Movie Making: The Role Of Women In Film Making
Film making, many would argue, has gone through quite the substantial change since it’s initial coining just before the turn of the 19th century. But one would argue, that the largest amount of this change has came quite recently or more so in the latter part of films history as a whole. One of the largest changes haven taken place, is the role of women in film. Once upon a time having a very set role in the industry, such as editing for example. To mention briefly the likes of Dede Allen, Verna Fields, Thelma Schoonmaker and so forth. However our female counterparts now occupy virtually every aspect of the film industry that males do; and in many instances excel past us. Quite clearly this change has taken place behind the lens, but has it taken place in front of it? I purpose that it has, but not through lack of trying! Women were indeed at one stage purely, or for the most part to put it rather crudely, objects to ogle at on screen, ‘objects of the look’. Their place as a real world character with depth and conviction came only secondary to their physical appearance or attributes and ability to woe male spectators. And their part to play in being in front of the lens was quite simply that. Feminist film theory however challenged that mindset, with the second wave movement which took place in the 60’s, a serious shift began to take place. As stated in, An Introduction to Film Studies,
“The importance of feminist film theory in opening up debates around
spectatorship,
Summary Of The Combahee River Collective
766 Words | 4 PagesA Brief History 2nd wave feminism motivated
Tricky Connotations: Wonder Woman As Dc's Brand Disruptor
747 Words | 3 PagesSimilarly, she discusses how many female directors were afraid to even attempt to direct a Wonder Woman film (149). Altogether, Howell argues many valid points along with examples of the gender bias in popular culture. With her focus on DC Comics and their failed attempts to market and produce a film for a character, such as Wonder Woman, was a solid representation of the gender bias that has and continues to exist in popular culture. Charlotte E. Howell argued many great points in her article, “Tricky” Connotations: Wonder Woman as DC’s Brand Disruptor.” Just as DC Comics had
Gender Roles In 1950s And 1990s: Roman Holiday And French Kiss
3780 Words | 16 PagesSad-frown. Use corresponding face with corresponding emotion (French Kiss, 1995) 5 Princess Anne 5 Kate 6 Joe Bradley 7 Luc Tessier 7 Side characters: 8 Gender studies 8 Conclusion 9 Abstract This article presents the roles of a man and a woman in two different eras through two movies: Roman Holiday (1953) and French Kiss (1995). The focus is on the analysis of the characters, their differences and similarities and messages directors wanted to send considering gender roles in society during the 1950s and 1990s. The method is to make the structure of the essay similar to the structure of filmmaking and pay attention to many elements and symbols that influenced the viewers, consciously or unconsciously.
Misrepresentation In Mean Girls
81 Words | 1 PagesThis movie did a great job in making people think about how media has manifested our thoughts. Also one interesting point raised in the movie is that many film stars and super models, rather than few succesful females, are considered to be the representations of all women. And one explanation of these misrepresentation given in the movie is beucase majority members of decision board are men. This is actually a visous cycle. Many young women would actuallly believe in those
Compare And Contrast The Day I Became A Woman
175 Words | 1 PagesThe Iranian classic film, “The Day I Became a Woman”, directed by Marziyeh Meshing, released in the year of 2000, is a three part allegory that conveys the yearning of women at three different stages of their lives, a girl who is on the edge of adolescence, a wife determined not to be ruled by her husband, and a wealthy old woman who wants to gain and buy the things that she never had. On the other hand, Thelma and Louise, directed by Ridley Scott, is a 1991 American crime film starring Geena Davis as Thelma and Susan Sarandon as Louise, two friends who plan to go on a road trip, away from their husbands, with disastrous consequences. Although the two films seem very different from each other and they have been produced in two extremely different
Gender Stereotypes In Cowboys And Aliens
1456 Words | 6 PagesIn contrast to the twentieth century we still see some of this in our current day and ages. Contrasting portrayals of men and women in films leave us with the fact that we haven’t changed. Men and women are sought to have different gender roles within
Rear Window From A Feminist Perspective
412 Words | 2 PagesRear Window (1954) has been viewed from a feminist perspective by critics. Laura Mulvey the feminist film theorist and the author of Visual Pleasures and Narrative Cinema (1975) calls Lisa Fremont a “passive image of visual perfection” (qtd in Keith 1). 1950s is a period marked by the rise in consumer culture, Beatniks at its zenith and the beginning of cold war. The period was struggling hard to find a harmony between innovation and progress on one side and conformity and tradition on the other. Sticking to gender roles was the only solution to achieve a happy and secured life thought politicians and creators of popular culture.
Theme Of Feminism In Thelma And Louise
1000 Words | 4 PagesRidley Scott’s ‘female buddy movie’ Thelma and Louise centres around issues of male dominance and the freedom of release from society. Thelma (Geena Davis) and Louise (Susan Sarandon) are women suppressed by the men in their lives. They take a vacation to escape for a few days and after an attempted rape and murder they end up fugitives on the run for their lives. This unintended event ends up being for them the best adventure of their lives, as they are able to divest from the rules of society and become the independent women they are. By subverting the traditional role of gender in the genre, the film shows how feminism impacted the film industry by challenging Hollywood and the gendered myths and social patriarchy, providing women with a voice, and changing how spectators view how women are looked at through women’s eyes and their experiences.
Analysis Of Laura Mulvey's Visual Pleasure And Narrative Cinema
1109 Words | 5 PagesLaura Mulvey’s article Visual Pleasure and Narrative Cinema was published in 1975, has set out the concept of visual pleasure and explains it under a system looks in cinema. Her theory points out that men looked at women, men are the subjects of women, and to look at the object position; (women) accept their role of being looked at and creating visual pleasures for men as well as in the social reality. Her approaching is to use the same “political weapon” (“psychoanalytic theory”) that “the unconscious of patriarchal society has structured film form” (the way men used to oppress women) (Mulvey 483), with the hope to leave “the past behind without rejecting it” (Mulvey 485). To analyze that the main bias of cinema lies in the obsessive psychological
Feminist Theatre History
1521 Words | 7 PagesThe construction of a self-conscious female gaze is the prime objective of feminist theatres everywhere. British feminist theatre practice as elsewhere is an attempt made by women to claim their rightful space in the creative realm of theatre that was deliberately denied to them by patriarchy. The public gaze on women was always the male gaze, one that always wished to see women as objects. It was an ideological position that patriarchy sanctioned as the normal way of looking at women. Women were always the secondary sexual objects for the gratification of male sexual fantasies.
First Wave Feminism Essay
726 Words | 3 Pages5). The first wave feminists are regarded as the ‘godmothers’ of feminism because they claimed for controversial and critical changes, which then became part of women’s lives (Baumgardner & Richards, 2000; Henry, 2004; Heywood, 2006, as cited in Ewig & Ferree, 2013, p. 448). They laid the ground for further following feminists’ waves and movements, as for example the second wave of feminism (1960s – 1970s). Intersectionality was one of the ground-breaking differences in comparison to the first wave of feminism. The second wave feminists included a variety of women, other than just the white-bourgeoisie western women.
The Male Gaze Essay
1891 Words | 8 Pages(Bodenner, 2016). Many theories have surfaced since women have started their fight for empowerment and equality, and one of the most famous theory is “the Male Gaze” theory, founded by Laura Mulvey in her essay, “Visual Pleasure and Narrative Cinema.” This essay will look into the sources of opposition the theory of “male gaze” faces, and how the theory is disrupted by other possible theories or pieces of media. As mentioned before, the Male Gaze theory was introduced in the essay Mulvey wrote in 1975.
Post Feminism In Bridget Jones's Diary
1476 Words | 6 PagesThroughout the years femininity in Hollywood cinema has changed quite drastically. The industry has gone through several phases that changed how femininity was viewed. This paper will address the postfeminist phase in Hollywood, while focusing on the film Bridget Jones’ Diary (2001). It will show how postfeminism is viewed in cinema as well as the characteristics that make a film considered to be postfeminist. Bridget Jones’ Diary (2001) showcases all the characteristics needed in a postfeminist film which makes the film a great representative of postfeminist attitudes in media.
Gender Trouble: The Role Of Gender Identity In Cinema
2304 Words | 10 PagesThe media has long been recognized as important source of gender related information, television and cinema specifically influences its audience in a considerable way. (Denmark and Paludi 2008). With regards to the concept of gender cinema can offer a space where ambiguities of identities are played out; understanding the play of the categories of femininity and masculinity is very important in evaluating our own understandings of gender and how we react to different representations of it (Tasker 2002).If a film can show different individuals and we can recognize how social forces shape and constrain the individual according to classifications of gender it narrates an experience where we experience the film as gendered viewers. Film reflects and generates out own experience of gender over and above out own recognition and observation of it. (Pomerance 2001).
Secret Superstar Character Analysis
1240 Words | 5 PagesAbstract: In most parts of the world, females have always been the victim of oppressive patriarchy and male chauvinism since ages. This problem has been represented by many people through various forms of creations be it art, literature or films. Films are the most popular visual mediums of entertainment through which a large segment of people can be approached. Like literature, a film is also a work of art which mirrors the society, it also depicts the reality of the society though it has some fictionality in it.
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