Scar
My scar is not an ordinary scar, nothing visible, no wounds healed. My scar is a mental one, one which rests deep in the back of my brain, waiting for the most inopportune time to leap out. My scar is a cuckoo clock. For those unaware, a cuckoo clock is one which has a small fake bird in it, which jumps out and shouts “Cuckoo!” every hour on the hour. When I was a young child, I never held any grudge against the humble cuckoo; they lived in their domain, and I in mine. Yet one day I discovered some old books my brother had collected, by a man named R.L. Stine—The Goosebumps Series. I read one book in particular, “The Cuckoo Clock of Doom”. While seeming juvenile today, as a young boy, the book haunted me. I have since forgotten what the book was about, and I daren 't open its pages—lest I find out, and the wounds reopen. After reading the book, I began having nightmares. Haunting nightmares, that still frighten me to this day. More specifically, one nightmare, which would repeat night after night. I awake, rubbing sleep from my eyes. My location is not my home, yet I have been here before—in another time, another life. The taps of rain from outside shake the windows, resonating over the stagnant air in the small room. It is decorated ornately—not unlike my grandparent 's house—with plush red carpets, and bright white love-seats. The room would be comforting, if not for the one
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Yet I never do. I awake before that time comes. Yet each time the dream recurs, once every few months to this day, I draw closer to my breaking point. I wonder, I ponder—I fear—what I might see exiting that clock. That accursed clock. What does it mean for my psyche that my mind would craft such an elaborate scenario to play out each night? Am I delusional, enough that I fear a harmless clock? Or am I rightly justified? Does the clock signify something more—something hiding inside me—inside all of us—something waiting to be let out at the final chime. When the clock strikes
I think the Author 's purpose for this book is that Mary Downing Hahn wanted to entertain the reader because it was a frightening story. She also got inspiration from a spooky story that her teacher told her so Mary decided to write a book similar
Nightmares turn into reality, and spiders surround you from all sides. “Hunt” involves a man whothat suffers from a nightmare and ultimately wakes up alarmedalarmingly to a calm and quiet house. In “Hunt”, Alvarez uses the metaphors of spiders compared to nightmares, ellipsis, and paragraph length, to demonstrate how the character's state of mind is fragmented in nightmares to show that others may view reality differently, whichand that is fundamentally acceptable. Throughout the work, Alvarez uses thean extended metaphor of spiders and nightmares to contribute to the grim and tense setting that Alvarez wanted to show so the reader understands the attitude of the short story. Within the nightmare, spiders swarm around the main character.
I am currently reading the book, Creepypasta, a story filled with chilling horror stories, such as the one I am going to question, visualize, and evaluate today, the terrifying story Come Closer. “…So his mere presence felt threatening…” (Clovdtears 13). Firstly I will be questioning about whom this mysterious man is that the kids talk about, secondly I will visualize several different areas in the story, and lastly I will evaluate the story. To begin with I am questioning whom the man is that the kids are talking about.
The calendar, clock, and hourglass are symbols of passing time; a reminder of mortality and the impermanence of life (DeWitt et al. 155). The floating objects and the distorted reflection in the mirror create an otherworldly quality to the painting which contrasts with the realism of the objects that represent time (DeWitt et al. 156). On
This symbolizes that the people can't avoid the clock, similar to how they can't hide from the Red Death, and expresses the theme of inevitable death. Finally, Poe uses the color scheme in the rooms to symbolize the
[It is morning and the sky that shows through the old windows of the building is a peaceful hazy blue-dark. Daylight sunshine shows in the distance. The outside world, unmistakable to the eyes from the old windows is of a cool winter. The lights hanging in the inside of the building projects a dull puncturing yellow and throws shadows onto the dividers giving a clean, shocking feeling. Every room looks like a jail cell.
As rain seeped from the heavens, the dreary charcoal buildings began to resemble grotesque tombstones. The rain swirled across the concrete road, past the abandoned basketball court haunted by the echoes of childhood and under the park benches where lovers had once met to profess their passion. The rain-soaked wind pushed the corroded swings, their eerie creaking harmonizing with the wind’s soft moans. In its wake, the rain left shallow ebony puddles doomed to virginity, forever untouched by the rubber soles of childrens’ rain boots. Raindrops tapped against dark window-panes, filling the street with a melancholy melody.
Can dreams predict our fate? Khaled Hosseini displays the power of dreams and other symbols in his novel The Kite Runner. The characters use recurring objects that stand for much something on a larger scale. These symbols add meaning to the story and help readers go beyond seeing them as objects. Throughout The Kite Runner, symbols are revealed that display larger meanings such as the monster in the lake, a slingshot, and the kite.
In this book it makes you think and wonder what was going on
After analyzing this parallel, I came to the realization that knowing too much of your future can have disastrous consequences. When laid adjacent to one another, many resemblances stand out. For example, in Macbeth, we have
With an absence of humanity left in the world, it is with personification that Bradbury gives the ability to empathize back to the reader throughout the story, but especially in the opening quote: “In the living room the voice-clock sang, Tick-tock, seven o'clock, time to get up, time to get up, seven o'clock! as if it were afraid nobody would. (Bradbury 28)” Here, Bradbury gives the clock the ability to experience fear and, to an extent, worry. The quote is also very well placed in the beginning of the short story to make sure his readers make note of it both consciously and unconsciously.
Along with this, the symbols reveal how they reflect on the people themselves. Poe’s themes of humans cannot control death, creation to death, and anticipation are epitomized through the ebony clock and the seven
I downloaded all your paintings to my pc, Ken, so, I could look at closer the painting of the stars and what I saw is the clock has the number 13 in the place of the number 12, and the 9 is the only number which is missing. Right! The 13 is the number of the transformation or transition from one plane into another. The number 13 is a karmic number that involves a hard and anguishing trial, as the death, so I think that, when someone is near to death, we could say that person is near to its hour 13, however, it would also be close to its hour 13, someone who is about to be born, because being born is also a transition and a very hard test, and according to some, even harder than dying. The number 13 faces us at the conscience, and therefore, at the affliction to have to accept our own mortality, a thing that doesn't happen when we are born, because nobody is conscientious of what is going to happen during that event.
Time is one of the most basic elements of life: Humans live in the present, dwell in the past, and fear the future. Life is just a constant and consistent march towards the end, an end that is forever unknown. Time, though, for all it dictates, is nothing more than a human construct. The idea that everything exists in a neat line and that all events happen from start to finish is nothing more than a common figment of imagination. One may argue that this linear idea is the foundational problem with humanity.
In fact, those moments which seem reasonable to you might make a huge impact in the future. You never know what time holds for you, in fact, the time is like a river – it never stops for anyone. No matter who you’re - where ever you come from - nor it matters your opinion, it flows on.