CONCLUSION Bharati Mukherjee is one of the most celebrated writers of the Asian immigrant in America. Assimilation, they assert, would be the answer to the discontents of Diaspora. Immigrant experiences are a composite one made up of journeys and borders crossings. Migration leads to separation. The immigrant lands herself in a new country and a new culture. As a result there is a cultural conflict in her mind. The immigrant looks back to her mother country with pain and nostalgia. Married to a Canadian-North American Clark Blaise, Mukherjee faces demeaning conditions in Canada. Herself an immigrant, Mukherjee shows the darker side of immigration that is not often portrayed in other immigrant narratives. Degraded and victim to dissection in …show more content…
The expression of sexuality is released from age-old bonding to let go their servile selves. They are allured to the attractions finally, being treated as individuals. The ‘hamburger’ and ‘pizza’ culture of America torments Dimple in Wife. The tin culture of America somehow bewilders her. She rates herself as a novice in the culture and thinks that she could have been a better wife if she could produce more glamorous left over. The killing of Amit Basu by Dimple is to release herself from a difficult marriage. The difficulties are internalized in Dimple herself, with Amit playing a part in aggravating the situation. The ultimate catastrophe that befalls Amit would have been the other way round in Indian culture, women, instead of retaliating, succumb to their distress. In America, Dimple tries to question her emotional break-down, takes steps to restore her emotions. Her strife establish herself in the American culture is her quest of identity as an individual. She refuses to be a daughter to her father and a wife to Amit. Her own gender limitations are a hurdle in her path to submersion in the New
Unpolished Gem is a thought provoking tale that explores the journey of Alice Pung from girl to woman. The memoir fluidly transitions between a series of themes and ideas, but through these a constant concept is explored; the cultural divide. Alice’s culture and background are the foundation of every decision she makes and thus, throughout the entire autobiography, the reader observes the implications of this, and often, the divide this creates. The reader perceives the social division Alice’s culture generates and the impact this has on relationships in and out of the home, and also in Alice’s ability to assimilate. Cultural divide is also apparent to the reader when comparing the expectations of Alice’s family to those of her classmates.
Immigrants faced discrimination from American citizens and had to make a living for themselves, while still trying to fit in. As it is said in the article, ? The Philosophy of Immigration,? ?? the power of absorption possessed by the people of the United States is astonishing?? (The Philosophy of Immigration).
The main purpose of the book is to inform the reader on how she confronts her
“What is beneath my skin. Inside my bones?” (Tan 40). This is a familiarly asked question by many Asian immigrants, and many find it difficult to answer. The rich historical culture of Asian assimilation is a complex and intriguing subject.
Assimilation is usually meant to indicate what happens to immigrants in a new land. However, “rejection, loneliness, discrimination—these were the byproducts of living in the United States” (Ghymn 37). In Marilyn Chin’s essay on assimilation “How I Got That Name,” the speaker acquaints the readers how she got the American name “Marilyn.” The tension between the two cultures is evident, for the speaker is treated as “Model Minority.” Her race and ethnicity define her; in fact, the stereotypes inscribed with her race restricted and cage her significance in the society.
This essay will argue what is meant by the representation of the Other in the novels The Icarus Girl and Shadow Tag. The other is a representation of the questions surrounding identity that arise in these texts. The Icarus Girl focuses on the alternate identities of Jessamy Harrison and her struggle to find a fitting identity because of having a multi-national heritage. Shadow Tag takes a different approach to the question of identity, as Irene America attempts to escape her identity as a domestic abuse victim in the blue diary that she keeps hidden from her husband Gil. There is also the question about the identity of the narrative voice of the novel.
She encounters many different men and situations that continuously make it harder and harder for her to work her way out of their rut and build a decent life in America. “There was no one to protect her, no one to care. All she could see was the image of those animals at the border, the half-a-gringo and his evil eyes and filthy insinuating fingers, the fat white man with his fat white hands, and she withdrew herself, dwelled there deep inside where nobody could touch her” (234). Very early on in this novel, America shows just how much she is willing to endure, in order to
She thought this was the feeling of freedom and finding out her new identity. To continue and amplify this feeling, the thought of nullifying her mother, who represents the hardship of keeping a distinct cultural background seemed like the way to go. This is when she travels to Wildwood to suppress the idea that she will remain a “slave” to a lifestyle that she does not belong
The Namesake Essay Melody Su A Block Immigration is when people leave their original homelands for various reasons, carrying their distinct cultures, religious beliefs, and live permanently in the new land. In the book The Namesake, Lahiri uses the Ashima and Gogol’s experiences to suggest the dark sides of the immigration, which involves the lost sense of belonging, loss of identity, presensence of microaggression, and the generation gap between the first-generation immigrants and their children.
In the essay “Two Ways to Belong in America,” from 50 essays, Bharati Mukherjee contrasts the different views of the United States from two Indian sisters. The author distinguishes her American lifestyle to her sister’s traditional Indian lifestyle. Both sisters grew up in Calcutta, India, moved to America in search of education and work. Bharati adjusts to the American society very quickly, where her sister Mira clings to her Indian traditions more strongly. Despite both sisters living in America, only Bharati is an American citizen, while her sister Mira is not.
When she understands the American’s attitude, his selfish stubbornness that will not change, she cannot tolerate him anymore. At the end of the story she is a different person. In other words, she answers with self-assurance and is certain about her choice, not to have the abortion. Another
Unlike The Handmaid’s Tale, the search for herself is very much so conscious and self-empowered. Following her family’s vacation and her relationship with Robert, she realizes some things about herself that she doesn’t particularly admire. She feels as if she lives too much in the moment, has become stuck in her ways and is not showing who she actually is. She describes a feeling of having two identities of the “outward existence which conforms, the inward life which questions” (ch 7. pg)
The one person who could, her mother Sarah is also caught between two cultures” (Lundell, 2010, p.
At the heart of a person‘s life lies the struggle to define his self, to make sense of who he is? Diaspora represents the settling as well as unsettling process. While redesigning the geopolitical boundaries, cultural patterns, it has also reshaped the identities of the immigrants with new challenges confronting the immigrant in negotiating his identity. Diaspora becomes a site where past is given a new meaning and is preserved out of intense nostalgia and longing. The novel The Reluctant Fundamentalist by Mohsin Hamid is significant in its treatment of the issues faced by immigrants in the diaspora.
Recurrent racism, its social impacts, is a central theme of immigrant writing that creates many landscapes in contemporary literature. The immigrant writer takes an opportunity to attack and tackle racism and its consequence from different angles – religious, cultural and historical. The writer does not randomly preoccupy with and write about her/his intricate experience in the new land, but explicitly unfold his/her race/gender experience with its ups and downs. This type of writing has created a new understanding of theories such as racism/gender/ethnic/counter-narrative and post colonial studies among many others. This alternative genre is maneuvered by political, psychological, social and cultural processes of power that is influential to its construction.