I attended the Faculty Chamber Music Recital on Wednesday February 22nd. This concert featured three different musicians on four different instruments. Joseph Kromholz played the violin and viola, Alice Wang played the clarinet, and Cicilia Yudha played the piano. There was three different pieces between the three musicians. The first piece was the Sonata for Violin and Piano in G major, K. 379 by: W.A. Mozart. The second piece was the sonata for Clarinet and Piano (1962) by: Francis Poulenc. The third and final piece was the Trio for Clarinet, Viola, and Piano in E-flat Major, K.498, “Kegelstatt”. All three pieces were intricate and very detailed in the way they were played. For example, in the first piece Kromholz played the violin by using the bow and also by plucking the strings with his fingers.
The first piece was the Sonata for Clarinet and Piano by: W.A. Mozart. Joseph Kromholz was the main musician on the violin with accompaniment from Cicilia Yudha on the piano. This piece was played at a slower tempo that I compared to adagio but later in the piece the tempo increased in speed similar to allegro and then slows back down to adagio. Mozart also made the sonata very repetitive with many crescendos and decrescendos throughout the piece. The piece includes solos from both the
…show more content…
This song featured Alice Wang on the Clarinet and Cicilia Yudha on the piano. This piece similar to the first changed tempos throughout the song. The song started at an allegro tempo then slowed down to adagio and then returned back to allegro. At the beginning of the piece it was in fortissimo and then progressively got quieter as the piece went along. The piano in this piece was not as prominent as in the first piece because the piano received no solo and also played soft the whole piece. The melody for the Clarinet in this piece was very simple which caused it to lack any exciting parts in my
She has composed small pieces of compositions for instruments that are uncommon. Some instruments include the trombone, oboe, bassoon, horn, and more wind and horn instruments. She has also composed group concertos for two pianos but has also composed solo concertos for violins, pianos, and horns. The composer has many larger formatted compositions too.
The two pieces I have observed are Sad Case by Lightfoot and Leon and D-Man in the Water by Bill T. Jones. These two pieces are quite different but in a way they feel as if they could play off each other. Which is why I will be discussing the difference in the costuming, movement, and musical scores. These three components were the first things that I saw as I was watching the videos.
On October 29, I attended the Professor Harry F. and Mary Ruth Jackson Lunch Hour Series. While I was at the Lunch Hour series, I had the pleasure of watching Elizabeth Carville Evans and Valerie Ludlum Wright perform. Elizabeth played the flute and Valerie played the piano. The two performed individually and together, which showed the audience the beauty of both instruments individually, and how well they accompanied each other.
This suite was initially only written for a piano duet, but it advanced to full orchestra. This song is composed of six Renaissance style dances which included; Basse-danse, Pavane, Tordion, Bransles, Pieds-en-l’air’, and Mattachins. My favorite was the Mattachins, it was very calm at the beginning then at the end became more towards a climax. The concert continued with a song called, “Song for Japan” by Steven Verhelst. This piece is modern style which included the trombone, this song was performed slower in a beautiful tone.
Mozart was probably one of the most influential composers of his time and to this day is still familiar to even those who have never listened to his work. Mozart’s
The stringed instruments were the accompaniment; therefor, they began with harmonics, chromatics, and tremolo for various measures rather than having a moving part. The melody was given to the flutes and soloist, Sami Junnonen, who was also very talented. The song was about 22 minutes long and he had the whole piece memorized. It sounded very sad, but soothing simultaneously. There were visuals around the theater, which made it easier to understand and visualize what Lopez was trying to describe when writing the song.
This orchestral composition is a skillful combination of these elements that makes this classical piece one of my favorites. The instrumentation
I attended to a concert performed by the San Francisco Symphony Youth Orchestra on November 13th this year. This concert took place in the Davies Symphony Hall in San Francisco. I chose to attend to this concert because I have never been to a performance by any youth orchestra, I was curious to see how their performance would compare to other orchestras. The first of the three piece that were performed in this concert was Maenads’ Dance, from The Bassarids, composed by Hans Werner Henze. A variety of instruments were used in this piece, including woodwinds, brass, percussion, and strings.
During the duration of the 10 minutes I thought that the song was very similar the whole time. It was all fast paced and when all five guys seemed to play the song the same through. The only time it changed was when an instrument stopped or started playing. The instrument I noticed the least in this piece was the ----- because of its low sound and the other four instruments could be played with high pitches/sounds.
The melody of this song described as restlessly chromatic and undulating, a swaying Arabic-sounding tune. The melodic line is filled with emotion and oddly unbalanced consisting of seven alternating sections of held tones and movement. The harmony is added behind the melody is dissonant but simultaneously lush. The rhythm was played with in Ella’s version making the classic song her own giving the clarinet a smooth solo. The simple rhythm of the song has an AABA pattern it sticks too.
Ferdinand De Jean, a Dutch flautist, ordered Mozart to write 4 quartets and 3 flute concertos, but Mozart only completed three quartets and one flute concerto. Instead of composing a brand new flute concerto, he rearranged the oboe concerto he had written earlier that year as the second flute concerto, which is divided into 3 movements: Allegro aperto, Adagio non troppo and Rondo: Allegretto. The concerto is an excellent showpiece and is widely performed by soloists nowadays. Listening to this well-written repertoire, it is hard to believe that Mozart disliked flute or that this piece was originally written for another
The first movement of the Swan Lake Suite, Scene, which began with the violins playing with an oboe solo on top. The oboe was playing various crescendos and decrescendos at a mezzo piano dynamic and the tempo was moderate. This ends with the high woodwinds playing a string of the melody, passing it to the low brass with the strings very quietly in the background and then what seemed to be a diminuendo. The second movement of the Swan Lake
The Lovell High School Concert Band had an amazing concert on the 30th of November. The songs included Celebration and Tribute, Sleigh Ride, Spirit of the Highlands, with a bonus of the combined band on Jinge, Jinge, Jingle. While all the songs were good, they were not spectacular. One that stands out to me is Celebration and Tribute. While Celebration and Tribute is not an extremely a technical piece, it still has its moments of fast notes and rhythms.
The piece comprise of many musical instrument particularly string, brass, and woodwinds. The composer also use repetition in composing as the first part is repeated at the end of the piece, but with more sophisticated dynamics and timbre. In my opinion, the piece by Richard Wagner is a very good example for the topic of Basic Musical Concept that introduce many essential parts like referential listeners and structure of
Zhang Zhou Yaodong Professor Greg Peterson Classical styles and romantic spirits 2 November 2016 Richard Strauss Violin Sonata Richard Strauss (1864-1949), was a leading German composer and conductor. His orchestral compositions and operas have made him one of the best known composers of the late Romantic and early modern eras. While Strauss did not pay much attention to his chamber music in his later life, in earlier years he tried to compose several different types of chamber works such as a string quartet, two piano trios, a piano quartet and several instrumental sonatas. Now I will introduce his last work of chamber music, the violin sonata. At the age of 23, Strauss composed