Throughout literature, authors have utilized morally ambiguous characters to explore complex themes and add a layer of intrigue to the stories they tell. This is particularly evident in Kate Chopin’s novel The Awakening, where the protagonist Edna Pontellier is a prime example of such a morally ambiguous figure. The Awakening depicts the story of Edna, a woman within a conventional Creole society, and her journey in recognizing and fulfilling her true calling. She struggles with marital status, motherly duties, and personal goals. Arguably the most complex character in the novel, Edna is neither wholly evil nor good, but rather she exists in a space in between the two where her moral ambiguity serves as a vehicle to explore both the larger …show more content…
The most apparent manner in which Chopin presents Edna’s moral ambiguity is through her actions and how they contradict her image. Particularly, this essence is most evident in moments where Edna achieves a new accomplishment or makes certain meaningful decisions for herself. Throughout The Awakening, Edna is continuously learning about what she is capable of and takes drastic steps towards her ultimate awakening as an individual. One of the first instances Chopin presents is when Edna first swam in the sea: “She wanted to swim far out, where no woman had swum before…She would not join the groups in their sports and bouts, but intoxicated with her newly conquered power, she swam out alone” (Chopin 30). Chopin is able to capture the barrage of feelings Edna experienced at this very moment. Despite her prior swimming failures, Edna was able to demonstrate to herself that she could swim. A sudden yearning to jump in and swim overcame Edna, and she had the strength to give in to her wishes. With the exception of Edna, everyone else in the Creole society surrounding her could swim with ease, which only served to further isolate her. This is the peak of Edna's development …show more content…
Edna's struggle to reconcile her desires against traditional expectations provides insight into her moral and ethical dilemmas. Looking closely at her relationships with both of these men, Chopin elucidates Edna's changing understanding of morality and what is truly meaningful in her life. By examining Edna's interaction and feelings for both Leonce and Robert, Chopin provides a glimpse into her inner moral confusion and her eventual decision to choose an unconventional path. As a married woman, Edna frequently interacts with Robert without divulging the truth to Leonce. Though Robert and Edna both recognize the potentially scandalous nature of their relationship, he willingly engages and encourages Edna's feelings for him. In this way, his morals are also murky; he both earnestly expresses his affections and attempts to suppress them. Chopin often depicts Edna as being “under the spell of her infatuation” with Robert (56). Robert serves an essential role in Edna's journey for self-discovery, especially in regard to creating an identity distinct from societal norms. Robert's moral ambiguity is integral to the work as a whole, as it creates space for Edna's exploration of her own ambiguity, autonomy, freedom, and independence. Despite her initial pleasure in this unconventional relationship, Edna decides to abandon
The ocean – a constant symbol in The Awakening – started Edna’s rebirth. When she relaxed on the beach on Grand Isle, the water constantly seduced the main character. Her liberating thoughts originated when Edna first visited the beach with Robert Lebrun, and she began to “realize her position in the universe… and recognize her relations as an individual to the world within and about her” (Chopin, 13). Along with Edna’s thoughts, a significant scene was Edna’s first swim in the ocean.
Edna hates being tied down to society’s standards; therefore, Chopin wants to represents how Edna transforms through the comparison of Edna’s
Shown in this quote, “her senses kindled afresh in thinking of Robert’s words, the pressure of his arms, and the feeling of his lips upon her own…. She hoped he would be asleep that she might arouse him with her caresses”(172), Edna has enormous feelings for Robert. Edna loves the way Robert touches her and treats her. Despite the fact that Edna is already married and have two kids. Edna was also sexual attracted to Alcee.
Edna does not partake in her civil duties as a woman. It is assumed that a mother would do anything her children, but she refuses. When talking with a friend, Edna admits that she “would give [her] life for [her] children, but [she] wouldn't give [herself],” (Chopin 64). Although Edna would sacrifice her physical self for her children, she would not give up her morals or self-respect. Edna portrays childish characteristics when she partakes in an illicit relationship, despite being married.
Edna is initially fearful of the ocean and cannot swim in the deep water despite her friends' valiant attempts to teach and persuade her. Edna’s detachment from the ocean represents her initially content with her lifestyle and role in society. She is regarded as very fortunate for her high class status and luxurious lifestyle provided by Leonce. At a lavish party with her high society friends Edna overcomes her swimming struggles as “A feeling of exultation [overtakes] her, as if some power of significant import [is given to] her to control the working of her body and her soul… She [wants] to swim far out, where no woman had swum before” (Chopin PN).
Her frequent vacations to the island, like her frequent dips into the ocean, begin to spark a personal change within the woman. A Creole man, Robert, shows Edna a new dimension of feelings she never knew she lived without, and she begins to look through life through a new lens. Having been awakened for the first time, she sees injustice and mistreatment where she saw none before. Chopin uses Edna’s new observations and reactions to the culture around her to illustrate the myriad ways women were marginalized. In an ironic twist, the white woman from Kentucky proves to be more liberated than her more traditional husband, who grew up
Edna develops an infatuation for a man named Robert. She leaves her children and goes away with him for the day without telling anyone. It makes her feel as if she “freed her soul of responsibility” (Chopin 43). Edna demonstrates a lack of commitment to her children and husband, preferring to spend the day with a man she is not married to rather than her own family. She disregards the emotional well-being of her kids so she can pursue her love interest without their interference.
Edna developed a yearning for the pursuit of passion and sensuality, two major qualities that were absent in her marriage and home. She became enchanted with the idea of passionate love. This is shown by her relationship with Robert and with Alcée. These relationships resulted in a sexual awakening in Edna’s life. Mademoiselle Reisz 's piano performances brought an emotional awakening in Edna and fed her need for some drama in her life.
Edna fully understands that society would brand her as a terrible woman, but she does not view herself as a bad person. There is an external and internal difference that Edna hopes to one day reconcile. Chopin, instead of creating tension within Edna, created tension within the society and Edna with her newfound independence does not mind how society classifies her. Decisively, it can be concluded that the tension between outward conformity and inward questioning builds the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.
As Edna is walking into the sea, Kate Chopin expands on the setting and states, “The water was chill, but she walked on. The water was deep, but she lifted her white body and reached out with a long sweeping stroke” (176). The emphasis is placed on the water, explaining how it affected Edna. Kate Chopin utilizes anaphora to accentuate the choices Edna makes and how it defines the meaning of becoming aware and conscious of one’s self wellbeing over others. Furthermore, Kate Chopin continues with, “She went on and on.
Edna tries to satisfy this desire by taking part in an adulterous affair with Alcee Arobin, a known playboy. However, this relationship doesn’t satisfy Edna’s wish for companionship as she uses Alcee only to satisfy her sexual desires. This all changes once Edna meets Robert Lebrun, who invokes a sense of excitement and love in Edna. Edna sees her relationship with Robert as her only chance to gain freedom from the confines of society; additionally Robert gives Edna the chance to have a fulfilling relationship as opposed to her loveless one with Leonce. Although the two are deeply in love with one another, Robert is unable to reciprocate Edna’s desires to be together.
Edna Pontellier, the main character in Kate Chopin’s, The Awakening, is portrayed as an incredibly independent woman and one who tends to reject almost all traditional societal norms, and instead chooses to fight her way towards emancipation from her husband, a foreign concept during the time period in which this novel was written in. Edna’s struggles to gain this independence so strives so strongly for, and in doing so she manages to separate herself from her husband, and reunite with a lover, Robert, from her past that she had forsaken when she married. All these events that work to emancipate Edna from her former life and get her the freedom she craves, ultimately leads her to her unpredicted suicide. While the motives of her suicide seems to be confusing, when looking into this issue more indepthly, Edna’s motives for killing herself can be more easily understood.
Edna from Kate Chopin’s “The Awakening” can be perceived as morally ambiguous because of her affiliations with other men, and role-defying actions; however, both contribute to “The Awakening” as a whole. Due to Edna being romantically involved with Robert, she can be perceived as morally
One male friend, Robert Lebrun, eventually turns into a lover for Edna, and without him, she feels absent of “brightness… color… [and] the meaning of … everything” (Chopin 61-62). This relationship of pure love she has built with Robert alters her perception of her own marriage. The connection concludes she was rushed into her husband, never once honestly loving Mr. Pontellier. Robert teaches Edna how to truly care, giving her purpose and motivation. Another male figure to alter her perceptions is Alcée Arobin, the bond being different from Robert as he acts “like a narcotic upon her” (Chopin 105).
At the beginning of the novel, Edna had appeared to be recognizing the fact that her life revolves around her husband and her children, and that it is her main duty to care for them. It is mainly Mr. Pontellier, her husband, who tries to establish an image of her being a both a perfect partner and wife. He views her as an object that must be suitable for the eyes of society. According to him, his wife is a “valuable piece of personal property which has suffered some damage” (Chopin 2). He is controlling over her appearance and actions.