In “Thank You, Ma’am,” Ms. Luella Bates Washington Jones is a fan favorite for many reasons because she is such an admirable character. She is shown to be an admirable character because she is aggressive at the beginning, confident in the middle, and generous at the end.
First, the most clearly represented trait for Ms. Luella Bates Washington Jones is that she is aggressive because of the ways she acts while she’s around Roger. For example, when Roger tried to steal her bag at the street, she grabs him and says, “now ain’t you ashamed of yourself?” This shows her aggressive nature because she makes a really big deal out of the bag, which is totally reasonable. Instead of acting scared, she intimidates him enough to never act that way again! Additionally, Ms. Luella Bates Washington Jones was aggressive because of how she handles Roger. Instead
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Luella Bates Washington Jones is confident because of her influence on Roger. For example, Ms. Luella Bates trusted him after she talked to him. She is so confident her treatment of Roger will influence his decisions. He “could’ve made a dash down the hall and run run run run run!” but he didn’t. She even leaves her pocketbook on the daybed while she turns away from him to cook dinner. This shows that Ms. Luella Bates’ confidence towards Roger getting better is growing. Also, Ms. Luella Bates is confident because she is very honest with him, and chooses to relate with him. She says, “I have done things, too, which I would not tell you, son—neither tell God, if he didn’t already know.” This shows her confidence because she is honest with him, rather than shaming him. Finally, Ms. Luella Bates is confident by being empathetic and showing respect towards Roger without demeaning him or his situation. Roger says, “there is nobody at my house, ma’am” then she says, “then we’ll eat!” This shows Ms. Luella Bates self-confident because she knows she can teach Roger about being good to
What a lady… and no I did not just spoil the whole paper. Clara spent most of her early years helping out other people as much as they needed. She was always serving other people when they were in a time of need, but for one to know what to do, they must have some sort of calling or dream. Clara first found out how much she
In Jerry Spinelli’s novel, Maniac Magee, Spinelli describes the character Amanda Beale as passionate. When we first see Amanda, we see her lugging around a suitcase of books. She has all of her the books that she owns in that suitcase because if they were not in that suitcase they would be getting destroyed by her little siblings. Amanda is so passionate about her books, that she would carry all of them to school everyday, just so that they would stay in nice condition. Another example of Amanda being passionate is that when Jeffrey Magee asks Amanda if he can borrow one of her books, Amanda truly did not want to lend him one.
I am Deborah. Deborah Sampson to be exact. I am a woman. That’s the thing. I am a woman.
She is even loving and respectful to them even if they are mean and rude to her. “Miss Garth, you have your work assigned to you,” said Mrs. Thorley. She was not angry. Her voice merely had its usual determination. She asked, “Have you finished sewing the buttons on those shirts for Captain Rand?”
Russell uses “slavish-dog” and “abasing” to portray the emotions that the pack experiences throughout their transformation into civil citizens. To add to these accomplishments, Claudette thinks about Mirabella by stating, “She was still loping around on all fours (which the nuns had taught us to see looked unnatural and ridiculous—we could barely believe it now, the shame of it, that we used to locomote like that!)”(Russell 231). In this quote, Claudette shows her emotions toward her sister, and these emotions show that her mindset has progressed toward thinking more like a human. Russell uses these emotions to develop into another stage that helps Claudette accomplish even more human acts. All in all, Claudette has developed into a more ladylike individual.
”(Doc A) Also she is less powerful because she thinks that if she is called Ma’am or Miss that someone is sassing her, like when she said “Long’s he keeps on callin’ me Ma’am and sayin’ Miss Mayella. I don’t hafta take his sass, I ain’t called upon to take it. ”(Doc
She was an old lady who always had to have it her way or she was not happy, and everyone knew it, quick to judge, and was not the most forgiving person on Earth. Her character's outlook changed when she knew her death was imminent while talking to The Misfit. In return, The Misfit at the end says "She would have been a good woman," "if it had been somebody there to shoot her every minute of her life." (O'Connor, 133) Which gives the reader more to think on as they go about life maybe they are one who judges way too quickly before getting to know
She appears like a wonderful lady who cares about everyone’s well being. In reality, it is just a disguise. Indeed, she manipulates people through pretending to care about them, so she can control their thinking to satisfy her idea of a perfect town. Another example of Miss. Strangeworth’s manipulation is when she reassures Helen Crane that her infant daughter is perfectly normal: “Nonsense… All babies are different. Some of them develop much more quickly than others”
In Cynthia R. Haller’s essay “Walk, Talk, Cook, Eat: A Guide to Using Sources,” she uses metaphors to describe four different steps in the research writing process. In her essay, a fictional character named Marvin who is a student at Any University has to write a paper about a health problem caused by drinking polluted water and propose a solution to this problem. He asks an online site for advice. Throughout the essay, O-Prof gives Marvin advice on the research writing process.
Through this, it is seen that Beverly does not seem to care who she is, simply defining her based on the fact that she is being initiated. Likewise, she seems to develop some
Blindness results from the misunderstanding of others and the lack of personal knowledge. In To Kill a Mockingbird, several characters fail to see the obvious because they do not obtain first-hand familiarity with their community. A short and simple example of this particular blindness is found in Lula’s character. The indignant and disenfranchised character, Lula, makes a major appearance in chapter 12. Lula is portrayed as a seven feet high Negro woman who is racist and discourteous for persecuting the white children.
Miss Moore, a mentor plans a summer trip for the children in Harlem to an expensive toy shop, F.A.O Schwarz to teach them a lesson about the value of money. One of the children is Sylvia and she has an arrogant behavior by saying, “Back in the days when everyone was old and stupid or young and foolish and me and Sugar were the only ones just right” (Bambara 304). Sylvia thinks that she is the smartest person in their neighborhood until Miss Moore comes. Sylvia does not like Miss Moore at all and she “kinda hate her too” (304). She hates Miss Moore because she feels that someone is better and smarter than her in their neighborhood.
The author writes, “He is friendly and polite to a fault, but Mayella is right to be suspicious: as his cross-examination of her soon reveals, his affability is also part of his professional technique. It is intended to disarm her, to put her off guard…” On the other hand,
In contrast to Sylvia and her friends there is her teacher Miss Moore,
Luella Bates Washington Jones as she drags Roger home with her. Once inside, she asks him to tell her his name and to wash his face in the sink. Mrs. Luella Bates Washington Jones forgives him with her motherly nature by saying, “ You ought to be my son I would teach you right from wrong. ”(Hughes Pg.1) She is a powerful presence in Roger’s life for a short period of time.