that they are not arbitrary, being derived initially from our physical, social and cultural experience, whereas metonymy is a function which includes using one signified to stand for another signified which is directly or closely associated with it. Moreover, metonyms are based on various indexical relationships between signifieds, notably the replacement of effect for cause. When compared with metaphors, metonyms may be visual as well as verbal. In film, which Jakobson regarded as a basically metonymic medium, 'metonymy can be applied to an object that is visibly present but which represents another object or subject to which it is related but which is absent ' (Hayward, 1996).The indexicality of metonyms also tends to propose that they are 'directly connected to ' reality in contrast to the mere iconicity or symbolism of metaphor. TV Chandran has predominately used metonyms to bestow a 'grounded experience ' to the viewers by visualizing the protagonists’ anguish, fear, worries, fantastical liberation, mental agony and stereotypical lives in experiencing alienation than metaphors as they usually involve direct associations (Lakoff & Johnson 1980). …show more content…
These ideologies are seen as universal, though they actually only benefit the ruling class. TV Chandran’s film saw the dominant consumerist culture and class dominance as the ruling ideology that repressed sub-proletariat cultures. Moreover, TV Chandran’s films remind us to investigate established norms and institutions rather than considering it as a natural phenomenon. Like the Italian film maker, Pier Paolo Pasolini, TV Chandran thought that the best way to learn is through the lessons of life and reality, and believes in the revolutionary role of the Indian peasantry. As a Marxist, he found the need for “cultural hegemony” to make the viewer understand about the existing class struggles in the society. Marxist beliefs based on humanitarianism made TV Chandran to make films on the subjugation of protagonists under religious fundamentalism, class hierarchy, and apoliticism. Furthermore, TV Chandran viewed social and political alienation as one of the greatest problems in the State, and was greatly moved by the fact that the underprivileged and oppressed are condemned to forgo their identity to the dominance ruling class. This approach is evident in films like, Danny, Ponthan Mada and Padam Onnu
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
In most stores that people read, they never notice metaphoric language. Readers may think that it is just a weird way to say something, but most metaphors have meanings. If readers pay more attention to this element it makes the story more interesting to read. Once someone reads while identifying metaphoric language, they will never stop. The authors of the two stories “The Long Rain” and “Harrison Bergeron” used metaphoric language to shape the mood and dominant themes of the stories.
The cultural metaphors can consider as a cultural system or use of language that shared within people with the same culture and values. Moreover, the use of a certain metaphor in a culture can be not understandable and doesn’t make sense for another culture due to the difference in values and beliefs. The metaphorical meanings in different cultures motivate and state
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
Figurative language is used effectively to represent
Metaphors are an influential piece to the literary world due to, “the process of using symbols to know reality occurs”, stated by rhetoric Sonja Foss in Metaphoric Criticism. The significance of this, implies metaphors are “central to thought and to our knowledge and expectation of reality” (Foss 188). Although others may see metaphors as a difficult expression. Metaphors provide the ability to view a specific content and relate to connect with involvement, a physical connection to view the context with clarity. As so used in Alice Walker’s literary piece, In Search Of Our Mothers’ Gardens.
Ishmael’s dreams are typically violent and often terrify him. His nightmares typically consist of violence consistent with what he experienced in Sierra Leone. As he describes: “these days I live in three worlds: my dreams, and the experiences of my new life, which trigger memories from the past” (Beah 20). While his dreams remind him of the horrors of war he encountered, it helps him cope with the issues of his childhood. As a result of his dreams, he is able to accept his treatment in Sierra Leone, while moving past his early tragedies and start a new life.
In the novel Bless Me Ultima author, Rudolfo Anaya exploits the literary device metaphor to construct striking and significant imagery in their writing. By comparing one thing to another, metaphors can help the readers have a better understanding and visualize abstract concepts and complex ideas. They can also add depth and richness to a story by creating layers of meaning and symbolism. The author notes, “I wondered if I would ever really know my brothers, or would they remain but phantoms of my dreams.” (Chapter 16)
Metaphors such as this one create connections and empathy between the audience and the speaker. Using a metaphor is the perfect way to evoke a reaction from the audience. The use of metaphors in Reynolds’ speech allows the audience to develop empathy toward the speaker and the speaker’s
The movie is filled with many of these euphemisms, shrouded in ambiguity and symbolism revolving
Metaphors allow the audience to gain an emotional reaction and connection to the
Another metaphor seen in the beginning is when rango encounters the armadillo for the first time. The armadillo tells Rango he must cross the road in order to get to the town. At this time Rango has a pretty inflated ego so he believes crossing the road won't have an difficulty to it. As soon as he steps to start crossing the road a semi truck comes flying by spinning him out of control. Rango
All Summer in a Day Author's Craft Essay In life, people never truly realize what they have, until it's gone. Imagine having to wait seven years for the sun to come out again, but only for a few hours and then disappearing again for another seven years. Well for the kids of Venus, that is typical life. Ray Bradbury's All Summer in a Day uses a variety of author's craft such as imagery, similes and metaphors to show readers the childrens deep need for freedom away from the rain that consumes their lives.
The film makes a distinction between the Orient and the Occident by portraying the East as primitive, backward and communal and the West as individualistic, modern
In this reading, we are shown how phrases allude actions, which makes them a metaphor. “The essence of metaphor is understanding and experiencing one kind of thing in terms of another. (Lakoff, George 2)” Without noticing we use certain words in order to comprehend better. I grew up thinking that a metaphor was used to compare two unlike things in a poetic sense.