To start off, I liked the incident that pulled Nephi out of his safe, secure, and shrewdly balanced religious bubble. A loss is enough to jar anyone, but I found it more respectable and relatable that his uncertainty in his faith, in God, was the result of his friend’s untimely death. As appose to the predictable and narrative cliché of it being Madison’s arrival in the neighborhood. Of all the characters that circle in Nephi’s orbit, I really liked Madison. Her character offers a clear, alternative perspective not only to the audience, but also to Nephi. Likewise, I liked the way Russell’s character helped Nephi towards the end of the script. Of my top five favorite scenes, the scene between the two of them was my favorite. Russell puts on the hat of a friend, but also a mentor who helps put things into perspective for Nephi at a time when he needs it the most. It was an unexpectedly subtle, yet powerful scene. …show more content…
The first, on page 90, with Nephi speeding in his car; this scene appeared to parallel Nephi and Chris’ accident on page 13, just without the crash. In this moment, it was as though Nephi was challenging God and the crippling obedience he’s had to put up with his entire life. The second narrative parallel is in the Mormon Church on page 107, the moment Nephi steps up to the pulpit to give his speech. This particular scene seemed to match Russell’s confession about his loss of faith, and for Nephi, it is the moment of realization that he did not “believe” anymore
Ahh, I need better work! Phillip Jones is so lousy! He always is using the eraser on the other end of his pencil! I am so much better than that tiny thing! It is just un...be...lievable!
Hell isn’t all they crack it up to be, honestly. In the stories, it’s all fire, hopeless souls hopelessly screaming, endless pain. I mean, yeah, there’s fire. Lots of it.
Nantucket. The gloomy dark prison I was forced to call home. 6-year-old me was full force against the very thought of calling it home. Some consider it to be a picture perfect island. With all the crystal clear waves kissing the shore of the beaches it is hard to imagine a better place other than Bora Bora.
The year was 1968, in a small town in Alabama where Joshua started his path to manhood. Joshua: Lost in a forest surrounded by strange trees. No sense of direction. Alone! There I sat under a bog tree exhausted from my attempts to get back home.
Sweat pours down my armpits, and chest as the young bloods of Young Justice take on the unyeilding Black Canary. We throw everything we have at her, but she easily defeats us- through divide, and conquer. Stepping up to the plate, my instincts take hold of my body, and execute a backflip; just as BC 's roundhouse comes swerving in. Timed to perfection, I narrowly avoid the vicious attack, and land gracefully. Is she trying to seriously injure us?
I had narrowly escaped the fighting. It didn’t take long for me to find my way taking cover behind a large thicket of trees. Quietly I’d run along the wood, following a long forgotten trail. If I kept going it would lead me to the woods. Ditching was punishable by death in the Imperial Army.
The speeches within the Symposium and Phaedrus are aimed towards praising ‘Love’ or ‘Erôs’, this covers sexual attraction and gratification between both men and women and men and teenage boys, but the focus of the speeches here is on the latter, whether the relationship was sexual or not. The speeches of the Symposium are given as part of a competition of who can “give as good a speech in praise of Love as he is capable of giving” (Plato, 1997, pp. 462, §117c). This essay will refer to ‘Erôs’ throughout interchangeably with ‘Love’, as Erôs is the Greek God of Love, or of passionate desire. The focus of this essay will be which of the speeches within the Symposium offers the most convincing account of Erôs, with focus on the speeches of Eryximachus and Socrates and how their different conceptions of Love lead to their speeches being variably convincing.
“Annabella” I awoke to the sound of the baby monitor crackling with soft comforting motherly murmurs, but both my wife and I were in bed. We scurried to baby Annabella’s room. the door was cracked open Once we reached the room, the windows were opened, and the lavender curtains were swaying in the bitter wind. We looked around and We found the monitor laying in the baby crib next to Annabella, and everything knocked over. As we tiptoed around the room trying not to wake the sleeping infant, we found a recorder playing comforting murmurs.
It’s me-squidward. You have probably heard a lot about me from Spongebob and Patrick, whatever they said is probably bad. Saddly, I don’t understand why people think I’m always mean to Spongebob and Patrick and ruin their fun, but you should finally hear my side of the story so you can understand what I have to go through. So this is what really happened… I know that you think I have bullied Spongebob and Patrick
Antonio and Felix, thank you for joining us today. Rumor has it that the two of you have been friends and training partners since childhood. Although you have trained together, critics say that you have two very different fighting styles. Can you tell our viewers the difference between your two styles?
It was a cold and chilly December night in New Mexico. I, having not a care in the world, decided to warm up my bones with a nice cup of joe at the local IHOP restaurant. Everything was going to plan right until the waitress brought my coffee. I dropped my menu and my jaw. She may as well have been the most beautiful woman I had ever seen.
Anna Timby 6CEH 10 - 28 - 15 Gryffindor Ah! There goes another one for Gryffindor! If it was time for the Sorting Ceremony, I am informed that I would definitely be in Gryffindor. Bravery, daring, and favoritism are all the reasons why Gryffindor is my house.
Prospero's monologue at the end of Shakespeare's play The Tempest is important in that it helps relay to the audience Prospero's instrumental role in orchestrating many of the events in the play itself, while also explaining the intentions behind his actions. Through the epilogue, it is brought to the audience's attention how Prospero's departure from the island contrasts with the circumstances under which he had initially been exiled there many years ago, paralleling the story he tells Miranda earlier in the play. (1.2.72-171) This is observable as we compare how Prospero was "without a parallel" in his studies of "the liberal arts" (1.2.73-74) before the events of the play, while at the end he gives up his magic, claiming "my charms are all o'erthrown,/ And what strength I have's mine own" (Epilogue.1-2).
The first, on page 90, as Nephi accelerated in his car on the road, which paralleled Nephi’s and Chris’ accident on page 13. In the moment, it was as though Nephi was challenging God and the crippling obedience he’s had to put up with his entire life. The second narrative parallel is in the Mormon Church on page 107, the moment Nephi steps up to the pulpit to give his speech. This particular scene seemed to match Russell’s confession about his loss of faith, and for Nephi, it is the moment of realization that he did not “believe” anymore
I a drunk man with a long fellow friend, we were drinking and i of course was already drunk invited him to drink more. We sat and drank all we could, but of course i only focused on me, never looked to see my friend drink. He had told me that a man had insulted me and that my taste for wine was unacceptable in any manner, my drunken mind was angered and wanted to prove my friend that i my taste for wine was the best in the world. He said that he had some “Amontillado” lock away in his safe spot. “Amontillado?”