Orff Method The Orff Method, developed by the German composer Carl Orff, is a technique of teaching music that engages in different activities like singing, playing rhythmic or percussion instruments. Lessons are presented with an element of “play”, helping the children at their own level of understanding.
Moreover, according to Flohr (2010), the Orff Method helps them to be creative, to improvise, to move and dance. This approach is used not only in the elementary, but it is also utilized in the middle school all throughout the world. It is strong in meeting the national standard in music education which includes improvisation, composition and playing instrument. However, this approach is weak in reading and writing
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Furthermore, Alcodia (2012) believes that everyone is capable of music literacy. In addition, she accentuated that the musical elements are being assimilated through different musical activities such as singing folk songs and through the integration of games. Learning is also achieved through movements in song interpretation, playing instruments as well as reading and writing music while singing. Thus, having experienced the learning by doing and the variety of music activities, the musicianship and music literacy are being developed.
Corollary to this, Flohr et. al. (2010) believed that not only music literacy skills are developed but also the total musicianship as part of human experience. By this approach, Sibucao (2010) concluded that there is a significant difference in the performance of the pupils in reading using the Kodaly method. She added that this method positively affects the reading performance of pupils with learning disabilities. She further recommended that there is a need to integrate music in teaching oral readings to pupils with learning
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The Kodaly method was used in teaching voice and keyboard lessons to 6-year-old pupils for one year and the result showed that music lessons boosted the IQ of the respondents. The Dalcroze Method Another method that is associated with acquiring the rhythmic skills is the Dalcroze method. According to Alcodia (2012), the Dalcroze method, also known Dalcroze Eurhythmics, connects music, movement, mind and body to foster music appreciation, ear training and improvisation. Moreover, in this method the children responded and interpreted the rhythm of a musical piece through body movement. It was developed by Emile Jacques-Dalcroze, a Swiss composer.
Furthermore, Dalcroze has three key elements: the eurhythmics, solfege and improvisation. Eurythmics comes from the Greek term for good rhythm. Thus, rhythm and structure learn through kinetic exercises where pupils express what they hear through spontaneous bodily movement. Another method used to read rhythmic patterns and to acquire the rhythmic skills in general is the Modular
“They’ll turn us into writing robots”, a student contends against the use templates influencing the structure of their essays. (10) In the book “They Say/ I Say”: The Moves That Matter in Academic Writing, Gerald Graff and Cathy Birkenstein insist that the use of their relevant templates provide tools that will enhance the readers writing skills. These templates provide an exemplary format that one can use when writing an essay. Graff and Birkenstein suggests that, “Instead of focusing solely on abstract principles of writing, then, this book offers model templates that help you put those principles directly into practice.”
“Music is present and an integral part of every life celebration: birthdays, holidays, funerals, Quinceañeras, you name it.” Having music around throughout her childhood got her interested in becoming a performer herself.
(Beah 6). Later on, when one of his friends returns from secondary school, he brings back cassette tapes and teaches them to dance. From their first introduction to the music, the boys are fascinated by it. This fascination is recalled with joy because the music brought their friends
This fact was on students ability to understand things while listening to music. Perhams states, “Reading while listening to music, especially with lyrics, weakens understanding.”. This fact is one that many high school students can relate to and understand. Throughout the article, the author builds his strongest argument using
This is why this literary device was not as good as other to better understand the
Also, I found this particular piece to be difficult to read and interpret. The varying spelling and sentence structure made the letter difficult to follow, and I found myself rereading sections to verify that I understood what she was writing
The students should be able to listen to music in school because it had good qualities about. I know that you don’t want to have music in the school, but some students need it. Music can be helpful for studying, for working, and sometimes for test taking. For this project on music I looked up reasons why we should have music. I hope that you will let us listen to music again.
In light of this theory it is distinguished to suggest the playing of complex rhythmic patterns may allow a child without previous musical talents to experience success and high levels of self-confidence. This will help them to increase in self-confidence and may also encourage their confidence in their own self-efficacy to grow through a creative and interactive interference, which promotes second-hand and enactive learning. Oaklander (2006) supports, “the importance of a child having experienced mastery and emphasizes that a child cannot achieve satisfactory sense of self without having had adequate experience of
In order to improve elementary students' reading ability, the author suggested that the school board should encourage schools to purchase audiobooks because some studies showed thatstudents who hear books are more likely to become able readers. The author made several mistake when presenting the above argument. The biggest error the author committed is the conditions. First of all, the author stated that many students are discouraged by the lonely activity of reading.
Music education provides personal benefits to students that enrich their lives. In the study of perceived benefits of music by Dimitra Kokotsaki and Susan Hallam, it was found that “participating in an ensemble enhanced feelings of self-achievement for the study’s participants, assisted individuals in overcoming challenges, built self-confidence, and raised determination to make more effort to meet group expectations regarding standards of playing” (12). In an ensemble, every member is equally important, from the first chair to the last chair. Thus every person must be able to play all of their music and be ready for anything. When one person does not practice their music and comes to rehearsal unprepared, it reflects upon the whole ensemble.
Since, music is considerable as the useful tool and it makes things seems easier for people just by listening to it while concentrating or working on things. It is obvious that music is the best tool in relieving from stress and one study shows that music improves the performance of people at their work or children in school more effectively compared to their performance without music. Music does not just relaxing people but there are many benefits on the development of children with their brain, behavior, intellectual and cognitive that leads children to grow further than they could without music (Silberg, n.d.). This topic was interesting to work and conduct researches on because
Why are music classes mandatory subjects in schools? They really aren’t as beneficial as people believe they are. Music classes shouldn’t be required because they’re replaceable, unnecessary, and sometimes harmful to students who don’t want to take them. All of these cancel out any “benefits” that mandatory music classes have. Electives are fine, but as mandatory classes, they’re either worthless or harmful.
And similar to the Orff method, the children are taught to develop an inner awareness of beat and rhythm through movement. The Gordon method is, from my understanding, not just for elementary and general music, but for all levels and contexts of music education. I fully subscribe to the idea of audiation before reading, but again, the approach as a whole does not fit. Emile Jaques-Dalcroze created an approach to music with three main components in mind, Eurhythmics, Solfège, and Improvisation. Eurhythmics, teaches rhythm, structure, and expression through movement, much like the Orff method.
Learning style is a way to see how did each one of us learn visual,auditory,reading/writing or kinesthetic learners. Each one of us has different way of learning and understanding. It could be Visual: by seeing the thing that they want to learn , it could be auditory: by listing, or also it could be reading/ writing or Kinesthetic and this by touching and learning how things works. Sometimes we need to teach ourselves and learn from our mistake we make. Each person will need to teach themselve .
Some studies showed that people who listened to classical music performed worse in memory tests than those who didn’t” (See). We do know that some children and adults seem to be calmer and more engaged when music is incorporated into learning. People feel that this does impact the individual. Some people do not believe that arts in education are beneficial, but others feel that they are very monumental is