Summary Of La Adjetivacion De La Viencia Del Narco
In the article “La Adjetivación de la Violencia del Narcotráfico en la Cultura de México: Religión, Arquitectura, Música y Literatura,” María Eugenia de la O Martínez discusses the transformation of message in corridos by conducting a textual analysis. The author writes its research by treating narcocorridos as the modern form of the traditional folk ballad, or corrido, currently often associated with Mexican drug culture. The author uses books and songs, narcocorridos to understand the cultural meaning of violence, fear, and pain in Mexico, as well as the social circumstances that legitimized the narco-trafficking. De La O Martínez analyses the topic through three thematic lenses: architecture, music, and literature. Due to the topic of my …show more content…
She claims that the people from these culture who are stigmatized as “dangerous” or “gangsters,” are some of the most marginalized communities. With this, the author demonstrates that narcocorridos are the illusion where the low-income have right to the corrupted opportunities of the high income by looking at different authors such as Carlos Monsivaís and Valenzuela. Thus, narcocorridos portray drug traffickers as heroes who follow the rules of the drug world, and overcome the obstacles of violence, persecution, murder, meeting their destination: Death. However, despite the violence, these songs still hold on to rural values and honor the land, family, and demonstrate nostalgia of a poor childhood. Therefore, the author also analyses the words used between the relationship of singer and fan, “maziso” and “enfermos.” She notes that these vocabulary encourages feeling of revelation against social norms. Furthermore, the exaggerated fashion used in this genre, is the result of a combination between rural fashion and rural assumptions of high-class fashion. De La O Martínez connects that by associating these values and stories to current drug lords such as El Chapo Guzmán, Chino Antrax, El Mayo, they take the role of the heroes and “the voice of the people.” The author concludes that this genre is the result of a community that is trying to keep their morals and own verion of rules in a violent and corrupted state that allowed many generations to fall into poverty without a future in which to
Narcco Corridos Research Paper
209 Words | 1 PagesNarco Corridos: genre of Mexican music based on the polka, depicting drug smugglers, cartels, and other criminal activities. Narco Corridos is one of the most popular styles of music in the U.S. Mexican border given the Grammy winning and awards, the popularity of Narco Corridos among the Hispanic culture continues to be a topic of debate whether this type of music genre is glorifying the violent crimes, conquest of Mexican drug lords, and other criminal activities, and influencing the young population of Hispanic by making them want to dress and mimic certain criminal behaviors. This genre of music or the singers in specific make the Hispanic or whoever listens to the music feel identified by admiring the drug lords, drugs, cartels and crime.
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801 Words | 4 PagesAdditionally, the way of execcuting Tupac Amaru II in a public place in front of many Peruzian citizen shows just how serious the Spanish were in their takeover of Peru. This violent and public death is a prime example of Slavoj Zizek’s interpretation of subjective violence. Steven Poole describes this as “violence with a distinguishable agent” (Poole, Unspeak). The Spanish intentionally carried out this particular form of violence to show and instill fear into the minds of the people of Peru so that they will remember the death for generations to come. Last, but certainly not least, the name Tupac symbolizes a person a person who does not give up (Classnotes Jan 28th).
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Summary Of Caramelo By Sandra Cisneros
1046 Words | 5 PagesOne of the area of conflict that rose in the book involves the usage of the English language in relation of the family’s native language, Spanish. As a Mexican-American raised in the States the exhibition of the English language, whether the use of the tongue is fluent or not, cause a strain in the Mexican culture as the culture takes in consideration of their romance and richness of history in their native tongue (Rothman 204). Language represent the supporting backbone of a person as the progress in life as the ability to communicate without misunderstands, however a person can cause the loss connection to the past romance of the culture and art of cultivation that brings the language to lifes from their inabilities to comprehend the ability/asset to its fullest potential (Rothman 204). To fully understand the true meaning behind a spoken chain of words can be understood by the method of trying to first comprehend the cultivation of the word and the definition behind them. Cisneros embeds the use of Spanish in fragments depicting a sense of reality within a fictional novel, Caramelo, as well with the use of interchangeable dialogues with spanish phrase to express the illustration of Celaya’s family and the culture in which is translate in of importance of pride.
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1249 Words | 5 PagesWorks of post-modern literature raise questions about life and the human condition. The questions raised by the author not always answered in the text. Juniot Diaz’s novel, The Brief Wondrous Life of Oscar Wao is an example of this. In the novel the motif of love and violence raises the question, “How closely aligned is love or the lack of it to violence or madness?” The author provides no clear answer to this question and the questions helps to emphasize the meaning of the work as a whole.
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1581 Words | 7 PagesWritten by Gabriel Garcia Márquez in 1958 as part of Los Funerales de la Mamá Grande, Un Día de Éstos is a short story addressing a vast theme; that of power and how it is balanced. By constructing the narrative primarily around the two characters of Don Aurelio Escovar, an unqualified dentist, and the mayor who is suffering of toothache, Márquez uses their reactions towards each other to guide the reader into understanding how easy it is to become vulnerable, notwithstanding their social class. CHARACTERISATION The theme of power is explored through the characterisations of the two men in the story and it could be said that this done primarily through continuous contrasts between them. To start with, the vocabulary that surrounds Escovar
Macaria's Daughter Analysis
1149 Words | 5 PagesIn the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony.
Quixote's Soldiers Summary
741 Words | 3 PagesIn order to write this book, the author clearly uses different manuscripts and papers that helped him to explain and show the situation of this social movement. He also uses and gets information from people that were living those situations, for instance in Chapter one, he mentions a note from Journalist Ruiz Ibañez: “Contrary to the common belief that those groups are composed of “punks” and hoodlums….”1. Related to him, he is an American historian and sociology that obtained his sociology and political science degrees in the University of Texas at Austin and Yale University, as well. Currently, he is a professor of Ethnic Studies at the University of California, Berkeley and he is president of the Center for Latino Policy Research. He wrote not only Quixote’s Soldiers but also, Anglos and Mexicans in the Making of Texas, 1836-1986.
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968 Words | 4 PagesBeyond an energetic and comical playwright, Luis Valdez’ “Los Vendidos” is an accurate reflection of the contemporary American society, focusing on how Mexicans are perceived in this society. The play abounds in stereotypes about Mexicans, which is why the main theme of “Los Vendidos” is stereotyping. Stereotypes appear in societies because the dominant majority has difficulties in understanding the specificities of particular minorities, as it is the case of the Mexicans, portrayed in “Los Vendidos”. Nevertheless, stereotypes are nurtured as a modality of keeping minorities socio – economically repressed and inferior to the dominant race in the society (Escobar p. 562). By portraying the main stereotypes that are used to refer to Mexicans in United States, such as farm workers, gang members or revolucionarios, Valdez describes the identity crisis experienced by Mexicans, who are trying to resist to the cultural assimilation of becoming Americans.
La Mexicano Analysis
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Reality And Illusion In Miguel De Cervantes's Don Quixote
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