My research of the Greek Culture began with the viewing of My Big Fat Greek Wedding. A romantic comedy about a woman’s, Toula, strong Greek upbringing. Her family’s pride for their homeland progresses on to affect her relationship with Ian and eventually the preparation for their wedding. I believe there are copious cultural instances to address in this film. Toula’s father’s “head of the house” mindset generates evidence of a eminently masculine household. Also, I recognized strong suggestions of a collective household through the closeness of the extended Portokalos family. This film also offers the undertones of a high-power distance through the actions and work environment of the Portokalos family. And simply watching Toula’s eye contact, I knew she would ultimately defy her family’s wishes. Toula’s father, Gus, views himself as the head of the household. All decisions proceed through and are …show more content…
Gus’ mother stays with the family at all times. Although she is tough to manage and almost never in a lucid state, the Portokalos’ family considers her a priority. In contrast, Greece produces an intermediate style of power, but they require the utmost respect for their elderly, a sign of a high-power culture. (Geert Hofstede) There seems to be a high-power distance in the Toula’s family restaurant. Gus seems to accept all the responsibility and dislikes to witness change throughout the business. Geert Hofstede’s article on the Greek culture describes this as a common occurrence stating, “In companies there is one boss who takes complete responsibility.” The article continues to reveal that the Greek’s believe that other cultures have borrowed from their own culture. My Big Fat Greek shows this through Gus’ constant urging of his children, their friends, and neighbors to give him any word so he can show how it was a word that actually came from early Greek
Cisneros bring up conflict within herself, because instead of going to her father home on Sunday for dinner, she would rather stay home and write. “I feel like a bad daughter ignoring my father, but I feel worse when I don’t write. Either way, I never feel completely happy.” Cisneros is clearly explaining, that she could not please herself, if she were to give up writing. Cisneros also explain, that her and her father’s conflict does not get in the way of their relationship as father and daughter.
Selena Campana Final Essay Summer 15 Phil 76 Why not to join a Sorority When you start college you think your life is starting over and high school is going to be over but if you join a sorority or fraternity it will not. Imagine yourself being hazed, not looking a certain image. When you think you finally got out of all the miserable chapter in your life a new one starts, it 's just different people making you feel peer pressure like before and everything staying the say. Also having to impress everyone so they can end up liking you. Also a fraternity are more likely to sexual assault a girl at a party, trying to avoid anything that can ruin your life or career and get kicked out of school.
The Greek gods and goddesses are the ultimate representation how Greek culture. Since the gods and goddesses did not mention Odysseus’ lack of sexual fidelity, this shows that the values for men in Greek culture were not infringed upon. Sexual fidelity and how it is dealt with by the story’s most important characters in The Odyssey show the morals of Greek
In “Gender and the Homeric Epic”, an article by Nancy Felson and Laura M. Slatkin, the gender roles of various characters in The Odyssey, an epic poem by Homer, are examined in the constraining and progressive lens Homer takes. The characters of the epic most explicitly analyzed are Odysseus and his wife, Penelope; in this article the authors show the traditional gender roles both adhere to, but also exhibit the ways in which the characters are able to reach across the restraining gender roles, without making this story entirely about gender. Through this article one can see that the constraining nature of gender roles seen in society, is not inherent in the society presented in The Odyssey, which describes an intrinsic fluidity which is seen in a plethora of characters. “Gender and the Homeric Epic” discusses the gender roles conceived throughout Homer’s story through the characters Homer and Penelope. Homer represents the masculine war hero, returning home with what should be glory and happiness.
The trials of Ancient Greece and its Panhellenic ideals are cast in marble, as they’ve survived through antiquity into modern times, from the their revolution for independence against the Ottoman empire, to their modern entertainment which still contains Homeric
In the Greek culture, Greek women are expected to marry Greek men, so when Toula begins to like an American man, her family disapproves. This causes cultural conflict between the two families. It wasn’t until the American man (Ian) was baptized by a Greek orthodox church, that the family agreed that Ian and Toula could get married. Their cultures were very different but in the end, they worked things
This guest-host relationship would be considered the ‘ideal’ in Ancient Greece. Examples of ‘bad’ xenia would be the relations between Polyphemus and Odyssues and the Suitors in Odysseus’
The film , My Big Fat Greek Wedding, portrays a clear conceptual view of intercultural communication between families by focusing on two cultures, White-American, and Greek, and making a mockery out of the cultural stereotypes within these cultures. The film follows the story of Toula Portokalos, a 30 year old American-Greek woman working as a waitress in her family’s greek restaurant. The movie shows a strong but stereotypical representation of what a greek family is like; some stereotypes, focused on in the film, are that Greek heritage is highly honored, Greeks are very emotional and clingy, family to Greeks is very important, and strong reliance on parental figures, both financially, and instructionally, is typical and supported in a
Modern historian, Ateneus, once wrote that Etruscan women “Lie on the kline not only with their husbands but also with strangers and have relations with anyone willing to do so” (Lobner n.d, 357)1. This is illustrated in Figure 1 where the women are shown seated next to men in the banquet. Etruscan women, whether married or unmarried are allowed to dine and socialize with men on any occasion. In other societies, the only women who are allowed to join men in banquets are the prostitutes, thus the negative interpretation over the freedom of the Etruscan woman in attending these festivities. The Etruscan women are described by other Greek societies as having no morals and women who enjoyed pleasure rather than being upright. This was observed by other societies who do not understand the right and privilege accorded to them by the society.
In ancient times, there is a general sense that women were simply items and slaves to their husbands. Ancient Greece specifically has a renowned reputation of favoring men. Men possessed the dominant role in public affairs and events while most women were pressured to stay at home. Very few records extensively discuss women; the records focus mostly on men. Despite the lacking records, it is certain how ancient Greeks viewed their women and their relationships with their male counterparts.
Women’s power in the play contrasts the real women life’s conditions in Greece in 500/400 b.C. This sudden empowering of the female characters is the main reason why I have chosen to examine this comedy. The analysis will be focused on the figure of the women in the play and the contentious ideology of the author.
They decided to marry but faced to the disapproval of Toula’s family about the cultural differences. Firstly, “My Big Fat Greek Wedding” illustrates the conflict between members of two different cultural groups in terms of communication style: low context culture and high context culture. In theory, a low context culture tends to “uses language primarily to express thoughts, feelings, and ideas as clearly and logically as possible... The meaning of a statement is in the words spoken”; in contrast, a high context culture “relies heavily on subtle, often nonverbal cues to convey meaning, save face, and maintaining social harmony.
It can be seen as a trend throughout history that stories reflect a society’s culture and values. One of the most memorable and inspirational civilization that made a substantial contribution to literature was Greece. Sophocles, a renowned Greek playwright, is beloved for his dramatic and action-filled plays that effectively satisfied the ancient audience. In Sophocles’ tragic play, Oedipus the King, the main character, Oedipus finds difficulty proclaiming his purpose against the fate bestowed upon him by the gods. Alongside his struggling, the values and cultural aspects of the Greeks emerge, reflecting their views on society during that time period at which the play was produced.
The male characters in this play often feel uncomfortable when their female counterparts break gendered stereotypes. This is the same feeling that drove Theseus to war with the Amazons. An equally important woman is Hermia: Theseus and her father have in mind Demetrius for Hermia’s groom, yet she still refuses even after a small threat from Theseus, “Be advised, fair maid. To you, your father should be as a god” (1.1.47-48). Here in patriarchal Athens, fathers are the head households and hold influence over near-all decisions.
The appearance of stability of the Greek patriarchy is seen to be much greater than that of the Biblical nature because the jobs of the classes and sexes are clearly defined within Greek life where the variance in the lives Biblical tribes, due to their nomadic nature, sometimes masks the patriarchy within their society. The realistic depiction of the Greek daily life, while still far removed, is contrasted against the Old testament stories, which lack the peace of daily life. The final comparison between the two texts is how their styles represent the two basic types of ancient epics with the Homeric style being fully externalized, “displaying unmistakable meanings” (23), while the Old Testament has sayings with many meanings that require interpretation. The text finishes by stating that since the Homeric and Old Testament styles are starting points for the analysis, we cannot consider anything that pertains to their