All the monster wants is love. The Monster is the victim because his creator abandons him, his appearance affects his relationship with the people he meets, and his desire to feel loved. To begin, his creator abandons him. Victor creates Frankenstein, but is afraid of him. “He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed down stairs” (Shelley 44).
The Monster tried to do everything he could possibly do with other humans right, but they just didn’t accept him. The Monster new no one would accept him until the day he died so he just wanted Frankenstein to make him a wife so he would have someone just like him. So The Monster snapped and said to Clerval “He made me too well. I’m disgusting to look at”. When the Monster said this anyone would have sympathy for him and the way Pullman wrote this he made sure it did because when the Monster said that it sounded like he had a bad image of himself because he had gotten that off other people.
He is a monster because not only his actions showed it, but his mind was consumed as well. Victor Frankenstein is the true monster in this novel, because he obtained this knowledge that only God should possess, he was not capable with his actions to fulfill this knowledge, and allowed his self-ambition and revenge to control him. Victor became a monster by allowing this knowledge of creation to consume his actions and mind and in the end, it destroyed him and everyone that he loved. I interpreted that Mary Shelley is trying to show us that allowing passion and desires to go uncontrolled in your life, will lead to destruction and turn you into a
It is also pivotal to remember that he did not just lose his family, but by creating such a monster he loses his place amongst humanity as he says “I had no right to share their intercourse. I had unchained an enemy among them, whose joy it was to shed blood, and to revel in their groans” (pg. 188). Frankenstein creates the murderer of
Although he comes with friendly intentions, the Monster is treated violently and with contempt, essentially being forced into his alienation to survive and becoming the “monster” he is already thought of as a result. The Monster’s actions are a response to the treatment he has received from others, everyday villagers and Victor alike. With little known about his origins and no way to explain himself, there is no hope for the Monster to assimilate himself. This is present in other characters of the novel as well, for example, Richard Walton, who has self-alienated in order to gain distinction and knowledge. The Monsters origins and appearance develop these themes of alienation throughout the novel, themes that are further developed by other characters and play an important role in delivering the message of
Simultaneously, Victor failing to take responsibility for his own creation leads the creature down a path of destruction that manufactures his status as a societal outcast. The creature's dissolution from society, his search for someone to share his life with, the familiarity with intense anguish, his thirst for retribution, each of these traits coincide with Victor as he is depicted throughout the novel. Victor unknowingly induces his own undoing through his rejection of the creature. Shelley foreshadows his downfall by stating that “the monster still protested his innate goodness, blaming Victor’s rejection and man’s unkindness as the source of his evil” (Shelley 62) The creature essentially places Victor at fault for the creature becoming an outcast of society, by expressing this Shelley constructs a very austere portrayal of man’s contact with outsiders. Virginia Brackett asserts in her analysis of the novel that “Due to the monster's rejection by the cottagers and other humans, Victor serves not only as his creator but also as the only social construct on which he can build his reality” As the creator of the creature, Victor adopted the responsibility of his creation and the duties that accompany it, however, instead of answering the call of duty he fled and disregarded his obligation to the creature.
The Creature’s feelings of rejection from society and the abandonment from Victor compel him to use violence and seek revenge. In so, the Creature ends up killing a great many of people throughout the story, some of which include: Victor’s younger brother William, Justine Moritz, Victor’s close friend Henry Clerval, and Victor’s soon to be wife Elizabeth Lavenza. Many would say that the story of “Frankenstein” from the start sets out to make the creature seem to be naturally evil and a monstrosity of a thing which is directly the cause of its uncontrollable bloodthirstiness, but I believe this to not be the case. Although the Creature behaves viciously and murders several people, he is not inherently evil or malicious. It is because of the human relationships he endured and the consequences of a neglected psycho-social responsibility that drove him to do such
In the novel Frankenstein, the author, Mary Shelley, communicates to modern readers the negative effect of prejudice for individuals and society by utilizing the characters of the creature, Mr. Delacey, and William. One of the ways that the novel portrays the negative effect of prejudice is society’s attitude toward the monster’s strange appearance. When the creature converses with Mr. De Lacey, a blind man, the monster and the resident find a level of mutual respect: "I am blind, and cannot judge of your countenance,
However, in taking revenge, the creature ensures that he will never be accepted by society. Furthermore, revenge does not only consume the creature, it consumes Victor as well. While the creature is not considered a “monster” at first, the desire for revenge transforms him and Victor into true monsters who have no aspirations beyond destroying each other (“Frankenstein Themes: Revenge”). As stated previously, Victor ultimately finds himself dead because of his unavoidable loathing of the creature. Additionally, at the end of the novel, the creature implies that the flame motivated him to create havoc, but now that Victor is dead, he is slowly dying.
Frankenstein left the monster alone, and the monster reacted for seeking that Frankenstein should feel just as much loneliness and woe and he did by killing off his entire family. Shelly is therefore claiming that one's own nature and forms in which they were nurtured (Frankenstein) have an effect on those of others, and can even cause someone else to be more inhumane than the original person (the daemon). This is seen in human nature, where one who experiences abandonment from a parent because the parent's nature causes them to flee, this person will be more likely to commit crimes due to their loneliness and lack of direction by a parental figure. This translates directly into the plot of the story,
The monster declares that he desires “creatures…cheering my gloom”; however, no “Eve soothed my sorrows” (118, Shelley). Because of this abandonment, the monster “cursed [Frankenstein]” (118, Shelley). No mother or Eve is present to nurture the monster. Therefore, he faults his creator for his isolation and plans to seek vengeance against Frankenstein, sending a message to the reader concerning the violent repercussions from an absence of nurture. Similarly, after the De Laceys beat the monster, he feels there are “none…men that existed who would pity or assist” him, causing him to “declare everlasting war against the species” (122, Shelley).
Grendel vs. “The monster” Grendel in the novel by John Gardner is very similar to “the monster” in Frankenstein by Mary Shelly because both Grendel and the monster feel like outsiders, they kill humans, and they both are able to learn new things. Grendel feels like an outsider because he knows he is different and he wants to know the truth of why he is what he is and why God made him that way. Grendel asks his mother “Why are we here?” which means that he is doubting his existence. Grendel kills humans in the mead hall while they are asleep. “Swiftly, softly, I will move from bed to bed and destroy them all, swallow every last man.” He kills them because he was affected by the shapers death.
Frankenstein 's monster, from the story Frankenstein, is an example of a byronic hero. A byronic hero is usually a loner who might be rejected by society, have a troubled past, self-destructive, and usually misunderstood. Frankenstein 's monster is an excellent example of this, as he starts the story being brought to life through impossible ways (Shelley 42). Almost immediately, his creator despises him and eventually abandons him, giving him the rejected aspect of a byronic hero. As the monster progresses in the story, he eventually begins trying to befriend multiple people, just by knocking on their cabins only to be attacked by them and chased away (Shelley 78).
Victor then realizes that creating a woman for the monster would possibly end human existence. Once he completes it he then rips it apart so the monstrosity will not spread. This causes the monster to be lonely, and become angry. When Dr. Frankenstein creates life from a monstrosity of parts he abandons it in disgust that he had the nerve to give an inanimate object life. From the
He was broken that his creator left him so he was confused on what he was. This, would lead Frankenstein to kill people who were close to his creator. Frankenstein didn 't know any other way to express his emotions. He seemed to only do bad things, but he helped a girl from drowning and helped out a group of poor peasants. His appearance was the biggest factor.