Modern Architecture: History And Definition Of Modernism

Modernism- Modern architecture or modernist architecture is a term applied to an overarching movement, modern or just plainly evolving term, with its exact definition and scope varying widely. The term is often applied to modernist movements at the last or end of the 20th century, with efforts to reconcile the principles underlying architectural design with rapid technological advancement and the modernization of society. It would take the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification. The term Modern architecture may be used to differentiate from Classical architecture following Vitruvian ideals, while it is also applied to various contemporary

Gaining global popularity especially after the Second World War, architectural modernism was adopted by many architects and architectural educators, and continued as a dominant architectural style for institutional and corporate buildings into the 21st century. Modernism eventually generated reactions, most notably Postmodernism which sought to preserve pre-modern elements, while "Neo-modernism" has emerged as a reaction to Post-modernism.Notable architects important to the history and development of the modernist movement include Ludwig Mies van der Rohe, Le Corbusier, Walter Gropius, Erich Mendelsohn, Frank Lloyd Wright, Joseph Eichler, Richard Neutra, Louis Sullivan, Gerrit Rietveld, Bruno Taut, Arne Jacobsen, Oscar Niemeyer and Alvar

In spite of its name, and the fact that its founder was an architect, the Bauhaus during the first years of its existence did not have an architecture department. Nonetheless, it was founded with the idea of creating a "total" work of art in which all arts, including architecture, would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, Modernist architecture and art, design and architectural education. The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography.

The school existed in three German cities: Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933, under three different architect-directors: Walter Gropius from 1919 to 1928, Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi-led government which had claimed that it was a centre of communist intellectualism. Though the school was closed, the staff continued to spread its idealistic precepts as they left Germany and emigrated all over the