A Midsummer Night's Dream Act 1 Analysis

William Shakespeare’s A Midsummer Night’s Dream is a play which emphasises and explores love, free will and liminal dream-like spaces within both a fantasy realm and the real world. Within Act 2 Scene 2 lines 115-160, the Athenian lovers are experiencing a tense shift in dynamics. Lysander has been subjected to a love potion, and is leaving his relationship with Hermia in order to pursue a romance with their friend, Helena. During this passage, Shakespeare explores these key themes, and establishes a tense, uncertain reality, by providing an introduction to the conflict experienced by these characters within the entire text.

Sheraz ZafarParlatoShort Paper #214 March 2016Meanings behind a Midsummer NightThe play A Midsummer Night’s Dream by Willian Shakespeare, has many elements. Many quotes that drive the plot forward. The characters develop over the course of the play. Thisplay shares many elements that make up fiction and poetry.

In the real world, love is a very fragile force. Love can be easily broken and manipulated by multiple other outside forces. In A Midsummer Night’s Dream, the two most basic themes are the chaos and order that are the causes of all the actions that take place. Chaos versus order in A Midsummer Night’s Dream also is a representation of Yin and Yang. Yin, represents the bad or darkness in the world, this is the chaos in the play. Yang represents the good or light in the world, this is order. When Yin and Yang, death and life, bad and good, work together, this creates a balance, a peace. In the play, chaos and order together make the love balanced, or even peaceful. Without chaos, order would separate the love, and without order, chaos would tear the love apart. Both of these forces work together in the forest to keep the love between the characters in peace.

Some people feel that it`s quite challenging locating differences between a written story and its film, though, however, some people find it considerably simple to detect differences between the pair. A Midsummer Nights Dream was undoubtedly great cinematic film made in 1999. However, the written play of A Midsummer Nights Dream was much more detailed and more informational. The differences I noticed were the following: The Indian boy and his role, the setting, characters and examples of similarities.

Shakespeare’s A Midsummer Night’s Dream is often viewed as a comedic tale of love. It takes on the general ideals of a comedy—beginning with order, moving on to chaos, and ultimately ending with harmony among society. By providing opposing settings, the city of Athens and the fairy world, Shakespeare highlights the duality of man’s nature. The fickleness of human beings becomes more apparent once the lovers are placed in the dreamy world represented by the forest. The comparison between rational and irrational behavior through the two different locations ultimately proves that one should not always be led by dreams—the return to natural order is necessary.

Power, privilege, and the false persona that comes along with it clouded Bottom’s judgement in this passage from the play, “ A Midsummer's Night Dream,”. He went from being a mild mannered hard working weaver to becoming a spoiled, entitled aristocrat, and back. As Bottom says, “Scratch my head Peaseblossom. Where's Monsieur Cobweb?”, he is using words like monsieur that he would not be using before his change. Bottom also, has servants at his command is acting like a king commanding them to feel his ears, get him food, and do his busy work. These fairies, or servants, and Titania for the time being are divulging into his fantasy, and treating him like a king.

In William Shakespeare’s play A Midsummer Night’s Dream the circumstances surrounding love have been put into question, this occurs when a magical nectar is put in the eyes of three major characters, and changes their feelings towards the people in their lives. Titania, Lysander and Demetrius all have had the nectar put into their eyes, though Demetrius avoids having this done to him in act 2 scene 2 which is the scene that the focus of this paper will be looking at. Throughout the play, we focus largely on the love life of Helena, which unfortunately does not seem to exist. She is in love with Demetrius, whom does not care for her in the same way, he does not cherish her at all before he is under the influence of magic. Once Lysander declares

Philosophical approach on the play A Midsummer Night’s Dream Submitted to: Prof. Eliezer V. David Submitted by: Jan MarveManaligod KristianDacara Bryan RonhellTangonan MarckRacell Diego BSME-2C Philosophy is the study of the theoretical basis of a particular branch of knowledge or experience. In every story there is a philosophy. It is the way of the author to show the moral lesson of the play.

In the case of this midsummer’s night, it seems that the events can only be explained as a

Control can get out of hand when given to one single human being and can create major egregious problems to others. An infamous example is how Adolf Hitler attempted and almost succeeded to eliminate the entire Jewish population because he believed they were an inferior race. In Shakespeare's A Midsummer Night's Dream, the characters constantly try to control each other for the sake of who they love, to gain control over people’s lives, as well as the sole idea of revenge.

Julie Taymor’s A Midsummer Night’s Dream film adaptation creates a fantastical spin on the well-known Shakespeare play. The director is able to create an effective dream-like setting with the use of projections, lighting, and puppetry. From the beginning, there is a sense of wonder created, as without word or introduction, Puck, played by Kathryn Hunter, glides onto stage and lays down on a mattress supported by branches. Puck is then lifted into the air and a large white sheet consumes the stage. Even for those familiar with the play, such as myself, it immediately commands your mind to travel to the dream world Taymor has created.

From Sexism to Social Reformation Many actions and ideologies of the characters in The Taming of the Shrew create an overarching conflict between comedy and sexism for most readers. Specifically, the relationships between the men and women introduce controversial topics such as obedience and love which must be questioned thoroughly. The conditions of Petruchio and Katherine’s marriage was more “traditional” in the sense that it was primarily patriarchal, and that Kate was expected to be subservient and obedient. While this is sexist, on the surface, this was not the intended meaning behind the works.

  Lysander compares himself to Demetrius, saying that he is equal to him in every way.   Lysander then points out that he has something Demetrius will never have, Hermia 's love.   He makes it clear that the couple will do anything to be together.   After Egeus denounces his daughter 's chosen love, Hermia and Lysander,

Lysander’s unbridled love for Hermia shows obvious respect towards females, making him out to be one of the few characters admired by the audience. In our scene, Lysander’s subtext is an excited yet mannerly teenager who fears Theseus yet still stands up for himself and Hermia. When he saw that his relationship was being threatened he stopped cowering and pushed Egeus and Demetrius away pleading his case to Theseus. Hermia, who has a similar definition of love, trusts the emotion and thinks of it as a driving force in her life. When given the choice between spending the rest of her life as a nun and being forced into a loveless marriage, she decides that staying perpetually celibate would be the superior choice: “‘So will I grow, so live, so die my lord, ere I will yield my virgin patent up unto his lordship, whose unwishèd yoke my soul consents not to give sovereignty’”

The Ironic Scenes of Shakespeare’s Famous Play “Never did mockers waste more idle breath,” cried Helena, in A Midsummer Night’s Dream, incorrectly thinking she was being mocked (Shakespeare 3.2 170). This is one of multiple examples of dramatic irony in A Midsummer Night’s Dream. Dramatic irony is when the audience knows more about a character 's situation than the character does. This is one of three types of irony, the other types are situational and verbal.