In Greek plays, such as the one Antigone premiers in, this person is must be of nobility. A tragic figure also has a tragic flaw that incorporates into the story or play. This tragic flaw can be shown through arrogance, stubbornness, love, or any quality that usually causes conflict, this is known as hubris. A tragic figure also must be portrayed as relatable to the
First she tries to persuade her more reserved sister Ismene to help her. Once Antigone starts to realize her argument isn 't working she asks, “A true sister or a traitor to family?” (Sophocles et al. 190). Antigone uses a pathos or an emotional appeal here to try and convince Ismine. The appeal will help convince Ismene because no one wants to be called a traitor because it has a negative connotation.
This quote shows that he wants everyone to obey him and anyone who disobeys him will get in trouble. The last support can be found when Creon said, “But he who crosses law, or forces it, or hopes to bring the ruler under him, shall never have a word of praise from me.” (Antigone 23). This means that Creon is “madly in love” with his power and thinks that he can do anything because he is the king. The second tragic fall of Creon
After the warm and touching union father and son embraced, Odysseus directs Telemachus to go home and not speak a work of his return. Odysseus plans on defeating the suitors and gaining back his kingdom, and in order to do so, he conducted a detailed plan that needs to be followed to the word. He strictly orders Telemachus to go back home. Odysseus wil go back home too, however, dressed as a beggar, with the swine herder. Once in the castle, the suitors will mock and abuse of him, however, Telemachus needs to remain and stay calm and guard his temper.
Antigone is a tragedy written by Sophocles in 441 B.C. that details a young girl’s quest to avenge the death of her brother. It is the third of the three Theban plays in Sophocles Oedipusex. In his works, Aristotle suggests that a tragic hero in a Greek play must fulfil certain requirements. A tragic hero is defined as a character of noble stature, the hero has a defining flaw allowing the audience to relate to him, the downfall of the hero is caused by his fate, and the realization of the character’s defining flaw leads to their downfall.
In Shakespeare’s play, at first he’s initially just the protagonist. By the end of act one scene five, King Hamlet’s ghost gives him a task, to “revenge his foul and most unnatural murder.” (1.5.25) These instructions are traditionally heroic, for real, Hamlet has to avenge the death of his father. But Hamlet is going to act insane instead (or is he…? ), which leads to honor coming in at the beginning of act two scene one. By the end of act 1, we know that Polonius wants Ophelia to protect her “honor” (or what was considered honor way back when) by rejecting Hamlet’s advances.
“Remember my name; I am Javert” (63) This is yet another tactic. Javert knows that Valjean despises him. In showing dominance, he wants Valjean from breaking the law to avoid meeting him again. Later on, we see Javert clearly recognize Valjean after he rebooted his life. “It is strength.
In Greek Tragedies I, edited by David Grene, Richmond Lattimore, Mark Griffith and Glenn W. Most, we are introduced to the play, Hippolytus which discusses the tragic story of Hippolytus’ destruction due to the lack of worship to Aphrodite, the goddess of love. More specifically, the play discusses how Aphrodite punishes Hippolytus by having his stepmother, Phaedra, fall in love with him. The question stands, is Phaedra worthy of pity? Well, the answer is she is worthy of pity due to the fact that, in the context of the play, Aphrodite is the one to blame for her feelings for Hippolytus. Also, when Phaedra discovers her feelings for her stepson, she never acts on them.
Greek tragedies are disturbing stories that make it seems like the hero is destined to commit self-harm. For instance take Sophocles play 's Oedipus the King and Antigone, where both their destines meet its toll. Oedipus the King was written first, the play begins with the kingdom of Thebes under a pelage because someone killed former king Liaus. Oedipus being the solicitous individual that he is commits to finding the culprit without knowing he is condemning himself. Oedipus had to go through several individuals to realize he is his father 's murder and his prophesied was fellfield when it was said he would kill his father and marry his mother.
His story tells us that man can do his best, but even then, he cannot overcome the inevitable fate. Oedipus eventually sees the truth of his life, so Sophocles hammers home his point by having the king stab out his own eyes. Oedipus says he does this because he can no longer look at the evil that his actions have created. “crying out that they should never see him again, nor what he suffered nor the evil he did, nor look on those they should not— but only darkness, forever” (1271-74). Oedipus literally becomes the thing he's always been: blind.
She asks her sister, “Shall we not perish wretchedest of all, / If in defiance of the law we cross / A monarch 's will?” (_Antigone). Even when compared with the dishonorable deaths of her family members, Ismene believes that going against the will of a monarch is worse. Ismene is the polar opposite of Antigone, she is complacent and law abiding where Antigone defies the law in accordance with her own values. This has taught her that she and Antigone are “weak women, [...], Not framed by nature to contend with men” (_Antigone). As the case of Ismene shows, faith in law, and the following the societal expectations, creates someone who is largely complacent.
He takes Haimon’s well-spoken remark, and turns it into an insult against his son’s age. This is something that a character lacking self-confidence would argue as soon as their motives are challenged. Confrontation should not insight insult, it should insight intelligent and respectful conversation. It might be slightly more normal to argue with your family over serious issues, but Kreon upholds his undesirable traits even when speaking to the world’s most renowned and respected seer of the future, Tiresias. Tiresias, old and blind, has a guide lead him to Thebes to tell Kreon that his actions have upset the gods, and that he must free Antigone and allow her to give Polyneices a proper burial (998-1032).