Mrs. Wright is the main character in Susan Glaspell’s one-act play Trifles. While Mrs. Wright is being held by the police for her husband’s murder, a few men go to investigate her home, and a few women go along to gather some of her things to bring to her in jail. As the ladies collect Mrs. Wright’s possessions, they begin to come across trifles. The trifles include: a messy kitchen, a poorly sewn quilt, and a broken bird cage with a missing bird. The women view these items as important clues, and withhold their findings from the men so that they could help Mrs. Wright out of her troubles. As soon as the group enters Mrs. Wright’s home, they notice the first, off-putting clue; the kitchen is a disaster. At the sight of the kitchen, …show more content…
Wright was in the process of stitching. They noticed the beauty of the quilt and how neat the stitching was… up to a certain point. The last piece that had been added to the quilt was poorly stitched. Mrs. Hale points to the bad stitching and says to Mrs. Peters, “Why, it looks as if she didn’t know what she was about,” and continues to tell how she believes Mrs. Wright did the piece while nervous about something (1085). Mrs. Peters then tries to fix the stitching so that no one else notices. Her reasoning, that “bad sewing always made me fidgety” (1085). The women begin to suspect that Mrs. Wright killed her husband, and keep finding clues that support their …show more content…
While trying to find a piece of paper and some string, Mrs. Peters stumbles upon a bird cage. As she examines the cage further, she notices that the door is broken and the bird is missing. She assumes that the cat had gotten the bird. The women are offering up conversation about the birdcage when Mrs. Hale interjects, “Looks as if someone must have been rough with it” (1086). The women gather Mrs. Wright’s quilt to work on while incarcerated when they find something that frightens them. They find the bird, and its neck is broken. Mrs. Peters, obviously startled, says “Somebody – wrung – its – neck” (1087). The women are unsure what to do with the bird, but know they need to hide it from the men. This clue is more important than the others; it shows Mrs. Wright's breaking point. The scene begins to unfolds in their minds. Mr. Wright yanking open the cage door, taking out the bird, and breaking its fragile neck was enough to make Mrs. Wright lash out, and in a heat of passion, kill her husband. As the trifles collect, the women worry that the men will see their findings, and have what they need to prove Mrs. Wright guilty. Though the men believe her to be the murderer, the women are trying their best to hide the evidence that will prove it. The mess of a kitchen, the poorly sewn quilt, and the dead bird make a solid case to convict Mrs. Wright for her husband's death, but the men are oblivious
Gabal Said The Trifles of Society The society holds different realities to act naturally obvious, that all men are made equivalent, and that they are enriched by their Creator with certain unalienable rights that include; liberty, life, and the quest for happiness among others. "Trifles" by Susan Glaspell, is a one-demonstration play, which incorporates components of what the women’s suffrage development is about. The play from Glaspell recounts the tale of a murder riddle of the wedded couple of Mrs. Minnie Wright and her better half, the murder casualty, John Wright; this story likewise joins the temperament of society at the time towards women, and how they were seen as trifled in the eyes of society as they are under the subordinate of men.
Three women, Minnie Wright, Martha Hale, and Mrs. Peters express sisterhood by hiding of incriminating evidence such as the dead bird while the men fail to prove of her complicity. This essay focuses on themes of sisterhood and gender roles, and the passiveness that manifests in the process of gathering evidence. The theme of Sisterhood. As the plot unfolds to ascertain the murder of John Wright, Mrs. Hale says, “it looked very lonesome this cold morning, it had always been a lonesome place” (Glaspell, 1992), while referring to the house of Minnie Wright.
Ladies and gentlemen of the jury, we are here today to discuss the murder of John Wright. On November 15, Mr. Wright was found in his bed with a rope around his neck, presumably strangled to death. His body was discovered by his wife supposedly and did not bother to notify to the local authorities. At eight o'clock in the morning, Mr. Hale went to look for Mr. Wright and found Minnie, Mr. Wright’s wife, sitting in a rocking chair inside of the house. Mr. Hale asked Minnie for her husband and she stated that John Wright was dead in the bedroom.
Talking about Mrs. Hale and Mrs. Peters “the two characters begin to reconstruct the accused woman’s life. They do so through several means; memories of her, memories of their own lives (similar to hers in many ways), and speculation about her feelings and responses to the conditions of her life” (Holstein 283.) The two women immediately placed themselves in Minnie Wrights position. And while reconstructing Mrs. Wright life based on their own memories and emotions they acknowledge the murders missing clue “Minnie’s dead pet bird” (Holstein
The dead canary and its cage was a pivotal piece of evidence that the women discovered. The dead bird represents the old Mrs. Wright— Minnie Foster and its cage represents how she was
Wright killed the canary and is also motive for Mrs. Wright to seek revenge. The women conclude that Mrs. Wright’s bird was her prized possession, the bird even reminds the women of Mrs. Wright, “‘She—come to think of it, she was kind of like a bird herself. Real sweet and pretty, but kind of timid and—fluttery. How—she—did—change.’”
In the story “A Jury of Her Peers”, the canary belongs to Mrs. Wright. It may seem like just a small yellow
Wright and John Wright. In any crime scene there is a possibility of change through the effort of manmade and social construction, which is why description is very important in any scene. From the similar experiences of the women in the play, they know the truth but hide from the fear of the men who look down upon them. Glaspell cares about the way gender is constructed in the play as well as how the set has been gendered. The men believe that they grant female identity by virtue of the women’s relation to the men rather than through their inherent qualities as females.
The men of the group, much like John in “The Yellow Wallpaper,” consider themselves more capable than the women and refuse to consider Mrs. Wright as anything other than irrational. The men leave the women to their “trifles” on the first floor, where they discover a broken bird cage, and the bird’s body, broken, carefully wrapped in a small, decorative box. They realize that Mr. Wright had wrung the neck of his wife’s beloved bird and broken its cage. Mrs. Wright, once known for her cheerfulness and beautiful singing, she stopped singing when she encountered Mr. Wright. Just like he did with the bird, Mr. Wright choked the life out of his wife until, finally, Mrs. Wright literally choked the life out of her husband.
This refers to Mrs. Wright worrying about her preserves while she is detained in jail for suspected murder of her
She then suggests to Mrs. Peters that she should take the unfinished quilt home to “’take up her mind.’” This leads them to search for Mrs. Wright’s patches and sewing accessories. They discover a “pretty box” and assume it is where she keeps her scissors (Glaspell 1417). This is when they discover a dead canary wrapped up in a piece of silk; it was the missing bird. Right away they notice the bird's neck
Wright it is easy to tell that she is not at all upset about her husband’s death. When being asked about the situation she “laughed and pleated her skirt” (4). Mrs. Wright is compared to a bird that is found later in the story. The bird was found in a pretty box with marks around its neck. Hale and Peters say that the death of her bird would have been her motive if she actually was her husband’s murderer, but the author utilizes the bird and its broken cage to be a comparison to Mrs. Wright’s life.
Section 1: Introduction Susan Glaspell’s Trifles is a play about the effect of gender differences on perceptions of duty, law, and justice. The play Trifles was a murder mystery that got investigated by the County Attorney (George Henderson), the Sheriff (Henry Peters) along with his wife (Mrs. Peters), and a neighbor farmer (Lewis Hale) with his wife (Mrs. Hale). The story took place in an isolated farm house that was miles from the rest of the community in the Midwest. The victim of this murder mystery was John Wright as he was found dead with a rope around this neck.
The women began to pity Mrs. Wright as they knew her before she married to Mr. Wright. The females felt pity, where the men just accessed the situation at hand. After the women examine the empty bird cage they remember the way that Mrs. Wright use to sing and compared her to her former self as Minnie Foster. “Trifles,” introduced the masculinity here from the Sheriff’s side instantly putting his instinct into saying that there was a murder that happened at the farmhouse, was caused by Mrs. Wright without any hesitation. He didn’t look into the sadness, or let the depressing home get to him as much as what his intentions and his well-being come into play before his
in Schanfield 1656). In the text, Glaspell insist on Mrs. Wright being identification as a “songbird” before she married John Wright (Schanfield 1655). Glaspell chose to do this so the audience can see how an independent woman is happier and better off alone. As her marriage played out with Mr. Wright she slowly morphed into the mold a woman was forced to fit into. In “A Jury of Her Peers” Mrs. Hale (referring to Mrs. Wrights singing and happiness in the context of the bird) said, “No, [Mr.] Wright wouldn't like the bird… a thing that sang” she went on to say “She used to sing.