Secrets of Nanny Mcphee
In the movie Nanny McPhee, supernatural abilities were being displayed. Throughout the movie, there were seven naughty kids that did almost anything to get rid of seventeen nannies. Later on Nanny McPhee appears at Mr. Brown house in a desperate time of need in order to help discipline the kids by teaching them five lessons throughout the movie. Film devices and techniques are important to any movie because it helps grasp the attention of an individual that is watching. They also help a person to understand the concept that is being shown throughout the movie. The film techniques of sound, lighting, and set design help portray Nanny McPhee’s supernatural powers.
First, the film’s set design helps support the theme of Nanny McPhee’s supernatural abilities. In the movie, there was a distant
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When Nanny McPhee appears in the movie at Mr. Brown’s house, the lighting inside the place starts to malfunction as if there was a shortage in the circuits. The set design in this scene is used to show how powerful Nanny McPhee’s first appearance is alone thus signifying a small portion of her supernatural abilities. Also, the back lighting in the scene when Nanny McPhee first appeared portrayed a dark and shady profile of her making most people believe that something was very peculiar about her. The set design in this scene was used in order to give individuals a first impression that Nanny Mcphee may behold some powerful abilities thus making her supernatural.
The theme of Nanny McPhee is supernatural, but her character portrays so much more. According to the Stephen Holden, “Richest of all is Ms. Thompson’s McPhee, who conveys with a thousand subtle hints that just behind her affronted snaggletoothed glare lies a reservoir of affection and good will” (par. 10). Therefore, Nanny McPhee has a heart of gold for others even though she was portrayed
During a group therapy session, a quarrel between Harding and Taber provided foreshadowing on the discussed theme. It was stated “Harding, why don 't you knock off the bullshit and get to the point?” “This is the point. This is the point, Taber. It 's not bullshit.
Being sheltered since birth from evil and poverty she is loving and caring for all those around her no matter where they live or what they look like because she sees the good in all people around
Nanny is successfully able to convince her granddaughter through her own traumatic experiences and make her feel “sympathy” as she tells Janie she doesn’t want her life to be spoiled like her own life was. At first, Janie refuses to marry Logan Killicks. Nanny being the older one, defends herself by saying “put me down easy” since she can no longer care for Janie and only her wish is for Janie to get married and be protected from the dangers she and her own daughter faced. By calling herself a “cracked plate” Nanny further elucidates that she went through many hardships in her own life and wants to do the right thing for her granddaughter by
“The Veldt” by Ray Bradbury, tells the story of a family living in a futuristic “HappyLife Home”, that consists of various machines that perform all tasks thinkable. The children of the family, soon become intrigued by the nursery; a virtual reality room that reproduces any place the children imagine. As the nursery begins to display peculiar scenes, the Hadley family is driven to deal with the burdens of technology. In 1984, the short story “The Veldt”, was adapted into a film. The short story and the film have many parallels and similarities, with the exception of a few differences and variations.
Nanny was a big influence in trying to help Janie set herself up for a good life that Nanny never had. Yet Nanny really set Janie up for trouble even though that was not her goal at all. When Janie married Nanny's choice, Logan Kellicks for his money, it only leads Janie to a life that she didn't want. Feeling no affection from Logan she feels misplaced and is not happy with her marriage. Janie is in search for a better life and that's what she does all the way through Their Eyes Were Watching God.
To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.
Romare Bearden’s painting The Family portrays a scene of a family who are in a negative situation. They are being visited by two unwelcome guest late at night this can be seen from the body language given by the father and mother as it implies that the topic is a negative one. The family is caught in a scene at the moment of the meeting going hostile. The family is painted with a somber tone with solid colors giving leaving the painting with a feeling of anticipation that something is going to happen. The Family gives a bleak view into a moment of a family being threatened which the colors and body language leave a lasting feeling of unease will the symbolism of the objects paint a picture of what happen before this moment.
The film uses cinematic techniques to further push this implicit meaning by ways of cinematography, mise-en-scene, and editing. Cinematography:
For instance, in the film “Beetlejuice,” Burton uses high-key lighting in the interior of the Maitlan’s house to give it a comfortable, cozy feel that reflects the personality of the family; however, after that family dies in a traffic accident and the Deetz's move in and “renovate” the home, the lighting becomes much darker. This contrast makes the house seem cold and unsettling, matching the personality of the new family. This technique is exemplified by the scene in which the Deetzes host a dinner party for out-of-town guests. The action alternates between the brightly lit attic where the ghosts of the Maitlans reside in safety to the gloomy dining room of the main house where the nasty, selfish Deetzes live out their cold, heartless lives.
These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The
The final film technique Tim Burton uses is sounds he uses. The most popular type of sound techniques is the non-diegetic sounds. In the 1989 Batman film, Tim Burton uses a ton of non-diegetic music. In multiple scenes in the movie, often combat scenes, there is dramatic music playing in the background to enhance the tension in the audience. During the scene in Charlie and the chocolate Factory when Charlie won the last golden ticket and he was running home there was non-diegetic happy and exciting music playing in the background.
Also, her use of imagery makes you visualize all the struggle her and her family go through everyday. Parker explains about the last time she had to a job and what happened to her children: “When I left them with “Granny” the last time I had a job, I came home to find the baby covered with fly specks, and a diaper that had not been changed since I left. When the dried diaper came off, bits of my baby’s flesh came with
Using methods such as these as well additional tactics like a dark background and quiet music enhance the response of the viewer or audience. All of these aspects contribute to the style which is central to successful
Tim Burton 's use of this helps show the contrast of the insider and outsider world. When the viewer is watching they get a sense of suspense and start to second guess whether or not they should trust the outsider. In Edward Scissorhands Burton uses a high-key low-key light contrast when Peg is in her car and sees Edward 's house in her side mirror. When the viewers are watching they get a frightened sense and wonder whether or not Edward or whomever is in the house will
Pecola is challenged by the idea that her mother prefers her work life, that they have an outdated house, and that she does not look like the Shirley Temple doll with blue eyes. Morrison went into great detail when describing the elegance and beauty that was present in the Fisher home, to demonstrate that those who do not fit into the ideal American life often feel shame. The Breedlove family lived a very simple life, and in no way did they fit into what society believed to be correct. Mrs. Breedlove was the only member of the family that truly understood what the American Dream looked like. The work that she did for the Fishers lead her to envy the American Dream.