Metonymy In Dracula Analysis

Metonymy is exploited in Dracula when the topic of gloom and horror is introduced. This displays fundamental essences that provide principals of mystery and the supernatural. Doom and horror develop the storyline as it portrays how the weather and atmosphere can affect the story. This can be shown at the introduction of the story, Jonathan Harker is on business trip, he’s supposed to meet up with a man by the name of Count Dracula, all is well until Harker recognizes that Dracula isn’t so-called Human, and is placed with 3 undead women who want to suck his blood. By this time, the sun had already set and the moon was shining, this creates a mystifying and intimidating atmosphere, which then allows the audience to acknowledge that the atmosphere

Throughout the story, Bram Stoker illustrates how they are incorporated, this can be shown through; the sheer cold-heartedness, and malignant behavior of Count Dracula, which leaves the audience to speculate what causes such behaviors. Bram Stoker allows the reader to understand that Dracula isn’t presumed to be a happy going book and therefore indicates how the reader should fathom the story. Dracula is a tale with various amounts of archetypes. The more predominant ones are; The mother figure, the mentor, the antagonist, the loss of innocence, and life and death. To begin with, in the story Mina Harker is known as the mother figure, this can be seen with the love, compassion, and support that she caters and advises others when they are agitated. This is shown when she comforts John Seward, Arthur Holmwood, and Quincey Morris from the death of Lucy Westenra. Mina is also the reason the men were motivated to finish Dracula once and for all. Secondly the mentor, this archetype is shown through Van Helsing. His character is to introduce and teach his students into the world of the supernatural. Van Helsing was formerly a teacher who taught John Seward, and he looked for guidance from Van