Making themselves a perfect opportunity in between the controversy, Netflix, the popular streaming site swooped in and signed Mittal and Vir Das, the first two comedians from India, to stream their hour-long specials on the international streaming site.
Women seem to be caught up in scandals only revolving around objectification and sexism, unlike men who are usually involved in political and social issues. Mallika Dua was one such comedienne caught up in a controversy with Bollywood superstar Akshay Kumar. The latter who was a judge on the popular show The Great Indian Laughter Challenge, came under fire for making a sexist remark at Dua, who was a mentor on the show with Zakir Khan and Hussain Dalal. In the show, if the mentors are impressed
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Radhika Vaz even went the next step and wrote her bi-weekly column on the issue, in support of Dua, and titled it Comedy of errors: What went down between Akshay Kumar, Mallika Dua and Mrs Akshay.
In her opinion piece, Vaz condemned the couples behaviour and even mentioned that if her husband “Behaves like a giant jackass, I hope I can retain my sense of humour, however weak, instead of trying to strangle him.” (The Times of India, 2017)
She also made a point about how good-looking people get away with unfunny jokes, and powerful men get away with almost everything, after looking for an apology from Kumar to Dua online, but instead stumbled upon Kumar apologising for holding the national flag upside down. “Akshay has even found the strength to say sorry to an inanimate object but not for objectifying a living woman,” she concluded her piece. (The Times of India,
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Internet trolls, audiences and critics are always there to give them a reality check about the fact that they are women. One such incident sparked a huge debate on twitter when Twitter user Kewal, tried to take a dog at female stand-up comics. He tweeted about how women only speak on particular topics and their humour is limited to that. The tweet was soon deleted from the user’s profile, but it managed to catch a lot of attention for the time it was still
The way in which Australian comedy is regarded, understood, or interpreted can dramatically affect the overall consensus of what it may imply. Australian comedy walks the line of this, you either love it, or you hate it. This is evident in the public’s overall positive responses to Chris Lilley’s mini mockumentary series, “Summer Heights High” & “Jonah from Tonga” which portrays Australian comedy as to have the ability to find humour in each other’s flaws, often more shocking and confronting than initially expected. Resulting in a fan base that can relate themselves to characters such as “Jonah Takaluwa” and possibly find comfort and closure, Chris Lilly stated in an interview with The Daily Telegraph “I’ve never had any negative feedback”,” I have all the time come up and claim that they’re Jonah”, “It’s all in context and it’s designed to be shocking and confronting/”
This satirical portrayal of America as singularly masculinized did not deter female readers. Bagge’s editorial section of Hate #4 points to the publication’s inclusion of female readers, writing to male readers unhappy that the publication’s first contest excluded male participants “You fail to win my sympathy… since the Stinky contest is obviously a big joke and that the women entering it don’t really truly want to date [the character]… a lot of you desperate creeps seem sincere in your desire to shower love on [the character Lisa Leavenworth]” (Hate #4, 23). Bagge addresses the women readers as people who understand and participate in the satirical characterizations and misogyny. This inclusiveness in the face of masculinized advertising
In Dave Berry’s essay, “From Here On, Let Women Kill Their Own Spiders” Berry uses a number of rhetorical devices. These rhetorical devices help explain the typical stereotypes of both men and women while also satirizing them at the same time. Using devices such as sarcasm, hyperboles, and satire, as well as using the appeal, pathos, Berry greatly connects to the audience in an emotional way. The way Dave Berry writes in this whole essay is sarcastic.
Abernethy, to test his point, uses three different exchanges that would be offensive to blacks, women, and Hispanics, and if the words “blacks”, “women”, and “Hispanics” were replaced by “men” or “man”, they are not deemed offensive in today’s media, but actually considered humorous and comic relief (Abernethy 352). This highlights how male inequality in the media is bypassed as humor to everyone, including males alike. This is common in shows that portray men as unintelligent, that frequently receive good ratings for their humor yet show actions or words that men say or do, that would be offensive if anyone else would say or do. Furthermore, this regular stereotyping of males in the media contradicts the core feminist belief that everyone should be deemed equal. It is true that women back then on television were stereotyped as housewives and displayed as mindless and inferior to their male counterparts.
The comic by Jim Sizenmore provokes comedy. The comic is used to flip the gender roles in the workplace and make men the joke instead of women. “the phrase girl talk- uttered here by a female executive- gets transformed into a sly joke” (434). Women are usually made a joke in the workplace because many assume they cannot do the job a man can, but this comic made the woman the executive in a meeting, and turned it into her making a joke about the men. “…gets transformed into a sly joke, one that inverts conventional gender hierarchies by making men the object of humor.”
In the movie “A League of Their Own”, one can see how the more sexist views of the culture in the 1940s and 50s in America was present in the Girls Professional Baseball League. “A League of Their Own” is a movie about what was once the “All-American Girls Professional Baseball League” which was formed when the young men were sent over to serve in World War II. One of the most obvious cultural views that this movie shows is the feminizing of the baseball players to make them “more acceptable and women like”. Unlike men’s uniforms, that include a full shirt and pants, they were to wear skirts that were very short, too short to play baseball in comfortably. This alone shows how this league was just as much about show as it was about the women’s talent.
Kristen Rogers is a journalist and the associate writer for CNN Features. In her article “Gender identity: The difference between gender, sex and other need-to-knows”, she cites multiple professionals stating why gender and sex are different and should be treated as such. She uses ethos, pathos, and logos to target her audience: young teens and adults confused about their identity, or just achieve her goal to educate the younger generation who is more open to change. Rogers begins her article by including a tweet made by, author of the Harry Potter series, J.K. Rowling. The tweet shows Rowling replying to a post stating “Creating a more equal post-COVID-19 world for people who menstruate.”.
The pressures of disabling the patriarchy and accommodating it to fit everyone has been the basis of my childhood. From growing up in a Hispanic culture to exploring the American culture I have learned to love, it’s difficult not to notice the differences between each culture. I had always been a fan of media and the females I saw on television were one of the first perceptions of women I had. The way females were treated in the shows and movies I watched reflected the Hispanic culture I grew up in, so I never questioned the credibility. I am immensely proud of my hispanic culture and the traditions it brings along with it, but I started to notice the harsh gender restrictions that were present.
This topic accounted for 4.02% of the sample. These tweets called out women in negative ways, such as for being hypocrites. For example, one user stated, “If this happened to Anita, Zoe, or Wu, the media and SJWs would have a field day. ‘Oh, she's #GamerGate? FUCK HER!’”
However, using stereotypes in movies is common in the film industry. In "Where the fierce Asians at?", David Yi mentioned how a comedian's jobs which "illicit laughter”, even using stereotypes to make the humor sense (Yi 1). However, while audiences happy by jokes on the screen, "dozens of Asian-Americans sitting in public, misty-eyed” (Yi 2). Back to the year 1994, the sitcom "All-American Girl" finally has an Asian female character played by an Asian cast. It attracts a lot of audiences who curious about the American-Asian lifestyle.
Farhad Manjoo goes over the intricacies of the ever-growing Netflix industry, having 8.9 million subscribers, but how the business is still spending over eight billion dollars a year. Manjoo projects that it won't be long until Netflix begins to raise prices again. Following Netflix, Manjoo states that while Apple devices are usually expected with great anticipation and excitement, the Apple Homepod has received little to no attention in media. This lack of media focus is causing Amazon to gain the lead in the Smart Speaker Technology, and those that are Apple fans will be going in blind when purchasing the HomePod.
Gender Representation in movies Gender representation in movies have not changed over the years. Movies are generally male dominated with very few movies where females are the lead. The movie that I chose to look into for this topic is Disney's Mulan. In Mulan the emperor goes around asking each family to send one male to join the Chinese army.
There is a lot of pressure on men in society to be manly; however, what exactly does it mean to be manly? Though many people have different opinions, a lot of them conclude that a man has to be strong and somewhat emotionless to be considered a man. This assumption can lead to Toxic Masculinity, which is “A false idea that men are expected to be as manly as possible” (The Hard, Adrenaline-Soaked Truth About 'Toxic Masculinity, 2017). Men are forced to face these assumptions not only from those around him, but also from people he might see in Media. Media reinforces Toxic Masculinity which in turn causes men to belittle women.
DISNEY SEXISM In society, there are gender roles which put each sex in stereotypical figures. These roles affect the way how we speak, dress and act. In general, women expected to behave feminine such as being polite and fragile and on the other hand men are expected to be aggressive and stronger. All these roles are over exaggerated in Disney 's women and men figures. When we look at the society, children are the ones who are more likely to being manipulated by elements such as media.
Many audiences of stand up comedy enjoy hearing their favorite comedian entertain them. But what would one think when a comedian cracks a joke about a sensitive topic, for example, a tragedy that affected hundreds of people. Some may argue that, comedians are not supposed to overstep the boundary of controversial jokes. These controversial jokes are linked with political correctness—which is used to describe language, policies, and measures that are taken to avoid offense to certain groups of people. Comedians are not compelled to restrain from controversial topics due to the topic not being sugar-coated, the higher level of contemplation that the joke can reach, and the job of the comedian—to make the current issue manageable.