Montreux Jazz Festival Analysis

Their popularity grew from there and even received offers from New York to create a record deal and “make it big” ( "Tin Roof Blues: The Story of the New Orleans Rhythm King 's"). Though they did not go to New York. Instead they went to the Gennett Record Company in Richmond, Indiana in 1923, one year after they created their band ("Tin Roof Blues: The Story of the New Orleans Rhythm King 's"). They continued to create many popular songs in their time that have been covered and recorded by many other different bands over the years. One of their most famous songs is “Tin Roof Blues” ("New Orleans Rhythm Kings a.k.a

According to “ Louis Armstrong” by DISCovering Biography it states "You can't play a note on the horn that Louis hasn't already played," said Miles Davis. ” You might think that people before Armstrong have done this. That may be true but Armstrong is famous for it. In the article “Armstrong Louis” it states, “ A famous innovator, Armstrong was a major influence on the melodic development of jazz in the 1920s; because of him solo performance attained a position of great importance in jazz.” Armstrong revolutionized the way we think of jazz.

This festival started in 2003 to help the ongoing growth of the neighborhood. Many musical talent of Shreveport play in this festival and recently in 2008 they incorporated an outside talent to be the headliner for the festival. The Caddo Indians, is a tribe of Native Americans who were the

Many famous musicians started of in the cotton club like the famous composers of here time Duke Ellington and Arlen Harold.(Rollyson, Carl E) The Cotton Club was more then a speak easy to white audiences it was part of a cultural diffusion. Located in the heart of Harlem in the corner of 142nd street and Lenox avenue. The cotton club originated in 1920 but wasn’t called the cotton club when it had its first appearance. Former heavyweight boxing champ Jack Johnson opened the Club De Luxe.

It is unique and diverse that the musicians improvise music within the spur of the moment which makes Jazz music much more intriguing and different from other genres of music consequently making it one step from the past, one step from the present and one step from the future. (What is Jazz?, n.d.) The Birthplace of Jazz Approximately about a hundred years ago, Jazz was born in New Orleans although some of its roots are being connected to the musical tradition of both Africans and Europeans. It bloomed in New Orleans considering it was a port of all nations and meeting place for different nationalities and ethnic groups that they blended in together and got along with each other using music. They communicated through music that is why Jazz music got its roots from different nations, breaking the “carapace of dogma around an established view” in a way that Jazz music was not only established and originated from

For example, the time that Gillespie cooperated with the Afro­Cuban Jazz percussionist and composer Chano Pozo and a Afro­Cuban Jazz musician/trumpeter and composer Mario Bauza (Source 3). Bebop on the other hand, involved great artists of a different field in Jazz. Gillespie and two musicians known as Charlie “Yardbird” Parker (saxophonist and composer) and Gomez­Aristizabal 4 Thelonious Monk (pianist and composer) (Source 5). In both these encounters these individuals were able to compose the first early stages of these techniques.

As I will study Afrofuturism and music in the 21st century, it is important to look at the historical and musical background of Afrofuturism in the 20th century in order to get a good image of the history of Afrofuturism. There are different musical genres and artists that can be associated with this term. I will give some examples of musical genres and artists that were involved in the Afrofuturistic music. Jazz is the first musical genre that will be discussed. Jazz is often associated with blackness and slavery.

Jazz advanced into new kind of jazz and blues developed into an alternate sort of blues. Chicago Blues took into account musical sorts to approach. Without Chicago handles, punk, disco, demise metal, pop, funk, hip-bounce, and more would not exist.f technolo-gy and instruments gave new musical thoughts to the performers of the time. Chicago Blues will live on through more current age specialists and gatherings, for example, the Jonas Brothers, Brittney Spears, Lady Gaga, and that 's just the

• Miles Davis played an important role in jazz. He had been influential in the development of several Jazz aspects and styles including Be-Bop, cool and modal Jazz. I will come back to this artist in more detail afterwards. Characteristics 1.

This mural has also invigorated the area economically. The Kafka cafe, in which the mural is painted on top of has seen an increase in business since the mural has gone

Jazz has shaped the world we know today. Jazz would have never been as popular without the help of the famous musicians: Jelly Roll Morton, Joe King Oliver, Sidney Bechet, Louis Armstrong, and Duke Ellington. These people helped spread the new genre through radio, railroads, and the records that they played. Where did this all start? The jazz age began in New Orleans where a certain King was born.

This is ultimately how INXS commenced their mark in America. In 1983 they began their U.S tour and played their first New York City headlining show at The Ritz in May and also at the U.S festival in California which they had 300,000 attendees cheer for 2 encores. The bands success began to spread around the world and they performed their debut show in London, England at The Astoria. INXS became the first international rock band to play in Guam in September of 1984 and In July of 1985, the band’s Sydney performance for the Live Aid benefit concert was broadcast worldwide. In October of 1985, they released their next album, Listen Like Thieves but it wasn’t after the hit single What You Need was released the following January, that Listen Like Thieves reached gold status in the America and eventually went platinum.

In Matt Sakakeeny’s Roll With It! Brass Bands in the Streets of New Orleans, he explores the brass band tradition through the lens of social justice. Along his exploration of the vibrant tradition that is engrained within New Orleans musical history a reoccurring theme surfaced: the “expediency of culture”. Through Sakakeeny’s portrayal of the tradition, the idea of making art for the purity of the art contrasts with that of art for the sake of the economy and the question arises of whether or not the second line is truly a part of the city or a regulated part of a larger dog and pony show put on for tourists. Despite New Orleans being known as cultural capital for the trifecta of fun: music, food, and architecture, the culture that it’s famous

After a quick trip to Los Angeles, he returned to Chicago to form a band and began touring. For the first time in 9 years, Louis returned home to New Orleans to play with Oliver once again. In short, he was greeted a hero. While in New Orleans, he realized that he wanted to spread his music throughout the world. As a result, in 1932 he traveled around Europe spreading his unique sound.

Between 1917 and 1923 racism, prejudice, and violence reappeared against the African American and Creole population in New Orleans. Because of this many musicians were forced to leave New Orleans and relocate during this time. This caused the spread of jazz throughout the United States. Many jazz musicians went to Chicago, New York, and Kansas City. Although Chicago was the most popular, many others still went to New York.