In the comedy play “A Midsummer Night’s Dream”, love is the central theme that is mentioned in a lot of the scenes. Act Two Scene One and Two show a specific scene where love can turn complex and can become hard to understand. This scene provides an insight into how love can turn into a complex scene where it can turn into an obsession, can impact the characters, and can cause chaos.
Firstly, the scene shows how love can be altered through a dangerous love potion. Oberon commands Puck to squeeze the flower into Titania’s eyes to make her fall in love with any creature she sees first. The actions that Oberon committed show how love can be exploited and the dangers of how it can be used to force someone into giving attention to the person
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Helena has deep feelings for Demetrius, but Demetrius does not have the same feelings for her. Demetrius' lack of interest in Helena causes Helena to be completely obsessed with him, to the point where she follows him into the woods and begs him uncontrollably to love her back. Helena says, “The more you beat me, I will fawn on you”. In this situation, love is manipulated, and Helena's obsession can be seen as a form of manipulation as if she is trying to force Demetrius to love her like how she loves him. The fact that the love potion affects Demetrius' love for Helena, later on, is the result of how easily love can be manipulated in the …show more content…
After the love potion has been placed into Lysander, he demands Hermia, on multiple occasions, to sleep with him. Hermia says no and wants him to lie further away from her body. He does not accept no as an answer and says “Oh, take the sense, sweet, of my innocence!”. He means that he would only have innocent intentions to sleep with her, but Hermia still does not want him to sleep with her. This shows that love can have bad intentions instead of good intentions, so you must be cautious with love at all times.
Likewise, the chaos that resulted from the interactions between Helena, Hermia, Lysander, and Demetrius displays how love can be potentially dangerous. The complicated love they have for each other can lead to confusion, misunderstandings, and chaos. The love in this play shows how it can be chaotic and unpredictable.
In conclusion, Act Two Scene One and Two of “A Midsummer Night’s Dream” connects to the theme, of love, by showing how unpredictable this emotion is. The scene shows how love can be altered and used as a manipulator to have a horrible affect on characters in the play, and the confusion it can cause for the readers. It can also show how cautious you need to be with love and the good reason to show the importance of
In the play A Midsummer’s Night Dream by William Shakespeare, many of the characters relentlessly pursue their goals in the face of illogical decisions, and, while fictional items such as the “love-in-idleness” flower are used to explain the character’s sudden love for each other, the play does illustrate how love and ambition can lead to unforeseen consequences. For example, when Puck accidently anointed Lysander’s eyes with the “love-in-idleness” juice, he started a chain of events leading to Lysander and Demetrius fighting over Helena while Hermia is treated as though she is worthless. Moreover, at one point, Lysander and Demetrius even threatened to duel each other when Lysander awoke after being anointed with the flower 's juice and said, "Where is Demetrius? O, how fit a word is that vile name to perish on my sword" (61). This shows how the character’s love for certain other characters, and their ambition to pursue said love, can lead to the destruction of previous relationships and lead them to make dangerous decisions.
A Midsummer Night’s Dream dealt with the universal theme of love and its complications: lust, disappointment, confusion, and marriage, featuring three interlocking plots, connected by a celebration of the wedding of Theseus, Duke of Athens and the Amazonian queen Hippolyta. The play rotates around different forms of love, two of them being love for friendship (Philia) and romantic (Eros) or true love. Love is the most important theme of the play and the asymmetrical love seen in the play between the four Athenians and romantic encounters cause conflict within the play. There is a strong friendship love between two characters, Hermia and Helena. These two ladies are regarded as sisters as they have grown up together always having each other’s
Again they are deliriously in love because of the love drug. In the beginning of the play neither of the males want anything to do with Helena, she is blindly chasing after Demetrius desperate for his attention, but he brushes her off. Oberon orders puck to put the spell on Demetrius. “Thou shalt know the man by the Athenian garments he hath on.” (II, i ln 42 & 43)
Even though Oberon claims to love Titania, he proves this inaccurate when he proclaims, “Having once this juice,/ I’ll watch Titania when she is asleep/ And drop the liquor of it in her eyes./ The next thing then she waking looks upon— / Be it on lion, bear, or wolf, or bull,/ On meddling monkey or on busy ape—/ She shall pursue it with the soul of love. ”(Shakespeare 2.1.160-168). This is an example of Titania being bullying by false love.
In William Shakespeare’s play A Midsummer Night’s Dream the circumstances surrounding love have been put into question, this occurs when a magical nectar is put in the eyes of three major characters, and changes their feelings towards the people in their lives. Titania, Lysander and Demetrius all have had the nectar put into their eyes, though Demetrius avoids having this done to him in act 2 scene 2 which is the scene that the focus of this paper will be looking at. Throughout the play, we focus largely on the love life of Helena, which unfortunately does not seem to exist. She is in love with Demetrius, whom does not care for her in the same way, he does not cherish her at all before he is under the influence of magic. Once Lysander declares
Helena is profoundly in love with Demetrius, but he does not return the affection. In spite of his mistreatment, she still loves him
In the play A Midsummer nights dream by Wiliam Shakespere love is a very important theme. Shakespere illustrates the different types of love through his characters. Some of the types of love he prorays include forced, parental and true love. One of the types of love shown in the play is forced love.
Hermia, much to her father 's dismay, is deeply in a mutual love with a different nobleman, Lysander. In addition, Hermia 's childhood best friend and Demetrius were in love prior to his sights turning towards Hermia. This crushed Helena, causing her to lose self-confidence, but still: she yearns for Demetrius 's love. Hermia and Lysander 's love, Egeus 's harsh rule, and Helena 's unrequited love for Demetrius causes the lovers to leave Athens.
The strong effects of love makes Helena a bit foolish and blind in the ways she reacts to it. In scene one of act one, the readers learn that Helena still loves Demetrius even though he loves her friend, Hermia, now. When Helena is first introduced, she demonstrates her jealousy and insecurities by asking Hermia for some of her beauty to win Demetrius back. Hermia and Lysander inform her that they are running away, and that
86-89). This causes harm to Helena as she assumes Lysander is teasing her, causing her to flee the scene. Lysander then chases after Helena and shortly after Hermia wakes up. When Oberon discovered Puck’s blunder, he decides to take matters into his own hands and squeezes the love potion into Demetrius’s eyes, which later causes him to develop a love for Helena. As a result of the entire incident, Hermia turned against Helena for treating their friendship so casually.
With many of the different scenes throughout the play, the theme of “A Midsummer Night’s Dream” is that love is difficult. In the play when Hermia 's father tries to tear Hermia and Lysander
The strong effects of love makes Helena a bit foolish and blind in the ways she reacts to it. In scene one of act one, the readers learn that Helena still loves Demetrius even though he loves her friend, Hermia, now. When Helena is first introduced, she demonstrates her jealousy and insecurities by asking Hermia for some of her beauty to win Demetrius back. Hermia and Lysander inform her that they are running away, and that
They are the perfect example of difficulty of love, that is, passionate circumstances in which an injustice or discrepancy interferes in the consistency of the engagement. Finally, the habitual happy end in comedies is produced, although they have had problems to achieve it like the love potion; the second are Demetrius and Helena. Their relationship has evolved during the play. At first, Demetrius is in love with Hermia, but it is at the end when his love for Helena appears. However, Helena has been always in love with him.
Demetrius's love is described by Oberon as false, “instead of this man’s false love being turned into a true love.” (Shakespeare 3.2.93-94). His love being false ties into the fairies' meddling because, in Oberon’s talks with Robin, it seems like they are ok to meddle if it makes a false love true. This type of meddling affects love by implying that there can be made a distinction between true and false love, and by showing that, at the very least, Oberon can tell the difference. It is also interesting that the fairies never explicitly remove the effects of the flower from Demetrius thus keeping his free will in most aspects of love from him, only explicitly freeing Lysander from the effects, “I’ll apply To your eye.
Unconditional love is a prevalent theme in A Midsummer Night 's Dream, and the blind nature of this love can be a great thing, especially since ignoring a romantic partner’s flaws can lead to a happier relationship. However, in A Midsummer Night 's Dream, Shakespeare takes his characters’ love to an irrational extent - so much so, that a prevalent theme of the play is the foolishness and folly of love. Context After being enchanted by Oberon’s love potion, Titania is awoken by Bottom, who she then falls madly in love with. She starts swearing her to love to him, to which Bottom responds: Analysis