Music Concert Report-- Street music performance of “Under a vast sky”
It was a normal evening on national celebration day when I made appointment with my friends in Tsim Sha Tsui. Having stepped out of MTR station, I had encountered an impressive live street music performance in an underpass.
The music came to my ears first. I was uncertain about what the singer sung, perhaps some Cantonese songs written by unknown songwriters, nevertheless, the graceful and tender voice of the singer underpinned the songs and moreover, the singer’s cooperation with the keyboard player seemed like they had been playing together for decades. There were two in total. The vocal wore a grey jeans-style suit, while the keyboard player looked like a student wearing a red hoodie. The singer was a showman, leaping up from his bench after every song, pumping his fists, pointing into the audience, blowing kisses, trying to goose up the already enthusiastic crowd.
Then
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But it’s the songs that take center stage. I could still detect a change in emotional temperature through the whole song. The song followed a verse-chorus structure and used the image of a man who casted aside worldly cares and lived independently, to profess the singer’s deep and undying passion. The vocal followed a strategy of keeping it simple, avoiding “gimmicks” and foregrounding his sincere delivery of the lyrics. The musical accompaniment for the singer’s affectionate voice is delicate, opening with monophony of a solo keyboard. Then, just as the chorus arrives, the whole rhythm section joins in, energetically supporting the emotional climax of the whole song. This structure repeats with the same pattern of quiet reflection giving way to the more explicitly emotional chorus, which is repeated at the
Instrumentally, the album explores a kind of gray area between synthpop and R&B - tracks like the captivatingly punchy “[9-6] slack-jaw” bounce to a beat, while deeper cuts “Moon Sugar” and “Love Streams” tend to slow down and fall on the more intimate side of Yellen’s reportoire. Ivywild has an interesting grasp on synthpop; Yellen’s take on the genre is full of diffracted samples and reverbed vocals, with artfully placed guitar lines here and there. Strings are used as embellishment, and even Country Sleep’s old moonlit acoustic guitar makes a few appearances. Nothing stands above the rest, but almost all of Ivywild’s songs occupy an area hard not to like - aesthetically pretty synthpop, with pleasantly frayed
Frank Ocean once said, “When you 're happy, you enjoy the music. But when you 're sad, you understand the lyrics.” Why does one have to be sad to “understand the lyrics”? Evaluating a song and being given the ability to relate enhances one’s respect for the composer. For example, when one first listens to “Danny’s Song” by Kenny Loggins, they probably believe the song is about love, however, once a person analyzes the lyrics the realize that the song is actually a story of a couple who are having a baby boy.
Ben Rector is a unique musician in the fact that the hardest songs for him to write are his most priced accomplishments. His lyrics stylistically reflect human emotion and his internal struggle between fame and humility, and faith and conformity. His music speaks louder than everyday pop music because it conveys a non-superficial and applicable message. In Ben Rector’s lyrics for “Song of the Suburbs” he utilizes personification and symbolism, emphasizing that there is more to life than self-advancement and money.
The Santa Fe Evening of Jazz was a great concert featuring the Rhythm and Blues, Jazz Combo, and Big Band from Santa Fe College with special guest Professor Scott Wilson from the University of Florida Jazz Studies. This Evening of Jazz was the ninth one to be held and was superbly done; getting a ticket was quick and simple, finding a seat was as easy, and leaving was not hard. The whole performance was led by Doctor Steven Lee Bingham who also played with all the bands on the alto saxophone along with giving information about each band, song, scholarship players, and on Mr. Wilson and his unique instrument called a E.V.I.. The audience had a pleasant feel, everyone was talking and laughing before and after the performance, they also were
Savannah Live was a musical preformance held in one of the oldest continuing theater halls in the nation. The theater, appropiately named the Historic Savannah Theater, origionally opened in 1818, yet do to years of wear and tear and several fires, the modern theater was retrofitted to look like its 1940s, art-deco self. Although the stage was in the traditional Proscienim style, the play was anything but traditional. The stage hall itself seemed like something right out of the hay day of Broadway, with lights surrounding the procienian arch, red velvet chairs and carpet, the hall was like a time caplse bringing me back into the 20th centry. Mimicing the transformations of the hall throughout the years, the musical took the audience on a journey through musical, and theatrical history.
In a society where songs with meaningless lyrics and repeated phrases gathers the most publicity, it is surprising to find songs that exhibit meaningful lyrics and thoughts. Unlike most hip-hop songs that contain useless repeated lyrics, Kanye West’s 2008 hit “Heartless” contains lyrics full of meaning. After producing this song, he was starting to approach the zenith of his career. This song became an instant hit for not only its soothing beats or sounds, but for its impactful lyrics that take the listener multiple attempts to really understand. This song tells the story of a tragic breakup between two individuals that cannot seem to get along.
Although the stage and costumes are seemingly more saturated with decorative props than the stark, almost empty surroundings of the Beijing Opera, there is a subdued dimness that allows the audience to put full attention to the male vocalist and his muse. The singing lines in the Beijing Opera were performed within a limited range, at a very high octave with a limited range. Similar to screeching, the notes were carried high in her throat, and produced with a certain harshness. On the contrary, the big, powerful “bel canto” operatic voice of the male singer in the Italian Opera, resonates with rich, full sounds throughout his voice range. The male performer’s voice and the message of love to the woman present with him, is obviously the main focal point of the piece.
In the video of this song each girls face shows sign of sadness and confusion as to why the world has to be so cold like this. The message he is trying to show is
I attended the Houston Symphony conducted by Andres Orozco-Estrada on Sunday, February 18th. It consisted of three pieces by the name of Three Dance Episodes from On the Town, Lago de Lagrimas Concert for Flutes, and Symphony no 7 in D minor, Opus 70. Overall, it was a great experience that I would definitely repeat because it was relaxing and peaceful watching the performance. The crowd was very respectful and the setting was professional and fancy. Everyone was nicely dressed and the workers were extremely helpful in directing the audience to the correct place.
The music video conveys a very deep meaning that is culturally relevant and is something many people struggle with everyday. Hozier utilizes imagery, symbolism and rhetorical strategies as an attempt to expose the
An important aspect of both music and communication is making your thoughts relatable. Making something relatable will allow your audience to connect and care about it more knowing that they have felt similar things. Everyone has regrets and think about the past, lost loves, and reminisce about the good ole days of our past. Nostalgia is a powerful tool utilized by artist typically to provide listeners with memories and allow them to empathize with the work. This song makes me reflect on a time where I once made a mistake with someone I was romantically interested.
I attended to a concert performed by the San Francisco Symphony Youth Orchestra on November 13th this year. This concert took place in the Davies Symphony Hall in San Francisco. I chose to attend to this concert because I have never been to a performance by any youth orchestra, I was curious to see how their performance would compare to other orchestras. The first of the three piece that were performed in this concert was Maenads’ Dance, from The Bassarids, composed by Hans Werner Henze. A variety of instruments were used in this piece, including woodwinds, brass, percussion, and strings.
Whitney Houston’s iconic acapella opening to the song is what catches her listener’s attention. This is when Whitney begins to build the dynamic of the song after the first chorus, when the song shifts into a stronger and bolder feel. She then begins displaying her uplifting and powerful vocal abilities. Whitney is known in this song for her capability to hold certain notes throughout her performance. Unlike Dolly, who was calm, Whitney is crying out and declaring her love.
The music sung is effective in its support of her actions as she then takes a breath, puts her hand near her heart, and beautifully sings once more, “the hills fill my heart with the sound of music; my heart wants to sing every song it hears.” You can tell by the end of the piece that she means every word she
Prince left the arrangement beautifully naked, yanking out the bass line to emphasize his signature synth and hypnotic drum machine. It started with an arresting fanfare of disoriented rock guitar, and a classical keyboard run ended the song on a revelatory high. He stacked several vocal tracks together, bringing the many voices in his head into one harmonic melody. The coiled tension of the stark music placed the focus on his deeply personal lyric, one that haunted you with its shadowy glimpses into a struggling