Maqbool And Nimmi Analysis
SHAKESPEARE ON SCREEN: A VIEW OF THE CINEMATOGRAPHIC ADAPTATION OF MACBETH INTO MAQBOOL
PRATIBHA, PhD
Assistant Professor of English
KLP College, Rewari
HARYANA
pratibhainku@gmail.com
9873412364
“He was not of an age but for all time”, it was not for nothing that Ben Jonson asserted this about Shakespeare, and the various approaches towards his plays over the years across times and places stand a testimony to this statement. The universality of his plays, being read, taught, staged, enacted and adapted to other forms of art even today is unquestioned as his characters expressed emotions that would equally appeal to Elizabethan audience as well as contemporary readers. Shakespeare’s continued appeal derives from the fact that we can
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Also making Nimmi ( equivalent to Lady Macbeth ) Abbaji’s mistress sufficiently increases her wicked and manipulative nature. She is menacing and seductive, but keeps an innocent look on her face ,making herself even viler. The way she delivers her taunts is perfect. The depiction of her insanity is heart wrenching. Bhardwaj accords Nimmi much of the plot’s twists and turns, she uses her sexual control over Maqbool ,plants the seed of murder in his head ,uses all her wits to cast her spell over him and Abbaji. She does justice to Lady Macbeth’s character,. Her madness and guilt consciousness near the climax of the movie is parallel to lady macbeth’s sickness in act V ,sc I. She keeps wiping her face for she thinks theres blood on it still, her cleaning the wall as she sees blood all over it reminds one of the scene when Lady Macbeth says “ here’s the smell of blood still; all the perfumes of Arabia will not sweeten this little hand. Oh oh
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