“Mise Eire” Bringing Women into the World of Poetry Eavan Boland is known for her poetry being controversial. The subjects of her poems, most notably “Anorexia” and “In His Own Image,” were not wildly discussed at the time of their publication, and Boland believed that this wasn’t right. Most of her poems were brash in their own ways, with no hidden meanings behind her words, and are meant for discussion. “Mise Eire” also has an important role to play in these discussions; in it, Boland is pulling women out of the mythical land that they’ve been placed in for generations and put back into reality. Women are underrepresented in Irish poetry, and the ones that do make an appearance become mythical creatures, such as maidens with extreme …show more content…
Poems and songs about the Fenian rising of 1867 are still popular today, and it is doubtful that poems written about the 1916 rising will diminish any time soon. “Bold Fenian Men” is a song written about the braveness of those who went to fight in the Fenian rising, and while it is told from a female perspective, she places all of her focus on the braveness of men. In the poem “Wishes for my son,” a father wishes a better life for his son than the one he had, hoping that his fight for freedom takes hold, and that his son will not have to fight, but have a peaceful life. The sentiment is true and pure, but devoid of any thoughts for any female presences. Women in this poem are found undeserving of any mention, and once again, are absent from prominent poems. These poems gain nothing in removing female presences, nor would they lose meaning should they mention them in more than the role of elevating men. Boland simply wishes to do this, to make women in poetry be their own person, to have lives as complicated as their male counterparts without using domination over men. This is why the women in “Mise Eire” simply
At the dawn of the 1770s, American colonial resentment of the British Parliament in London had been steadily increasing for some time. Retaliating in 1766, Parliament issued the Declaratory Act which repealed most taxes except issued a reinforcement of Parliament’s supremacy. In a fascinating exchange, we see that the Parliament identifies and responds to the colonists main claim; Parliament had no right to directly tax colonists who had no representation in Parliament itself. By asserting Parliamentary supremacy while simultaneously repealing the Stamp Act and scaling back the Sugar Act, Parliament essentially established the hill it would die on, that being its legitimacy. With the stage set for colonial conflict in the 1770s, all but one
It requires a reflective and sincere look on life. Many people from different walks of life look to find themselves and do not succeed because they fear being exiled or regarded as being defiant towards their family. “Lost Sisters” although the reader might think there are two separated women represented in this poem, there is a perception that Cathy Song has an alter ego. The first half is her origin and draws close to her Korean-Chinese roots. The second half is distinct from a heritage and closer to her American culture.
“Poetry Is Not a Luxury” (1982) intertwines feminism and poetry together. Author Audre Lorde says that for women, “poetry is not a luxury, but a necessity of our existence” (Lorde, 1982, pg. 281). In today’s society, women’s opinions aren’t really expressed, because it’s not widely accepted in this man-built world. Lorde’s quote “poetry is not a luxury, but a necessity of our existence” means that women should use their voices and channel their energy into poetry. Since poetry is accepted, women aren’t being deviant.
Perrault, a 17th century French author, wrote about women as damsels in distress in his fairy tales, while Atwood, a 20th and 21st century Canadian author, offers a more realistic and modern approach in her writing. Sharon Wilson, author of the essay “Margaret Atwood and the Fairy Tale: Postmodern Revisioning In Recent Texts”, calls Atwood’s use of fairy tales to talk about current issues in society as “meta-fairy tales”. Atwood’s “meta-fairy tales” offer insight on gender politics in a current patriarchal society. Instead of using generic conventions to tell her story, like Perrault does, Atwood uses them and then dismantles them in order to show the reader the problems within the genre like she does in her poem.
She asks her readers to rise above their defeats, to not allow anyone to stop their dreams. In demonstrating how she succeeded she has been a role model for women of all cultures and races. The “Phenomenal Women” poem is a celebration
In “The Hoodwinking of Madeline: Skepticism in The Eve of St. Agnes,” Jack Stillinger discusses some possibilities of feminist readings of the poem. First, the romantic poem is about two young lovers—Madeline and Porphyro. Madeline dreams of her lover and her visionary imagination comes true as she wakes to find Porphyro present in her bed. The feminist presence of this poem and essay are pointed out by the internal and external conflicts of the dream and the world. As Madeline is mentioned as a saint and as Porphyro is seeking his heart’s desire of sexual encounters with Madeline, we discover that Madeline is an independent thinker as she decides to run away with Porphyro.
Natasha Trethewey’s Native Guard is a collection of poems highlighting the childhood of her life and honoring her mother. Additionally, Trethewey speaks about the racial background of the Deep South where she grew up and one of the first black regiments who were called into service during the Civil War, the Louisiana Native Guards. Trethewey includes sonnets and monuments to express the meaning behind her poetry. Throughout the collection of poems, there are certain poems that are very apparent in expressing the severity of Trethewey and the Native Guard’s struggles. One of the poem’s in Native Guard that truly captivates the story of Trethewey’s childhood and racial struggles is “Photograph: Ice Storm, 1971”.
This becomes evident in a lack of information about the type of society, and the reader therefore lacks a complete understanding of how the women are oppressed. As a whole, this poem sets forth the idea that female gender is fluid, and asks its readers to questions what it means to be a woman in a male dominant
4. Abject in “About Face” Similarly to the crucial aspects above, the poem “About Face” represents some issues already mentioned. The poem “About Face”, by Patience Agbabi is a poetic depiction of the mythological painting of the goddess of the hunt Diana and a hunter Actaeon. First of all, the poem has an interesting structure and way of representing and conveying its meaning.
The different key features also plays an important role for example the tone that is being formed by the lyrical voice that can be seen as a nephew or niece. This specific poem is also seen as an exposition of what Judith Butler will call a ‘gender trouble’ and it consist of an ABBA rhyming pattern that makes the reading of the poem better to understand. The poem emphasizes feminist, gender and queer theories that explains the life of the past and modern women and how they are made to see the world they are supposed to live in. The main theories that will be discussed in this poem will be described while analyzing the poem and this will make the poem and the theories clear to the reader. Different principals of the Feminist Theory.
In Henrik Ibsen’s A Doll’s House, the three-act play, set in 19th century Norway, explores the progress of Nora’s marriage as she attempts to hide her debt and forgery from her husband. Ibsen conveyed social commentary on gender roles and societal expectations, a topic still in controversy, through the use of symbolism, irony, and dramatic elements. In A Doll’s House, Ibsen presents the problems associated with the position of women in a man’s world of business as his central focus, even if other social or individual problems become more prominent as the play progresses.
“Cathleen Ni Houlihan”, a play that William Butler Yeats co-wrote with Lady Gregory, in 1902, is about Ireland’s fight for their independence. According to Nicholas Grene: “What is at issue [in Kathleen Ni Houlihan] is the political meaning which the play generated and the potential for such meaning which the text offered.” (Grene, 1999) The play is set in a cottage kitchen and centres in the 1798 Rebellion. The play: “stages two conflicting narratives of Irish peasant womanhood. Mrs. Gillane and, potentially, Delia, her son’s pretty, well-dowered bride-to-be, represent a realist, maternal order, the values of hearth and home; the Poor Old Woman, Cathleen, also dressed as a peasant, represents a contrary order of being – symbolic, nomadic, virginal, sacrificial rather than procreative (…)
In essence, this attack is representive of Ibsen’s attack on the societal conventions. Through Nora’s ultimate rejection of her society’s gender roles, Ibsen illustrates how there is some ability for these entrenched roots to be ripped up
This directly corroborates society’s viewing of her as the description only includes her sexual physical assets. Duffy writes this because she is trying to convey the sufferings of women in society as they are consistently objectified, devaluing their nature as a human being, and she invokes people to make a change. This theme of valuing women in a restrictive way as one only notices the physical elements of a female is continued throughout the poem, for example when the artist “is concerned with volume, space”, or “You’re getting thin, Madame, this is not good”. This directly references the corporeal elements of a body. The purpose of this quotation is consistent with the aforementioned one.
Women have less to say about what they need or want but they have to pay much and also to face the results when the men around them botch. It is dreary to see these frail willed men delineated in the novel who failed to stay up for women, who recognize an overall population where women are set backs of their