In Frank McCourt’s novel Angela’s Ashes, a great significance is placed on the mythological hero Cuchulain. Cuchulain, who was born named Setanta, grew up in the Northen part of Ireland like Frankie’s father. At a young age, Frankie’s father tells Frankie the story of Cuchulain. Cuchulain killed the dog of the house of Culain and to repent he guarded the house since the dog no longer could. He later on guarded not just the house but the entire region and became the greatest hero. Since that night Frankie took possession of the great hero of Ireland saying that it is his story.
The beginning of the memoir begins with, "When I look back at my childhood I wonder how I survived at all. "As a young boy Frankie had personal issues in result of his father 's alcoholism. At the end of work every Friday Frank 's father was supposed to come home and give the family his salary for the week. Sadly, his father usually did not come home on Friday 's and would usually just spend the money at the local bar. Because there was no money the kids suffered from
This entire book has lots of emphasis on how short and violent The Kid’s life truly was. Utley, just like any other historian, knows very little about the beginning years of his life. I found it hard to find a thesis for a biography, the best I can put together would be that Utley says how much Henry McCarty actually did throughout his extremely brief life. Going into detail about how he began his life as a “hoodlum” so to say. Growing up in 1800s was a time of evolution and people like Henry McCarthy led a life being a creature of his time.
The revealing of truth can be seen when Billy is separated from the rest of his squadron. At first, one might think of Billy as a war hero and that he fits the stereotypical war figure: large, strong, and courageous. But the actual truth is revealed when Billy pleads with the remainder of his squadron for him to be left behind. “He wished everyone would leave him alone. “You guys go on without me,” he said again and again.”
He later admits to lying about some details in the story. These lies don’t matter because there is no end to the story, making it true. In life when something happens, for example someone dying, death doesn’t end the story. The story goes on and on with other people experiencing aftershocks of emotions, grievance, depression, and other things could happen with it. A story never ends with one event, it goes on and on affecting life for years to come.
This story is a success because it features components of what O’Brien says is a true war story. This certain short story includes, embarrassment, love, memory, and, shame. This story perfectly depicts the theme of one's conscience versus the society around them. It portrays this theme because it is the perfect example of the fight between what he believe is right and what society believes is wrong and is “unpatriotic” while what he believes is wrong and unworthy of such violence, yet society believes is right. According to O’Brien, in order for war stories to be true they must possess at least some of the elements from his specific definition.
In the short story, “The Man I Killed,” O’Brien focuses on this to show that everyone fighting in a war has a story. He spends the story describing the man he killed and searching for justification of his actions. He carries around guilt with him because of it, and his fellow soldiers try to help him justify and come to terms with his action by saying things like, “You want to trade places with him? Turn it all upside down= you want that? I mean, be honest,” (126) and “Tim, it’s a war.
When I started reading the book City of Ashes by Cassandra Clare, I set my focus on the lens of social issues, and my frame of archetypes/archetypal characters. All of these components add up to show important themes. After reviewing my notes, I realized that there is a seed idea of “bravery” that the the main character shows through my lens and frame. Clary (the main character), is worked up by the thought that her father is trying to take over the Shadowhunter world and enslave all of her kind, which is the social issue.
O’Brien creates this backstory for this boy. How he grew up listening to stories of his ancestors protecting their land and that it was a tradition to die fighting for your own land. But O’Brien could see that this boy was weak and tiny and young. He could see that his face was smooth with no facial hair and fingers were thin. This brought so much more guilt onto him.
The war never leaves him, and he feels it is his obligation to put the story on paper: to write the real truth of the
Society is a limitation, often preventing many from following their dreams or beliefs. Some may forsake these dreams and ideals and forget who they are in an attempt to conform. Into the Wild, written by Jon Krakauer narrates the story of Christopher McCandless, a young man from Virginia. McCandless hitchhiked to Alaska in 1992 to follow his beliefs and managed to live off the land for four months until he met his death in the wilderness. His story gained a lot of publicity and it has led to debates about his sanity and heroic qualities.
Arawn is from the Welsh branch of the Celtic Pantheon. He's the God of death, war, terror and revenge. He was the king of the Otherworld realm called Annwn, which is said to be a world of delights and everlasting youth where disease and illness doesn't exist and the most delicious foods are abounding. He's the Keeper of Lost Souls and is known to be riding his beautiful horse, with his white and red eared hound dogs running right beside him, through the Autumn, Winter and early Spring skies. Some say they are hunting for wandering spirits, while others saying they are hunting the Fey.
In Ken Kesey’s One Flew Over the Cuckoo’s Nest, the main character, Randle Patrick McMurphy, is a perfect example of a tragic hero. Throughout the novel McMurphy sets himself up to be the tragic hero by resenting Nurse Ratched’s power and defending the other patients. He can be classified as a contemporary tragic hero, but he also includes elements of Aristotle’s tragic hero. McMurphy’s rebellious nature and ultimate demise are what truly makes him as a tragic hero.
“Cathleen Ni Houlihan”, a play that William Butler Yeats co-wrote with Lady Gregory, in 1902, is about Ireland’s fight for their independence. According to Nicholas Grene: “What is at issue [in Kathleen Ni Houlihan] is the political meaning which the play generated and the potential for such meaning which the text offered.” (Grene, 1999) The play is set in a cottage kitchen and centres in the 1798 Rebellion. The play: “stages two conflicting narratives of Irish peasant womanhood. Mrs. Gillane and, potentially, Delia, her son’s pretty, well-dowered bride-to-be, represent a realist, maternal order, the values of hearth and home; the Poor Old Woman, Cathleen, also dressed as a peasant, represents a contrary order of being – symbolic, nomadic, virginal, sacrificial rather than procreative (…)
In the western part of Ireland lies the quaint village of Cong. Friendly ginger haired locals are quick with smile and a wave or to share a tankard of stout should you visit one of their festive taverns. The town’s second claim to fame it’s the location of the then Hollywood blockbuster, The Quiet Man staring John Wayne and Maureen O’Hara. In fact there’s a life-size statue of the big-screen lovebirds in the town center.
The films An Diog is Faide and Fluent Dysphasia depict the struggle that Irish have to go through to preserve their old language (Gaelic). The film Fluent Dysphasia is about a native of Dublin who was hit with a football on the head, and wake up realizing that he doesn’t speak or understand English anymore, and becomes fluent in Gaelic instead. His daughter who was studying Gaelic becomes his translator, and explains his situation. Similarly, An Diog is Faide is based on the story of Sonnie Murphy who started from the bottom as a farm worker, but ended up competing in the Los Angeles 1932 Olympics, despite being told by his poor parents that “it’d cost a fortune to get you there.” Although the two films appeared to tell different stories, each film depicts the stereotype that Irish women and men are beautiful, and use such stereotype to preserve the Irish language and tradition.