Who is a better person? Fortunato or Montresor? In the story “Cask of Amontillado” by, Edgar Allan Poe is a story that tells about how Montresor was out to get Fortunato, because Fortunato insulted him. Fortunato was a person who liked to drink a lot of wine, because he thought he knew so much about it. Fortunato makes himself an easy target because of his rudeness, the problem he has with wine, and he is very determined to taste the Amontillado.
Though Fortunato is an intelligent wine expert, his expertise leads him to his death. In Italian the word Fortunato means fortunate, something that he is not by the end of the story. In the short story “The Cask of Amontillado,” Edgar Allan Poe writes in the first-person point of view from the perspective of Montresor, the diabolic narrator of this tale, who vowed revenge against Fortunato. Montresor began to develop the perfect plan for retribution.
"Out of suffering have emerged the strongest souls. The massive characters are seared with scars. "- Khalil Gibran. In the short story, “The Cask of Amontillado,” written by Edgar Allen Poe, the main character, Montresor, suffers from an abnormal physcology for revenge due to his name being mocked by a man named Fortunato.
Both of these men wanted revenge and hated the man of their father’s death. Others would say the most used sin in Hamlet would be pride because that's how it all started and Hamlet did everything for his pride towards his father. I say nay! Nor was it for his father but for himself! Hamlet did many of his games and hurting of his family and friends because of his wrath towards Claudius and his helpers.
This abandonment by his creator eventually angers the Monster causing him to seek revenge and be controlled by his anger. At this point both characters become entwined in a downward spiral of continuous revenge towards each counterpart. Anger is not allowing the Monster to think clearly, and when Victor’s little brother is killed, his anger overtakes his rational thinking. Whenever Victor “thought of him [he] gnashed [his] teeth, [his] eyes became inflamed and I ardently wished to extinguish that life,” all he wants to do is end the life of the fiend who has destroyed his serenity, sanity, and safety (Shelley 79).
All of his deranged actions validate his madness. The narrator in “The Tell-Tale Heart” is discernibly a madman. His motives, actions, and thoughts prove his insanity. The definition of insanity fits the narrator to a T. His psychosis controlled his behaviors and pushed him into chopping up another human being and disposing the pieces like
The violence, though it takes place off stage, is described as being very gory and murderous. Macbeth is a very skilled warrior and begins to take pleasure in killing people. Violence begins to completely consume the thoughts and actions of Macbeth. After killing Duncan, Macbeth realizes what he has done as he sees the blood scattered against his robes. He has become king and now will not be usurped of his power, at least not without a fight.
In act four of Shakespeare's "Macbeth" Macbeth murders most of a noble man's family out of impulse and paranoia. He suspected said nobleman of plotting against him, and much like the murder of his friend Banquo, he killed him before he got the chance. But this murder is not like the ones before it, this one is much more sinister. The man Macbeth suspected, Maduff, was suspect because he refused to show up to any events that Macbeth attended, and when Macbeth went to ask the witches they warned him Macduff was to be cautioned. This time Macbeth decides right away that Macduff must go.
He kidnapped Richards and made him feel like he was anything, but a human being. Matt was possessed with the guilt of not being there for Frank and felt sorry for his wife having to constantly see Richards around the town. “He walks the goddamn streets”(Dubus,63). Matt suffered through many conflicts and finally decided to pop the bubble of problems by killing Richards. This act of Matt taking law into his own hands explores both the ideas of justice and revenge.
Fortunato becomes a target for revenge for saying something insulting. He does not realize that he is a target for revenge because he is being complemented. Once he hears about the pipe that passes for Amontillado he is excited and feels lucky to be consulted over Amontillado. He is fooled based off of his emotions he feels happy because of his love of wine he is excited to see what is in the cellar.
Montresor repeatedly made it seem as though he thought that they should turn around for Fortunato’s sake. Fortunato’s pride would not allow him to admit weakness and give up. Instead Montresor’s reverse phycology worked to hasten the death of his victim. “Putting on a mask of black silk, and drawing a roquelaire closely about my person, I suffered hi to hurry me to my palazzo.” (Poe 145)
This quote showed that Tybalt is always looking for a fight and that he always thinks he is going to win anything no matter what. He is a coquie and a prideful person. If he had not started the fight there would not have been no death, because Tybalt killed Mercutio and with force Romeo killed Tybalt, Romeo got banished which changed everything in the story. Lastly, these are the reasons why Tybalt had a big responsibility of why the lovely teenagers
Revenge: A Narrative and Scientific Perspective Poe’s “The Cask of Amontillado” and Browning’s “My Last Duchess” both revolve around revenge. We are introduced to men who swear vengeance on other characters. Yet, the mindsets of these men are, in some aspects, very different. To truly comprehend a story, we have to understand why authors make their characters behave the way they do in addition to the message being presented. In the case of “The Cask of Amontillado” and “My Last Duchess,” why do both narrators believe murder is totally necessary?
Luring an unsuspecting rival into the deep catacombs of the Montresor family and eventually resulting in an inhuman death, Edgar Allan Poe’s “The Cask of Amontillado” stands out from contemporary “mystery” in that instead of leaving the reader asking “who” and “how,” The Cask of Amontillado spurs the relevant question “why” (Baraban 47). Composed in 1846 shortly after Poe rose to fame due to a complexly written poem,: “Poe envied the success of lesser writers and entangled himself in bitter battles with these rivals, which lead to his banishment from the New York and New England literary circles” (Poe 390). Throughout the narrative discussion between Montresor and Fortunato indicate the wealthy aristocratic lineage of Montresor’s family, however