This reinforces the idea that Grendel’s mother is also a monster, since put in the same position as the prior one. The two monsters, Grendel and his mother are also associated with the night as a time for action. This reinforces their animal-like behavior, and the monstrosity of their actions because they are not giving fair warning to the humans. The monstrosity of Grendel is also seen through his savagery when killing the men. He is carnivorous and feeds on human flesh.
They each show characteristics of being a monster, they are hostile toward others and inspire a sense of dread commonly associated with creatures of evil or those that are not fully human and care little for the nature of that which is good. The perception of what makes a monster is questioned as the more we learn about the scientists the more we question their humanity. Frankenstein takes on the qualities of a mad scientist robbing graves and desecrating corpses, and Nathan drowns himself in alcohol taking out his aggression on those around him. Frankenstein’s creation in novel is able to express compassion and is able to show remorse, caring for things beside himself. Nathan comments about in regards to Ava's brain that it is “Impulse.
When the Monster said this anyone would have sympathy for him and the way Pullman wrote this he made sure it did because when the Monster said that it sounded like he had a bad image of himself because he had gotten that off other people. The Monster also said “And that’s humanity in a nutshell” describing of how no one would ever accept him because everyone was so self absorbed and in it to kill it instead of being inclusive. This also was
The Creature’s feelings of rejection from society and the abandonment from Victor compel him to use violence and seek revenge. In so, the Creature ends up killing a great many of people throughout the story, some of which include: Victor’s younger brother William, Justine Moritz, Victor’s close friend Henry Clerval, and Victor’s soon to be wife Elizabeth Lavenza. Many would say that the story of “Frankenstein” from the start sets out to make the creature seem to be naturally evil and a monstrosity of a thing which is directly the cause of its uncontrollable bloodthirstiness, but I believe this to not be the case. Although the Creature behaves viciously and murders several people, he is not inherently evil or malicious. It is because of the human relationships he endured and the consequences of a neglected psycho-social responsibility that drove him to do such
Monsters and Narrative : The construction of the fears from within the text in Frankenstein and Dr. Jekyll and Mr. Hyde Gothic literature, more often than not, deals with monsters. The monster is a representation of the strongest fears and the more hidden desires of the society in which the book is written. In The Strange Case of Dr Jekyll and Mr. Hyde, as in Frankenstein, this fear is also contrasted with the narration of each story. In other words, the fear represented through each monster is exalted with the way each story is narrated. In both stories the monster is a creation of scientific research but each one threatens the world in different ways.
The monster’s appearance also made many people assume that the monster would behave ruthlessly and immorally. For example, when the monster saved the little girl from drowning he was treated as a villain because of its frightful appearance. Shelley brings up the idea of people judging each other by the first impression. During the time the book was written and today there has not been much change because we still judge each other based on looks. Many immigrants are seen as horrible because of their outer appearance or what they have heard about them.
This also indicates that Beowulf kills for the purpose of battle and avenging the lives lost at the hands of Grendel. Lastly, we must analyze the monsters in the poem and how they are different and similar to the hero. Grendel is a chaotic monster that comes to Heorot Hall each evening to attack and feast on King Hrothgar’s people (page 44, lines 115-25). Grendel’s actions of killing demonstrate to the reader that he does not do this for any higher purpose other than to cause chaos, meaning he has no value for honor. Another heroic trait that Grendel does not possess is power of blood.
A Monstrous Metamorphosis “Monsters are real, and Ghosts are real too. They live inside us, and sometimes, they win.” (Stephen King). We, as human beings, are constantly inserting the ideas of the monstrous into our culture. If you would look across all the many people of the world you will find that much of their culture centers around monsters. Many books, movies, and television programs center around both the physical and mental state around monsters.
This is shown when Victor's monster escapes from the lab and the individuals the monster faces are negatively affected. Any time Frankenstein’s monster came in contact with another individual, people would either be too scared and run away from him or attempt to kill him. For instance, after the monster was brought to life, he describes how disoriented he was; how we had to understand the basic of being human and grasp standard knowledge of how to read and write; this way, he could be socially acceptable. Moreover, in seeking guidance, the monster first visited a random man who later ran away in terror, and after that, he wandered into a village, which also proved that individuals will not accept the monster, primarily because he is far too grotesque; and so he was ostracized by the people. Enraged by the fact, Victor’s creation begins to have little regard for the people around him, especially those who reject him.
In Frankenstein by Mary Shelley, the main character Victor tends to show flickers of his own monster in his personality, leading the reader to believe they are one in the same. Victor may not outwardly portray his monster but his emotions and desires line up with that of the monsters actions. The anger Victor and the monster share brought about by society are traits of this deep emotional bond they have. A literary doppelganger best describes the two being, meaning a Victor's monster is another version of himself. The Creature is Victor's inner most emotions, those that are often hidden due to society's expectations; this madness is brought to the surface through the monster.