Nature And Romanticism In Mary Shelley's Frankenstein

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In Mary Shelley’s iconic gothic novel, Frankenstein, Romantic themes are strongly represented in order to propagandize Romanticism over the elements of knowledge and the Enlightenment. In her novel, Shelley uses gothic nature settings to foreshadow dark events that are about to happen in the novel. She also uses nature to intensify the effect that is brought during significant scenes, a strong example being, when Victor Frankenstein’s monster approaches him after a long period of time. Nature and its use to influence mood is one of the most paramount themes of both Frankenstein and Romanticism.
The influencing power of nature is somewhat withdrawn at major points in the book, mainly due to its connection with the Byronic hero, Victor Frankenstein. Towards the beginning of the novel, Frankenstein is shown to be both an
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As the book progresses, Frankenstein becomes more engrossed in the different aspects of science, and Shelley no longer uses natural scenes to describe what is happening around him, because of his disconnection with ‘appreciation of the unknown’. This aspect of his life is shown in this quote, “days and nights of incredible labor and fatigue... my cheek had grown pale with study, and my person had become emaciated with confinement... my limbs now tremble, and my eyes swim with the remembrance... I seemed to have lost all soul or sensation but for this one pursuit.” (Shelly 42, 43) Here, the effects of his continued pursuit of knowledge and neglect of well-being is shown evidently. Once Frankenstein creates the monster, his unquenchable thirst for knowledge is frightened into silence. He then presently returns to the outside world,
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