The Modification of the Definition of Marriage
Cornell University Law School defines marriage as, “The legal union of a couple as spouses. The basic elements of a marriage are: (1) the parties’ legal ability to marry each other, (2) mutual consent of the parties, and (3) a marriage contract as required by law” (“Marriage”). The definition of marriage is very permissive, allowing society to build up on its definition. Literature in the 19th century, such as Charlotte Gilman’s “The Yellow Wallpaper” and Kate Chopin’s “The Story of an Hour”, give the readers of the 21st century a detail insight of the life of a 19th century typical housewife and 19th century marriage. The definition of marriage in the 21st century is very disparate from that of the 19th century, and is shown through the works of these women. The difference in the concept of marriage is very apparent, hence the wives in the stories were subdued domestic caretakers, while their husbands were repressive breadwinners, each in their separate spheres. Gilman’s “The Yellow Wallpaper”, revolves around the life of a housewife that is unable to fulfill her wifely duties because of her nervous condition. To the readers it seems as if the story itself is the narrator’s secret journal, where she relieves her mind. She began the story as a
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In “The Story of an Hour”, Louise receives the news of her husband’s death. She wept as soon as she heard of her husband’s death and after weeping in her sister’s arms she left to her room alone. While in her room, she gained an understanding of what her husband’s death meant, she could now live a worthy life without her constraining husband. This was all to great to be true, she was asked to come downstairs by her sister. As she descended, her husband walked through the door, and she died “of heart disease- - of the joy that kills”
In spite of the fact the women appear frail throughout the story, they eventually show their strength. In Gilman’s, “The Yellow Wallpaper”, John the husband of the narrator in the story moves his wife to a new house shortly after her giving birth. Because John is a doctor he feels as though he knows more than his wife and is completely disregarding her feelings. He stripped her of her identity, and she couldn’t express herself.
The idea of marriage and what was considered an ideal union has drastically evolved. Marriage has only become an option in our civilization it’s no longer a social requirement, neither a priority for a female or male to get marry. In “The Yellow Wallpaper” Charlotte Perkins Gilman illustrates a controlling and dysfunctional relationship that also relates to “The Story of an Hour” where Kate Chopin also reveals a dysfunctional and unhappy marriage. When paired together, both pieces of writing portrait the other side of marriage where everything is not just a happy ending and it’s shown as incarceration and loss of freedom. Also, both writing take place in the nineteenth century, a time period when marriage was considered the right thing to do
The protagonist of The Yellow Wallpaper anthropomorphizes the floral elements of the yellow wallpaper, wherein wallpaper is typically a feminine floral decoration on wall interiors. These elements signify the scrutiny Victorian society makes of lives of its womenfolk, particularly of women who are creative and insubordinate to their spouses. The protagonist is one such woman; her writing denounces her imaginative character and the surreptitious persistence of her writing denounces her matrimonial and feminine disobedience which were considered radical in her contemporary society. Gilman expresses the suppression felt by women from societal scrutiny to be one of “strangling”, through the narrator, who in one instance describes the wallpaper pattern like so: “it strangles so; I think that is why it has so many heads… the pattern strangles them off and turns them upside down, and makes their eyes white!” Her anthropomorphizing of the pattern of the wallpaper adopts a grimmer facet when she writes that “when you follow the lame uncertain curves for a little distance they suddenly commit suicide.”
This supposedly difficult moment for Louise in the story is the news of Brently Mallard, her husband, death in a train accident. At first she sobbed as any wife would after hearing the death of their loved one. She picks
Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator, Jane, has postpartum depression. In order to cure this depression, John, Jane’s husband and a doctor, administer the rest treatment on her. Gilman wrote “The Yellow Wallpaper” through her personal experience. Along with writing “The Yellow Wallpaper” she wrote an explanation for why she wrote “The Yellow Wallpaper.”
In the short story “The Story of an Hour”, By Kate Choplin was about a main character named Louise Mallard, who had a tremendous change in her life. The open window and the independence Louise Mallard is experiencing is a forbidden pleasure that represents her way of new life and opportunity. The life of Louise Mallard was always been in control by his husband and she never gets any freedom until the news she receive about the death of his husband Brentley Mallard. Mrs. Mallard reaction to the death of her husband was “She wept at once,” this describe how she felt when they told her about his husband was “killed” (Para 2, Line 6), she felt as she was hopeless and not herself anymore and that she will always be the wife material of Brentley Mallard.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, it is demonstrated that the oppression on women is a very real and hazardous thing. She depicts this through an experience of a crazy married woman who is trapped by her husband and contained in the mental prison that is her home. Using the aspects of gender criticism, “The Yellow Wallpaper” is in conjunction with these societal way to oppress women through the male dialogue and perspective. Through the inspection of the male dialogue in this piece, Gilman makes an allegation about males and their tendencies in this time period. The are achar reprised and characterize themselves as being superior, dominant, and overruling to females.
Apart from the mental battle she experiences throughout the story, Louis from Story of an Hour is also trying to come to terms with her independence and what that means for her as a person now that she is free from the constraints of her husband. When she first hears the news of her husband's accident, she is in the process of grieving, but as she continues to come to terms with his death, she also starts to feel a sense of relief which is what causes her to have conflicting feelings and a sense of guilt. The joy that turns out to be more "monstrous" than Louise seems initially to think possible, and the resulting emotional strain brought about by her new understanding of her marriage and her supposed sudden freedom from that marriage. “When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under her breath: "free, free, free!"
The Yellow Wallpaper by Charlotte Perkins Gilman is a short story told through diary entries of a woman who suffers from postpartum depression. The narrator, whose name is never mentioned, becomes obsessed with the ugly yellow wallpaper in the summer home her husband rented for them. While at the home the Narrator studies the wallpaper and starts to believe there is a woman in the wallpaper. Her obsession with the wallpaper slowly makes her mental state deteriorate. Throughout The Yellow Wallpaper Charlotte Perkins Gilman uses many literary devices such as symbolism, personification and imagery to help convey her message and get it across to the reader.
The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a story full of imaginative symbolism and descriptive settings. However, without the narrator’s unique point of view and how it affects her perception of her environment, the story would fail to inform the reader of the narrator’s emotional plummet. The gothic function of the short story is to allow the reader to be with the narrator as she gradually loses her sanity and the point of view of the narrator is key in ensuring the reader has an understanding of the narrator’s emotional and mental state throughout the story. It’s clear from the beginning of the story that the narrator’s point of view greatly differs from that of her husband’s and other family in her life.
The story “The Yellow Wallpaper” written by Charlotte Perkins Gilman in 1892 shows mental illness through the narrator first hand. The theme in this story is going insane verses loneliness as well as being trapped. These themes are shown through the main character (the narrator of the story) as she works through her own mind, life, and surroundings. First, the theme of the woman’s state of mind is the main focus in this story.
She exists in a time when women are classified as objects of beauty and property, and her heart trouble suggests that she is fragile. Louise’s initial reaction to the news of her husband’s death suggests that she is deeply saddened and grief stricken when she escapes to her bedroom. However, the reader is caught off-guard with Louise’s secret reaction to the news of her husband’s death because she contradicts the gender norm of the 19th century woman. Her contradiction to the stereotype / gender norm is displayed when she slowly reveals her inward
Madness and what it causes, an analysis on the basis of the chosen short stories written by Charlotte Gilman and Edgar Allan Poe. Madness has many faces, usually such a state of mind is far from desirable. Person with an unstable mind can cause a havoc in a pragmatic and organized world of ordinary citizens. People build society of certain cultural norms for breaching which an individual faces various consequences. Very few bother to determine if a person while breaking some set of rules is capable of answering for his or her actions or not, today 's average individual suffering from a mob mentality is more keen on finding a scapegoat rather than a just solution.
She wrote “The Yellow Wallpaper” in an effort to open the public’s eyes to the unfairness of this treatment. By infusing Jane’s narrative with childish language and actions without ever actually calling “Jane” by her name, Gilman creates a universal experience any woman of the time could insert herself into. This allowed women to fully realize the injustice they faced. John’s belittlement of Jane also serves to create both a universal and eye opening experience for the women reading it. Additionally, for those who were willing to read into the symbolism, the nursery and the meaning underlying it added to the injustice Gilman conveys.
This paper will explore the question: what does the Communist Manifesto and Leo Tolstoy’s character, Pozdnyshev, say about marriage? The thesis of this essay is that they are largely in agreement; they both believe marriage is an unnatural, hypocritical and an oppressive institution. According to Karl Marx, marriage in bourgeois society is a farce. It is supposed to be hallowed and revered, but it is instead just another way for one class of people to exploit another.