The desire to be seen as beautiful is one that affects a countless amount of people. It is pervasive throughout society. This desire had prompted the creation of make-up, fashion, skincare creams and other products that claim to offer the ability to stay young and beautiful forever. It is what makes the fictional fountain of youth so alluring. It drives people to obsess over their appearance and fret over imperfections and the effects of aging. The poem “Mirror” by Sylvia Plath reflects this struggle. Plath successfully uses a unique speaker, setting, and imagery to depict the craving for everlasting beauty.
One of the most interesting aspects of the poem is who—or rather what—the speaker is. In the first stanza, the narrator is depicted as
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After viewing her reflection, the woman “turns back to those liars, the candles or the moon. / I see her back, and reflect it faithfully” (12-13). The light from the candles and moon can distort her image and appearance. While this may make her look nicer, the reality is that her beauty remains the same. In today’s society, the same can be said for makeup or filters. Meanwhile, even when she is not looking, the mirror is still reflecting her how she really is. The mirror observes that “she rewards me with tears and an agitation of hands” (14). Far from grateful for the mirror’s honesty, the woman becomes upset with what she sees. And yet, despite the fact that her reflection is upsetting her, she continues to check it. She is likely hoping that her image will miraculously morph into what she wishes it to look like. The poignant part of the poem consists of the last few lines: “In me she has drowned a young girl, and in me an old woman / Rises toward her day after day, like a terrible fish” (17-18). No matter how much she dreads it, she is still aging, day by day. She will one day become old and have wrinkles adorn her skin, have her hair thin and her eyes dull. And yet she wastes her time at the lake, gazing at her reflection and fretting about what she cannot change. Each day she comes closer to what she does not want, yet she fails to appreciate the beauty she has while she has
From that point onward, Melinda hides from herself by taking down or covering mirrors, an act to forget her past. It is made clear that Melinda dislikes looking at herself as it reminds her of what happened that night at the party. As can be seen in this quote, “I watch myself in the mirror across the room... Two muddy-circle eyes
The woman warns him, “Do not be deceived by appearances, for beauty is found within.” The prince, however, remains unconvinced and orders her away a second time. It is then that the woman transforms herself into a lovely enchantress and as punishment turns the prince into a monstrous beast. Beauty and the Beast is a story in which the central theme is appearance: it opens with the prince’s failure to look past an exterior and ends with Belle’s success at looking through the exterior. Similarly, in The Odyssey, appearance plays a large role.
Even though she thought she is mature, she gets the sense that she is yet imature since it is her first time exploring sexuality. Meanwhile, the theme of poem is portrayed by an adult having a conflict with another person. “How can it be that you’re so vain And how can it be that I am such a pain”(line 10-11). The speaker blames “you” about making her feel despair.
Granger gives the idea that they should build a mirror factory and look at themselves. This could mean that sees the great importance of understanding one’s self. Clarisse could also be said to be like a mirror for helping
In the year 2105, the American culture is a society that thrives off of the obsession of materialism and gaining the approval of others. Culture tells us to worry about how many “likes” we get on a picture of ourselves or the number of comments that tell us how beautiful or handsome we are. Beauty will fade, but people are willing to do anything that they can to preserve it forever. From plastic surgeries for a thiner nose, to silly home remedies for a wrinkly face, we won’t stop until perfection is achieved. The writings of Nathaniel Hawthorne in the nineteenth century did not differ much from the American culture that we see today.
Laurie Halse Anderson’s realistic fiction book Speak depicts the life of Melinda Sordino, a 9th grader who called the police at a party after being raped and is now a social outcast. The pain from the memories of being raped keep her silent as she struggles through a powerful depression and the problems that go with being in high school. Anderson uses mirrors as a motif throughout the story to portray the stages of depression Melinda goes through. At the start of the story Melinda leads a very depressed hidden life; Anderson uses the mirror to represent this.
The poem “Miniver Cheevy,” is about a man who spends his days wishing that he had been born in a different era than the one he spends his days in. Looking back on the olden days Miniver Cheevy feels that the olden days were much better than modern times and the poem goes on to show his love for the past. However, instead of doing something about his love and curiosity for the past he chooses to reminisce about the past and drink his misery away. Throughout this paper I will discuss the poem’s central purpose and its attitude towards its subject matter, and how the author uses allusion to reinforce the poems central purpose and attitude. First, I will begin with the poem central purpose or theme.
Melinda started to remove or cover any mirror she could. “The first thing to go is the mirror. It is screwed to the wall, so I cover it with a poster of Maya Angelou that the librarian gave me.” (50). Melinda was too disgusted to face herself.
Imagine being told as a female in today’s world you must look or act a ¬¬certain way in order to be accepted. Being what you want to be is not allowed and changes have to be made in order to be included. They say “pain is beauty, and beauty is pain” as they way a woman looks today are completely different from ten or even fifty years ago. In this paper, the reader will understand the mind of a woman in today’s society and the difficulties to be not only accepted but being her own person as well. Not only has the appearance of a woman changed but also role titles and job descriptions as well.
In the poem, "When You Are Old", by William Butler Yeats, the speaker 's attitude towards the woman is conveyed through several elements. It is clear that the speaker has a loving attitude toward the woman. The poem 's form-the way it is put together-makes the attitude clear. However, the diction, imagery, and tone assist the form to make the attitude apparent. The poem is set up in three stanzas.
Atwood criticizes the societal expectation of beauty that makes everyone vulnerable to pressure and
Your decisions to comply with society’s view of “beauty” are no longer subconscious, but rather are more conscious-driven decisions. Barbie’s slender figure remains idolized; however, it has evolved from a plastic doll to a self-starving model that is photo-shopped on the pages of glossy magazines. You spend hours in front of a mirror adjusting and perfecting your robotic look while demanding your parents to spend an endless amount of money on cosmetics and harmful skin products to acquire a temporary version of beauty. Consider companies such as Maybelline, which have throughout the ages created problematic and infantilizing campaigns and products for women. More specifically consider the “Baby Lips” product as well as the company slogan, “maybe she’s born with it, maybe it’s Maybelline,” that reiterates the male notions of beauty to which women are subjected.
Kite Runner The author of the Kite Runner is Khaled Hoesseini. He was born in 1965 in Afghanistan and then moved to America. Whilst living in America, he published novels one of which is the Kite Runner. The Kite Runner novel is a novel which depicted the Afghanistan condition from fall of the monarchy in Afghanistan trough the Soviet invasion, the mass exodus of refugees to Pakistan and the United States, and the rise of the Taliban regime (Kurilah, 2009)
Claudia recognizes that if we conform to the Western standard of beauty, we may gain beauty but only at the expense of others. However, Claudia learns to love Shirley Temple; Claudia “learned much later to worship her” (Morrison, page 16) This suggests that the idea of beauty is something that is learned and not natural or
M.H. Abrams’s The Mirror and the Lamp: romantic theories and the critical traditions is one of the most influential books in the field of western criticism. It was published in the year of 1953. The title of the book refers to the two contradictory metaphors used to portray the artist – one comparing the artist to a mirror which reflects nature as it is or perfected whereas the other compares the artist to a lamp that illuminates the object under consideration. Professor Abrams in his book illustrates the transition of the perspective of the theorists on the artist from one to the other and the ramifications of the latter in aesthetics, poetics and practical criticism. The essay “Orientation of critical theories” is the first chapter of this book.