Hatred and revenge are two common themes found in many stories. The stories Ming’s Biggest Prey and Sredni Vashtar also share the themes of hatred and revenge. They can portray these strong feelings through techniques such as the narrator’s viewpoint, imagery, and symbolism. While the imagery is found more in Ming’s Biggest Prey and symbolism is prominent in Sredni Vashtar, the narrator's viewpoint is a main technique in both. Patricia Highsmith and Hugo Hector Munroe use the Narrator's Viewpoints, imagery, and symbolism to vividly portray hatred and revenge in Ming's Biggest Prey and Sredni Vashtar. Hector Hugo Monroe uses symbolism in the story Sredni Vashtar to powerfully portray feelings of hatred and revenge. In the story, Sredni Vashatar, …show more content…
This story is from the point of view of a cat, Ming, who lives with his owner Elaine and her boyfriend Teddie. Further, into the story, we learn that Teddie has a hatred for Ming. Teddie, multiple times, tries to do away with the cat. However, before the second time, we learn that Teddie has been stealing jewelry from Elaine. While Elaine is in the other room Teddie swipes a pearl necklace. After this Teddie tries to throw Ming off the balcony but ends up falling instead. Teddie dies and is found with the necklace in his pocket. The symbolism is the pearl necklace, it represents love. Multiple times Teddie tries to kill Ming for taking away his love from Elaine, Teddie does not want to share with a measly cat. When he gets close to taking Ming away from Elaine, stealing her necklace, and her love, he gets instant karma. The necklace is brought back to Elaine, who immediately runs to Ming. Symbolizing bringing her love back. “Ming watched her slowly open the box on her dressing table, and into it, she let fall the white necklace that made a little clatter….stroked Ming’s head…Ming recognized the tones of love.”(Ming’s Biggest Prey page …show more content…
Conradin worshiped the ferret, Sredni Vashtar. He created a temple and he even prayed to him. Mrs. De Ropp feels that Conradin is spending far too much time in the shed that contains a chicken and the shrine of Sredni Vashatr. She inspects it herself and finds the locked hutch that contains the mini-god, angry that Conradin has secrets she sells the chicken. “It is not good for him to be pottering down there in all weathers.’she promptly decided, and at breakfast the next morning she announced that the Houdan had been sold and taken away overnight.” Mrs. De Ropp questions Conradin about what is in the locked hutch but he doesn't give her a good answer, so she explores it herself, only to be met with death. The imagery in this paragraph is vivid and full of details. “And in the sting and misery of his defeat, he began to chant loudly and defiantly the hymn of his threatened idol: Sredni Vashatr went forth, His thoughts were red thoughts and his teeth were white, His enemies called for peace but he brought them death. Sredni Vashatr the beautiful….And presently his eyes were rewarded: out through that doorway came a long, low, yellow-and-brown beast… and dark wet stains around the fur of jaws and throat.” (Sredni Vashtar page
The various archetypes introduced through the settings, the temporal symbolisms, the colors, and the character types help to analyze the final thought processes of
Evil beats him many times; however, he does not feel defeated nor does he put his head down in despair. Three examples can be found to show the speaker and main character’s commonalities: their choice of fate and autonomy,
Turpin’s revelation allows the reader to sympathize and understand Mrs. Turpin’s feelings. After being called a “wart hog from hell”, Mrs. Turpin takes her frustration out on the real hogs in her pig parlor. She screams and shouts, and sprays them with water, all while supposedly demanding that God answer her. She even asks “how am I a hog... exactly how am I like them?”
He was found to be lying senseless in his bed. Beside him on the table was a strange bottle with a black liquid. Since Bell’s breath smelled of the contents in the bottle they put a drop of the liquid on a cat’s tongue and the poor creature dropped dead right away. Shortly afterward Bell breathed his last and Kate was heard screaming in triumph. At the unfortunate man’s funeral this spirit could be heard cursing, singing and
In this essay, I am going to argue that although these stories are different in their structure and style as well as in the ultimate response of the main characters, the theme, tone, and general events are very similar. In both stories the main characters had a close encounter
Then he notices that there is no cat, but Mrs. Peters says, “They’re superstitious, you know; they leave” (15). After he leaves the room she tells of her own personal experience. She tells how a boy took a hatchet to her cat, and if she’d been close enough she would have “hurt him” (16). She would’ve probably said kill him, but under the circumstances she couldn’t. In Mrs. Peter’s mind the boy symbolizes John Wright, and the cat is Minnie’s liveliness, happiness, and freedom.
The stories, “The Sniper” and “The Scarlet Ibis” are amazing stories with great comparing and contrasting. These stories have emotion that no one could explain. In “The Scarlet Ibis” he leaves his brother behind when a storm approaches and goes back to find him dead. In”The Sniper” while he is at war when he pulled the trigger he went to go see who he killed and it was his brother. Their alike because the express war,brotherhood,and regret.
Many people rely on tools to help them with basic things in life. For example, painters use paint brushes and carpenters use hammers and drills. For some of the same reasons, authors use literary devices to establish and support the theme of a story. In “The Scarlet Ibis” by James Hurst, internal conflict and irony helps establish the theme that pride is a wonderful yet deadly thing to possess. Internal conflict within the main character helps start the theme of pride in the “Scarlet Ibis.”
From this tone secretes a dark almost tragic theme. The suffering shown within the characters is a big indicator of how the story is supposed to feel. The second story also has much of the same sense of emotion in it. The desire to achieve something
The following night after the narrator kills the cat, the house catches on fire and the next day the narrator comes back to the house to see the ruins and came to see a group of people around a strange bas relief on the wall. The narrator was terrified when he saw what the bas relief was and the narrator writes, “There had been a rope about the animal’s neck” (Poe 3).
She makes excuses trying to convince her son Bailey to take them to east Tennessee. The next morning the grandmother was the first one to get in the car. She hid her cat, Pitty Sing in the car in a basket. She didn’t want the cat to be left alone while they were in Florida for three days.
The women gather Mrs. Wright’s quilt to work on while incarcerated when they find something that frightens them. They find the bird, and its neck is broken. Mrs. Peters, obviously startled, says “Somebody – wrung – its – neck” (1087). The women are unsure what to do with the bird, but know they need to hide it from the men. This clue is more important than the others; it shows Mrs. Wright's breaking point.
Suyuan kept a jade pendant necklace in hopes to one day give it to her
She then suggests to Mrs. Peters that she should take the unfinished quilt home to “’take up her mind.’” This leads them to search for Mrs. Wright’s patches and sewing accessories. They discover a “pretty box” and assume it is where she keeps her scissors (Glaspell 1417). This is when they discover a dead canary wrapped up in a piece of silk; it was the missing bird. Right away they notice the bird's neck
When the story begins, Mrs. Turpin is oblivious to the error of her ways. Mary Grace is the catalyst that affects change in Mrs. Turpin simply by removing her ignorance. The first thing that Mary Grace says after the attack is, “‘Go back to hell where you came from, you old wart hog’” (O’Connor 389). She reverses Mrs. Turpin’s perspective; Mrs. Turpin thought she was from Heaven, but Mary Grace accuses her of being from Hell (O’Connor 383, 389). There is irony here, too, because Mary Grace says, “wart hog,” and earlier in the story Mrs. Turpin compares the sick little boy to her pigs (O’Connor 385).