“Music is the universal language of mankind.” ― Henry Wadsworth Longfellow. The ‘Witch and the Saint’ was originally composed for orchestra by Steven Reineke. It was later on arranged for concert bands by the American arranger Matt Conaway. I chose the ‘Witch and the Saint’ because it assembles many interesting and different factors that the music we hear nowadays doesn't have. For example at the very beginning there is a very special element that we don’t usually hear which is the church bells. This piece is filled with different expressions and dynamics, for instance in the first few phrases the feel of these measures are funereal and sad, whereas in the end of the piece we hear the brass section creating feelings of anger and rage. Additionally, …show more content…
For example, we hear church bells in the beginning demonstrating the feel of tolling the death knell which indicates that some one died,while the timphony demonstrates anger towards the end and then there is a piccolo/ flute solo at measure 78, and the brass section demonstrating rage and anger towards the end of the piece. Adding on that, there is a unique oboe part too. This piece also gathers a wide variety of dynamics and expressions making it interesting to play. For example, in the first few measures it starts slowly and softly which gives a sad, funereal feel, then when the alto saxophones, tenor saxophones, and clarinets join,they begin piano then transition to mezzo forte and then returns to piano again. This process gives a feeling of how the sister feels guilty and angry and upset all at the same time for not being able to support her sister before she died. The composer also used a minor key, to give an atmosphere where the mood is sort of bitter, and desperate. It was really fun to try a different key and try the new notes and sounds, and explore the expression that a single note can change how the whole phrase sounds like. It was further interesting to play this piece because of experiencing new time signatures and key signatures. I really enjoyed playing and experiencing this piece and I am really pleased that this peice guided me to a passion for the
The overall pitch of this piece is low but the piano during 2:18-3:17 gives variety by introducing a higher pitch.
The Gnostics and the Great Church disagreed on divine inspiration. While the Gnostics thought themselves elite and special, leaders and followers of the Great Church thought anyone could experience divine inspiration through God and could become a believer and follower of Christ. This is shown in "The Passion of Saints Perpetua and Felicity." Although Perpetua came from nobility, she was not really anyone partcularly special. She was a prisoner for her faith and her father desperately tried to make her renounce Christianity.
The ambiguous sounds of the middle, give an uneasy feeling of impatient monotony, while the concluding movement is in a revelatory and joyous mood with occasional clashings of dissonance and jazzy inflections. The two Serious Little Pieces are charming miniatures: the first, a swift pointilistic whirlwind, the second, a slow waltz. Scored for wind quintet with baritone saxophone, a rustic sound is
This song is celebratory and full of rejoice. Crescendos are often used. This song is song in harmony. The Brass and orchestra instruments really add to the piece. This song is also religious.
The next instrument, the saxophone, plays exactly the same as the muted trumpet, however it plays louder during more parts than the trumpet. The final instruments solo, is the piano, which breaks off its chord progression to start playing its own melody at a very light tone. Its noise usually resides around mezzo piano, the same level it was playing the intro, as after the trumpet plays over it with louder and more stressed notes. During the outro of this piece, the instruments all fade out, leaving only the drums to play the final
Ending the piece, all the brass instruments play in a quick tempo that gradually softens. The tuba’s timbre makes it easy to distinguish from the other brass instruments. The rhythm of the piece is very solemn and
In Wilson’s play, Berneice teaches her daughter named Maretha, how to play the piano while standing above her and keeping a distance from the it. The playing of the piano and the presence of ghosts int the play represented the African belief in the supernatural. As the painting portrays the ritual of passing down knowledge and stories in the playing of the
This piece consisted of two different movements. The second part of it was a lot more allegro, upbeat, and energized. It symbolized the eternal love that no one, not even a powerful king, could take away. The whole orchestra had more active roles and a polyphonic texture. Together they made a beautiful
This movie was made in 1999 and is based on a novel by Joe Connelly. He was a New York paramedic and a novel was based on the life of paramedic. The movie is all about the exhausted and depressed paramedic who is haunted by patients whom he failed to save. He was Frank Pierce, who works night shift with various partners, and he looks tired and depressed throughout the movie because he was not able to save any patients for a long time. Rose was one of them whom he was not able to save, and her face appears on the bodies of others.
There were several loud and intense parts in this piece, but there were also quiet and suspenseful parts. This piece has a quick tempo, with a few slow
It features two main themes, plus many melodic episodes. The structure - in A-B-A form - is clearly identifiable through the themes that mark each of the sections: the lyrical melody that opens the work, the exciting piu animato that ends with a demanding cadenza, and the final recapitulation that is followed by a cheeky and vivacious codetta that brings the work to a dramatic close. Possessing a memorable melodic theme, the piece tests the performer through the unending phrases, virtuosic c and the resultant nimble fingerwork required. It has remained one of the great standards amongst the
It remains quite repetitive until the end of the piece. “Entry of the Gods into Valhalla” is a piece of art that is performed in an instrumental fashion by an orchestra. Listening to this song reminded me of someone enjoy a day, and suddenly something goes wrong which inflicts a sense of fear. The music was quite soothing in the beginning, but towards the end began to put listeners on edge by the eerie sounds being produced. I think this was a great choice for the opening piece because it captured the listener’s attention.
Similar to the first song, this segment is composed of strings will little bass. As the story unfolds, the picture pained is that of two children whom are just playing around while there is no adult supervision. As the notes play a clash of strings with different pitches, the audience can get an idea that like all the kids around, these two are up to no good. Just like with any choice there is a consequence, lucky this unfold among the children therefore there is no big twist leading the adults the the mess they have created. The notes only create little variations to the pitched created deeper and higher pitched indicating the small consequences.
First of all, the piece is quite interesting as a prelude – an introductory piece of music as it start off with dynamic and vibrant sounds that include the whole ensemble. This piece is structured as a three-part or ternary form which consists of ABA’ form. The idea of this piece is mainly act as an introductory of a story because this piece is only an excerpt from a bigger orchestral performance. From what I have heard, the solo performance is mainly comprise of the woodwind instruments in part B that indicated the slight sign of relief and calmness. The piece has a lot of variation where the composer include different timbres and dynamics such as the high dynamic structure during the first and the last part with the associating crashes of cymbals.
Piano and violins are in line with each other while the horn steadily plays offbeat in the ' 'though she feels as if she 's in a play. Through out the song, both string and horns come in without us noticing until the mood