Native American Colonialism Essay

In a time where sampling is a staple of hip-hop and other predominant, modern genres, it is not unreasonable for an artist to take ownership of past artifacts, even those which once were oppressed or used for oppression, as a way to reclaim the artifact itself, to subvert it, or otherwise reconstitute meaning. When we examine remixing and sampling in pop music in an academic way, we must consider how it is consumed by and therefore affects a non-academic audience. Understanding the audience is foundational to communication, after all. Radio listeners will not necessarily know where sampled pieces originate from, let alone their original contexts. And those effects should be further examined in the future.

Description The Jamestown[1] settlement in the Colony of Virginia was the first permanent English settlement in the Americas. William Kelso says Jamestown "is where the British Empire began ... this was the first colony in the British Empire."[2 ] Established by the Virginia Company of London as "James Fort" on May 4, 1607 (O.S., May 14, 1607 N.S.),[3] and considered permanent after brief abandonment in 1610, it followed several earlier failed attempts, including the Lost Colony of Roanoke. Jamestown served as the capital of the colony for 83 years, from 1616 until 1699.

Before the Spanish ship that changed it all, which arrived in the “New World” in 1492, thriving organized communities of native people had centuries of history on the land. That ship, skippered by Christopher Columbus, altered the course of both Native American and European history. 1492 sparked the fire of cultural diffusion in the New World which profoundly impacted the Native American peoples and the European settlers. Prior to European contact, Native Americans lived as hunter-gatherers, living and traveling in groups of typically less than 300 people. These Native Americans spoke over 400 languages and practiced a myriad of different religions (The American Pageant).

Title Native American Indians of the Revolutionary War Nearly 250 year after the Revolutionary War, there was a mistaken idea that the war was fought only between the British and the 13 British colonies. However, the Native American Indians played a major role in the Revolutionary War. Long before the Revolutionary War was active, around 1772, the Mohawk, Oneida, Onondaga, Cayuga, and the Seneca Indians created a nation to become stronger and stop the colonists from taking over their lands. The indians had hoped that their lands would be protected by the British after Joseph Brant was influenced them to help.

During the late 15th and early 16th centuries, eExplorers from Europe had made vast advancements on traveling methods and shipbuilding and had new methods to travel the world. Due to needs for faster trade routes or access to new markets, most powers, starting with Portugal, had started sending Explorers to find different ways to trade and navigate. This would eventually lead them to the New World where they would meet people of different culture. Explorers during this period have many positive and negative effects on the natives. Europeans indirectly killed off native with diseases, enslaved natives with cruel slave methods, and tried to completely erase the native cultures in place of the typical European cultures and religion.

In 1971, Alvin Ailey choreographed Cry, a three part work solo dance set to gospel music that describes an emotional journey filled with struggle, hardships, defeat, survival and joy. It was intended as a birthday present to Alvin’s mother and a dedication to all black women everywhere. The first part of the dance is the struggle of trying to maintain pride irrespective of the opposition faced from outside. The second part reveals the sorrow within after the woman’s pride has been shattered into pieces and finally the third part is a spirited celebration of finding strength and joy in God. Even though cry was dedicated to only black women, i argue the notion that all women both black and white of the nineteenth century could relate

The Native Americans need their land back . Money is a good way for them to solve their problems but not like having their land back . I believe land is better than money because it can change their life's in so many ways . It's a way of getting their dignity back after what happened to them causes by our people.

Native American Injustice 109. That’s the number of Native American tribes in California. One tribe that is unique to all the others is the Redding Rancheria. In Redding Rancheria, there are 3 tribes, Wintu, Yana, and Pit River. These tribes have been dealing with injustices for a very long time.

From colonial times until the end of the Indian Wars in 1890, the people in America went through a series of unfair and unfortunate events. Mainly for the Indians which are also called the first peoples. These events could have been handled with much more consideration for the Indians. There are many times when the Americans went too far including the Removal Act of 1830, the Reservation System, and the Act for the Government and Protection of Indians.

Quite simply put, Europeans viewed Africans and Native Americans as inferior to themselves. They were considered to be heathens and barbarians by the Europeans. And, at least initially, they were not Christian. It was believed that Europeans could save both Native Americans and Africans not only spiritually but also economically and socially. This type of attitude also most likely made it much easier for the Europeans to discriminate and exploit them.

Percival Everett’s short story entitled, “The Appropriation of Cultures” explores themes of irony and absurdity. The irony lies within each and every page. The story begins with Daniel, who is a young and successful black man with a degree from Brown University. He is also a musician and frequently played old tunes with a group of musicians. The story then shifts as white frat boys make suggestions of what the musicians should play, “One night, some white boys from a fraternity yellow forward to the stage at the black man holding the acoustic guitar and began to shout, ‘Play ‘Dixie’ for us!

Blues could not exist if the African captives had not become American slaves. Without African slaves from West Africa, there would be no blues music. The immediate predecessors of blues were the Afro-American/American Negro work songs, which had their musical origins in West Africa. It is impossible to say how old the blues are but it is certainly no older than the presence of Negros in the United States. The African slaves brought their music with them to the New World.

Not to mention, jazz music had been struggle against society. The 1960s and 1970s’s black power movement influenced on jazz musicians and Hancock was not an exception. That’s why sociological factors influenced on Hancock’s styles, sounds and messages in songs or albums. In Musical Borrowing, Dialogism, and American Culture, 1960-1975 (2006), Berry suggests that “Watermelon Man” (1973) from Hancock’s album Head Hunters (1973) shows evidence of mixing African-American culture with traditional African music (Berry,2006, p.168-169).

In life, there are few things as organic as jazz music. With its raw sound and scrappy roots, one cannot help but feel life head-on whilst witnessing players produce such a sound right before their eyes. Its origins and arch are a product of the United States’ national culture and identity. Jazz exists not only as a deeply rooted form of art but as a cultural marker, particularly during its commercial peak in the first half of the 20th century. Its impact transcends borders, and it is one of the most beloved musical genres worldwide.

For African Americans, jazz music, has always had a political undercurrent. Slave songs spoke of the “Israelites” enslaved by the Egyptians, such as in Go Down Moses, symbolising their own yearning for freedom. However, it took time for the assertion of the political message to develop in a more discernible way. Jazz’s status as a form of entertainment had effectively subdued the message for many years, because of the ostracisation of those involved and because of the early popularity of the white swing bands. The majority of jazz musicians were not political activists, rarely explicitly political in their work, however, they often expressed their political ideals, sometimes more subtley other times more overtly through their music.