My research paper is about Miles Davis’ personal life and his contributions to jazz. Miles Davis played a major role in the expansion in jazz with his music that he had produced. Davis not only shaped jazz into different forms and styles, but he also introduced jazz music to music listeners who were not a fan of jazz. From an early childhood, Davis was already interested in music and ready to help change the world of jazz. Davis started as a musician when he was just a teenager. Just like most other kids, “Davis grew up in a supportive middle-class household, where he was introduced by his father to the trumpet at age 13” (Biography.com). Davis showed interest in the trumpet at a very young age and was able to master and perform with the …show more content…
“Playing in the jazz clubs of New York, Davis was in frequent contact with users and dealers of drugs, and by 1950, in common with many of his contemporaries, he had developed a serious heroin addiction” (New World Encyclopedia). Not only did Davis have an issue with heroin, but “Davis had an erratic personal life that included heroin addiction, cocaine addiction, pimping and spousal abuse” (Broeske). These personal issues may have influenced some of Davis’ music works, but no evidence can be found to support that. Even though Davis had personal drug issues, it did not get in the way of his music career other than leaving a bad note for his name that he was involved with these …show more content…
“Miles Ahead” was an album that was based on the cool jazz sound with popular tracks like “Springville”. This was a big step because Davis had moved from hard bop jazz into cool jazz. Later, Davis also recruited Cannonball Adderley who was an alto saxophone player for his band. Even with an alto saxophone player, Davis was able to keep his quintet in balance while performing without one instrument overpowering another. “In the spring of 1958, the band produced Milestones”, which is a major step for Davis because “Milestones” was when Davis began working on modal jazz (NPR). Davis did many improvisations and solos on a single chord during this time. Davis also recruited a piano player during his time in modal jazz in order to expand the kind of music he can produce in modal. Not only did Davis have personal success with himself and his band, he nurtured many of his players to become leaders of their own. While, “…Evans, Coltrane and Adderley each had become leaders”, Davis once again began searching for new players in order to continue performing jazz music (NPR). Davis later began working on a different kind of jazz “Using guitarist John McLaughlin and a three-keyboard ensemble of Herbie Hancock, Chick Corea and Joe Zawinul, Davis recorded In a Silent Way in 1969” (NPR). Davis began to experiment which later developed into another album “Bitches Brew” which became a popular album for fusion
After analyzing several online stories, it was clear that Sammy Davis Jr. was talented since he was a little boy. For example, Sammy traveled lots of places as “a little boy who hung out with his dad backstage during the day and then waited in rooming houses for hours for his dad to get home from a night of gambling and carousing” (Mason ). Many people admire Sammy Davis Jr. for his talent by being a star.
Due to an unfortunate heroin addiction, Morgan was forced to leave the group in 1961 because he had become unreliable and his playing began to suffer. After this brief low point in his life and career, Morgan bounced back with ‘The Sidewinder.’ The title track of this 1963 album became his largest commercial success, reaching the top twenty-five on R&B billboards. The album itself is of great importance to Lee Morgan’s career and to the development of jazz. Before ‘The Sidewinder,’ almost none of the songs used on Lee Morgan’s albums were his original compositions.
Just like any amazing artist, Miles’ Davis fame and skill did not come overnight. Back in high was when his first job experiences began. He worked at local bars and played at gigs, whenever he had the chance. These were only the beginning, one year later Davis joined the Blue Devils—his first band. He soon to attend Julliard, which led to the launch of his successful career.
“I'm always thinking about creating. My future starts when I wake up every morning. Every day I find something creative to do with my life.” Miles Davis’ passionate statement describes the distinctive innate ability to formulate music that transcended all musical genres, generations and nationalities. According to Bernal, Davis moved Jazz forward through his constant search for brand-new musical expressions.
The New Orleans Rhythm Kings changed and influenced many people’s lives in the 1920s. They even helped make the Roaring Twenties actually “roar.” Their band helped create the essential cornerstone of the classic Chicago style of jazz ("Tin Roof Blues: The Story of the New Orleans Rhythm King 's"). Not only did they make a difference in music, but in society as a whole. They did when they put out the first “racially mixed” jazz record in 1923 with Jelly Roll Morton, an African American jazz composer and pianist ("Tin Roof Blues: The Story of the New Orleans Rhythm King 's", "Composer Jelly Roll Morton, ragtime to early jazz").
After Davis spent a few year playing with these two guys, he graduated high school and decided he was going to move to New York to attend a Musical Art school known as Julliard School of Art. A short year later,
The last album, which was called “The Shape of Jazz to Come”, belonged to Ornette Coleman. The all four albums opened the different era in the jazz history. According to me, the album of Miles Davis, which was “King of Blue”, was very soft, it means that it was an easy listened album. This is quite good feature for albums, but not everyone as me prefer
Jazz music since its beginning has played a large role on influencing people. It has helped create new forms of expression through dancing, it has helped break social and ethnic barriers and it has brought people together through collaboration and experience. An unexpected impact jazz has had on society and other musicians is its large influence on drug and alcohol addiction.
Overall, Dizzy Gillespie helped form the beginning of Rock & Roll with his early jazz and Be-Bop ways. Dizzy Gillespie made a substantial impact on music history because he was an African American performing popular tunes that were soon going to help form early Rock & Roll. Dizzy Gillespie helped popularize jazz music with his original style of voice and instrumental sounds. Salt Peanuts was a memorable song during its time due to the fact jazz was at its hit point and Dizzy used techniques in this song such as repetitive music and long jazz solos.
The impact that Louis Armstrong had on jazz music and the Jazz Age was so immaculate that it transformed the genre of this new music for many generations to come. Through his multitudes of different performances during the twenties, he developed new ways and techniques to enhance his playing. Performances were never lacking for Louis he showcased solos, as well as in bands, which expanded his popularity throughout the country. Beginning his career and influence in the twenties, he started off with his solo performances, exhibiting his incredible trumpet and cornet playing as well as adding some singing in with the mix. These bountiful performances allowed him to become invited by his mentor “King” Oliver to be a part of his Creole Jazz Band.
During his time there he collaborated with Charlie Parker and other musicians with whom he helped form the basis of bebop (“Miles Davis”). Davis eventually left Julliard to explore his own voice and came across a composer named Gil Evans and they began to exchange ideas. They were looking for something other than swing and bebop and formed a style called “cool jazz” (Kirker, Tim). This new style was evident in his album Birth of the Cool which was performed with a nine-piece band that included artists such as Max Roach, John Lewis, Lee Konitz, and Gerry Mulligan (Macnie, Jim).
The track on Miles Davis’ album is a gorgeous display of musical artistry and emotional depth. Pianist, Bill Evans opens the track with an incredible melody, which is built around a simple chord progression that provides a sense of freedom and exploration in the improvisation that follows. Davis's muted trumpet enters, playing a soulful and controlled melodic line, while the rhythm section of bassist, Paul Chambers, and drummer, Jimmy Cobb, provides a steady, understated pulse. John Coltrane's saxophone adds a layer of intensity and urgency to the mix, creating a sense of musical conversation between the
Miles Davis was able to slide evenly from one pitch to another without a mechanical break in sound and colored the qualities of individual notes of the phrase in expressive ways using “doits’ and “fall-offs.” His playing was unhurried and had a great concept of space. If he didn’t hear anything to play he