In criminal cases, it appears that there is a lot to consider. There are suspects to determine, people to interview, actions to be taken, motives for a crime, and so on. But emotion and attachment to family never seems to fall into this category. In Montana 1948, this variable comes into play. Wes and Frank Hayden are brothers. Franks is a doctor who doesn’t know that he can be apprehended for his mistakes and Wes is the county sheriff. When it is revealed that Frank raped young Indian girls, Wes finds himself stuck in a crossroad – to either arrest his brother and tear his family away from him, or to not arrest Frank and allow him to continue molesting girls. Wes knew that the right thing to do was to arrest Frank, yet was indecisive because …show more content…
Wes knows that if he goes with what he and his family knows is right, then the Hayden name will be injured, and he knows that this will tear the Hayden family apart. Wes knew the whole time that Frank was probably guilty and that he should be arrested, but didn’t want to hurt the family. The book states, “‘I don’t want this getting back to my father.’… And my father knew he was guilty” (42-43). Wes wants to keep his father from knowing about this until Wes could totally conclude that Frank was guilty as a rapist. Wes needed total proof before he could assuredly apprehend a man: “My father believed in proof, in evidence, and he held off on his own convictions until he had sufficient evidence to support them” (42). Taking together that Wes believed in confirmation, that he wanted to not let this information get to his father, and that Wes knew that Frank was guilty, one can conclude that Wes doesn’t want to tear the Hayden family in two. Wes tries very hard to keep Frank’s awful wrongdoings under wraps for as long as he could, even when Grandpa demanded to know what Frank had done. The book reads, “[Grandpa] said, ‘What? What are you saying? Goddamn, speak up!’ … ‘Murder!’ my father shouted” (113). Wes desperately wanted to keep everyone together and everything calm and …show more content…
Wes did not want Frank to be arrested: Wes locked Frank in the basement instead of running him in into the prison across the street. This was not only for Frank, but also for Grandpa. Having Frank locked up in the basement saved Frank from humiliating and ruining himself: Wes says, “‘But he’d like to keep this quiet. He didn’t want to be locked up in jail. I said I’d respect that,’” (103). Wes truly cares for his brother, his emotions, and his desires. But not arresting Frank saved Grandpa of nearly the same thing. Wes saved Grandpa the pain of having his work of building up the Hayden name toppled and his favorite son behind bars – Wes tried to save Grandpa’s pride, just as he tried to save Frank’s. Grandpa retorts, “‘You–investigating?’ In those two words I heard how little respect my grandfather had for my father and anything he did…. ‘But I thought you’d have the good sense not to do anything. Now you pull a fucking stunt like this. I should’ve taken you aside and got you straightened out’” (111-112). Wes tries to save the pride that Grandpa has left – his pride of Frank, of his existing
One quote Wes Moore uses to portray this about Wes is that “It was years before Wes’s mom found out her son had been arrested that day. By the time
As the family moved Wes was not enjoying his school, and his brother Tony was getting into the wrong crowd of drug dealing. As Wes watched his brother he grew to become like him, and as we saw his issues rise Wes got his first arrest in middle school when he got in an argument with a classmate and brought a knife to confront him. Wes’s adolescents was not very successful in that as he grew older we started seeing a girl, Alicia. Alicia became pregnant while Wes was still hustling to make money. To hide this from his mother Wes told her he was making money DJ’ing.
One of the things that makes the Lions of Little Rock such a revolutionary and fruitful novel for theme is how it plays with the ideas of freedom. The main character Marlee starts off the novel with a reluctant and cynical perception of community, but decides to make a change after meeting Liz. Liz provides to Marlee what not even she can, and that’s the receptive comfort of loving Marlee for who she is. Liz, at least to me, is one of the most cultured and thorough characters to be penned in a book because she invokes a sense of real happiness. One beautiful example that ties the two together is when they are separated.
After hearing that wearing the headset and reporting police would earn him money, Wes accepted the first offer he received from the boys without considering the numerous potential consequences. Furthermore, Wes proved later in his life that a quick pay day was worth risking jail time when he did not listen to his instincts about a undercover police officer trying to purchase drugs. These decisions led to the “fateful day” (xiv) where police officer Prothero was killed, consequently sealing Wes’s fate. In essence, Wes’s inability to think long term led to his
On page 83, after being arrested for tagging with Shea, Author Wes stated, “I became aware of how I had put myself in this unimaginably dire situation - this man now had control of my body; even my own hands had become useless to me. More than that, he had control of my destiny—or at least my immediate fate. And I couldn‘t deny that it was my own stupid fault. I didn‘t have the energy for romantic rebellion—the possibility of losing all control of my life was like a depthless black chasm that had suddenly opened up in front of me.” Realizing that he did not want this kind of life, that he did not want to disappoint his mother, and that he did not want to be like Shea saved Wes’ fate from becoming like that of the Other Wes’ – a fate he was expected to realize by societal figures such as his homeroom teacher, who had already given up on
The Ya-Yas of Louisiana In Callie Khouri’s rendition of The Divine Secrets of the Ya-Ya Sisterhood, Siddalee Walker is a playwright living in New York City in the 1990s. Her current play focuses on her skewed vision of her Louisiana childhood; her mother, Viviane, is an eccentric alcoholic who wasn’t always present, whether that be mentally or physically. The Ya-Ya’s, Viviane’s circle of friends, fly to New York to bring Siddalee back to Louisiana to explain what really went on with her mother. The big spoiler is that Siddalee thinks that Vivi willingly left them for months, but she finds out she was involuntarily committed due to alcoholism.
Following the death, his mother decides to move them into their grandparent’s house in New York, hoping this will make things a little less challenging. However, the neighborhood was not how she remembered. Wes was now witnessing more drug activities and dealing with being enrolled into a new school with a divergent environment. Dissatisfied with his life, he began to care less. His attitude caused his grades to drop and eventually he was placed on academic probation.
Making Connections – The Arduousness of Lies Lies are often told spontaneously as the result of troubling events occurring to someone or something and are often used to manipulate segments of these events in order to attempt to alleviate the trouble or punishment given to the causer of the event. In the novel, The Scarlet Letter, by Nathaniel Hawthorne, the character Dimmesdale committed a sin and has withheld this secret for the rest of the town, while he watched the other perpetrator of the sin be punished, ridiculed, and isolated by the town of Boston. The pressure and guilt of lies is often too great of a force to withstand, judging by a past life experience, Dimmesdale reviled his secret to alleviate this dreadful feeling of pressure and guilt. At the age
Nature versus nurture is one of the most controversial debates in contemporary psychology. The debate concerning whether or not humans are born with the preset characteristics that will shape lives for years to come or whether actions are a result of the events and the environment that pave the way for our behavioral characteristics. Capote’s “In Cold Blood” gives the audience a detailed look into the upbringing of the character Perry Smith, creating a sympathetic outlook towards his past and attempting to bring a sense of understanding as to how a seemingly harmless young man could brutally murder four innocent people. In the case of Perry Smith, nurture was the cause of his actions in regards to the Clutter family murders.
Alabama Moon is about a boy named Moon Blake (dubbed Alabama Moon by the general public), a recently orphaned boy. For his whole life, he and his father have lived together in the forest, away from the government. Now he's ten years old, with only what his father taught him and told him to do: 1. How to survive in the wilderness without having to rely on others, 2. Run away from the law (for him, the other way of saying “government”), 3.
The “other” Wes just done with a game of football when his police encounter became about. Wes kept on violently pushing a boy during the game and the boy finally had enough and swung a punch and it Wes in the face and busted open his lip. In response to that Wes went into the kitchen grabbed a knife and was sprinting toward the boy, but the police arrived gave Wes two warnings then, “One of the police officers stepped up… slamming him face first into the trunk of the police cruiser.” Moore (34). This was a very hard moment for the “other” Wes because he did not want his mother to find out about him getting arrested so he had to resort and call
Growing up, Wes did not have anyone else to look up to besides his older brother Tony, that was involved in
Frank was a normal person looking for love and affection as done anyone else. He found the wrong girl who was with the wrong guy. Frank was innocent in the situation but the jealousy of Richard Strout was to much for him to bare so he murdered Frank. The audience sees the reason behind Mr.Strouts murder and the reason behind Mr.Fowlers murder and deems one reason better than the other therefore one murder is okay and
However, Wesley defies his father and attempts to bring Frank to justice by locking Frank in his basement. Frank soon breaks into the root cellar and kills himself before he can be moved to the public jail. Wesley held a big role in the imprisonment of Frank and displayed heroic qualities
In Philip Roth’s Goodbye, Columbus is a coming-of-age story, in which the twenty-three-year-old Neil Klugman, particularly in relation to his Jewish identity. The event that that precipitates this identity crisis is meeting Brenda Patimkin, with whom he has a relationship over the course of a summer. While Brenda and Neil are both Jewish, their differences in socioeconomic class create the central tensions of their relationship. Neil lives with his aunt and uncle in a lower-middle-class area of Newark, New Jersey, and works in a public library.