The invention of rock & roll was a collaborative effort, yet many music buffs trace its beginnings back to a singer, songwriter, and guitarist named Chuck Berry. Taking what he knew from the blues, big band, swing, country, and pop, Berry developed a style and sound that uniquely spoke to the experience of the American teenager, and that appealed to white as well as black audiences. And he remains, arguably, rock & roll's most influential figure. Among those who admit to having emulated his complex guitar riffs and quick, witty lyrics in their early days are some of the most prominent bands and artists of the past 50 years--including the Beatles, the Rolling Stones, Bob Dylan, and Bruce Springsteen. Berry has spent a lifetime in the spotlight, but the spotlight has not always been kind to him.
My favorite song containing improvisation from the jazz genre is called “Blue Train” by John Coltrane. Looking further into time, it is clear that both European traditional and African traditional have combined influence into the style of jazz. For example, later on jazz does have pitched
Another artist who had a large influence in the black freedom movement and the third world struggles during the 1960’s and 70’s is Sun Ra. Sun Ra is a revolutionary jazz musician who began performing professionally as a kid. Once Sun Ra moved to Chicago in 1945, he immersed himself in jazz. Throughout his life, Sun Ra was influenced by space, religion and radical social movements and he expresses his beliefs and ideals through his music. Sun Ra’s love of astronomy and spiritual awakening opened doors for his music because he started fighting the constraints in jazz.
Trumpeters Louis Armstrong and Miles Davis became two of the most inspiring American jazz musicians of all time by accessing very differently to their art. In the analysis an album from each artist, I choose “What A Wonderful World” of Louis Armstrong and “Kind of Blue” of Miles Davis. Louis Armstrong (August 4, 1901 – July 6, 1971) was the most influential performer to affect a lot of Jazz musicians. He influenced the whole jazz population with his amazing voice and energetic trumpet. And he played a great role in the modernization of jazz.
Song Title: So What Artist: Miles Davis (Music writer) The music starts with Piano sound and little bit guitar sound in the background. Then these both sounds are overtaken by dramatic start of saxophone music. Saxophone melody is the major melody in this composition and it is the melody which is questioning or exclaiming “So what”. The music picks up speed with the engagement of all three type of instruments. After 5 minutes piano music takes over as major music.
Louis Armstrong shaping scat singing to make it achieve posterity Louis Armstrong (1901-1971) is surely one of the most famous and incredible jazz singer and trumpet player. He influenced widely, and still does, jazz music. But there is something that only jazz specialists or some aficionados know: he actually reinvented a brand new genre of vocal jazz, the scat singing. And I said “reinvented” on purpose. Indeed, though Louis Armstrong 's recording Heebie Jeebies in 1926 is often cited as the first song to use scatting, there are some earlier examples of artists ' pieces of work that could be considered as premises of scat singing.
While in New York, Armstrong made dozens of records as a sideman, creating inspirational jazz and backup singing for many blues singers. Moreover, he had records as a soloist including "Cornet Chop Suey" and "Potato Head Blues." These solos changed jazz history, by incorporating daring rhythm choices, swing and high notes on cornet(Source B). Furthermore, in 1926, Armstrong finally switched from the cornet to the trumpet. After 1926, Louis became more and more famous and broke more and more barriers through his music.
The musical styles of each are the results of the collision of traditionally African rhythms and musical techniques with European classical and popular music genre. Each are adored American styles of music. Miles Davis “So What” and Robert Johnson’s “Cross Roads Blues” have some similarities and some differences. Miles Davis “So What” is Modal Jazz, used whole band tenor Saxophone, Alto Saxophone, Piano, Drums, trumpet, bass, and emphasis on melody and rhythms whereas Robert Johnson’s “Cross Roads Blues” is Delta Blues, used only slide guitar and vocals in his track (solo), and defining Racism, phobia and violence. The precise origins of each jazz - blues are quite covered.
It has become a very significant piece of Jazz, Modal Jazz and Standard Jazz. There are numerous people in Jazz industry who will tell you and even debate with you in most influential manner that the album ‘Kind of blue’ is the greatest Jazz record ever made and this song is the best example of Modal Jazz. “Kind of Blue brought together seven legendary musicians in the prime of their careers: tenor saxophonist John Coltrane, alto saxophonist Julian "Cannonball" Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, drummer Jimmy Cobb and of course, trumpeter Miles
Firstly, even though Strayhorn was deeply influenced by Ellington and intentionally focused on the Ellington style, their approaches were bound to be different because of their musical background. Ellington was a self-taught musician who learned jazz by listening to ragtime and stride piano players. Thus, some of his work had unrelated blocks, in the stop-and-start tradition of the great stride pianist. Since Ellington 's goal was often to develop a piece of music by establishing the maximum contrast between its various sections, this approach suited him. By contrast, Strayhorn was classically trained and well-versed in classical harmony and repertoire by the time he met Ellington.
Mostly people in black neighborhoods are listening to jazz because it was originated by African music and combined with band instruments and rhythm & blues. Instruments like piano, clarinets, trumpets, and saxophones were involved in jazz music. Many popular jazz singers and musicians at the moment are Dizzy Gillespie, Charlie Parker, and Miles Davis. Most of the musicians in our decade are male but a lot of singers tend to be female just like Nina Simone, Bessie Smith, and Ella
Introduction “For there 's Basie, Miller, Satchmo and the king of all Sir Duke.” Stevie Wonder. There is no bigger name in the history of American music, especially in Jazz, than Duke Ellington. But many don’t know the man behind many of Sir Duke’s timeless classics, that man is Billy Strayhorn. It is said these two had a symbiotic relationship where neither would have been as good without the other. Strayhorn, the genius composer and arranger, to Ellington the charismatic performer and band leader the world knew and loved.
Ken Schaphorst, a composer, trumpeter, and educator with more than a decade of experience leading big bands, counts on a great lineup of musicians and friends, including a few former students from the New England Conservatory in Boston. Schaphorst’s modern big bands are typically packed with trendy and inventive jazz instrumentalists, and for this new album, entitled How To Say Goodbye, he maintains this feature. Donny McCaslin, Ralph Alessi, Chris Cheek, Uri Caine, Jay Anderson, and Matt Wilson are incredible performers that don’t need any introduction. Shifty and animated, the title track immediately lets us know about the leader’s art of orchestration. The tune was written for the trumpeter John Carlson who envinces absolute confidence and takes the lead through thoughtful moves.
The prohibition of intoxicating beverages was one of the least successful experiments in American social and criminal history, but in spite of its obvious failure in the 1920s, the American experiment in prohibition is still being continued today. For decades, our leaders have been telling us that America is in the middle of a drug epidemic, and the trade in illicit drugs has certainly created a criminal industry that is incredibly profitable and extremely violent. Until recently, however, few respectable political or law enforcement officials have been willing to consider the possibility of legalization. The moral, medical and social disgrace attached to illegal drug use was simply too great. In recent years, however, as the crisis has escalated