Nihilism In Beowulf's Grendel Is Good

The Shaper represents the power of art and imagination to change people’s perceptions about themselves and the world in which they live. When the Shaper first arrives at Hart, he sings a version of history that depicts the Danes as inheritors of a heroic, righteous legacy, all the while downplaying the savage past that Grendel has actually witnessed. Although the Shaper’s story is largely fictitious, it enables the Danes to construct comforting, coherent value systems. The Shaper’s stories promote heroism, altruism, love, and beauty--all concepts that the Danes come to see as giving meaning to their lives. With these models, the Danes gain a sense that they are striving for something larger and more transcendent than their mundane, individual lives. Although that Grendel’s fully aware that the Shaper’s songs are built upon a foundation of lies and omissions, he still finds their power incredibly seductive, and he in turn wishes he had something greater to strive for and believe in. The Shaper is an important presence in the novel. Furthermore, we receive scattered hints that his attachment to the Danes is built less on a selfless devotion to the community than on personal pride and a promise of monetary

In the novel Grendel, by John Gardner, portrays Grendel 's characteristics altering as he meets new characters; throughout his journey to mankind. Mankind teaches him vast new knowledge he 's never understood. His nihilistic and solipsism is formed through the characters in the novel; envy and anger are also shown. He plays big roles in terrifying the Danes and some what of the Geats; they mold him into the monster they fear the most. The characters, shaper, man, and the dragon shape Grendel into the monster he so desires. They teach him of lies, false glory, brutality, never ending violence, and wisdom.

Before Grendel, everything was serene. One day that all changed when Grendel came into the picture. “So Hrothgar’s men lived happy in his hall…Til that monster stirred, that demon, that fiend.” (pg.41 L.) This gives the reader a bad feeling that Grendel

Up until the end of Chapter 7, Grendel’s actions are influenced by the dragon.  He believes nothing matters, there is no good or bad, and everybody eventually dies. The people of Heort know Grendel as a monster and a killer and he lives up to his reputation. He says he can crush all the men in meadhall in a single night. Grendel states, ”My enemies define themselves...on me” (91).  But Grendel starts to question himself and realizes he needs humans as much as they need him.  Grendel thinks, “What will we call the Hrothgar-Wrecker when Hrothgar has been wrecked?” (91). While Grendel is thinking about what life will be like without him and the men of the meadhall, Wealtheow’s beauty charms Grendel. He says, “She was beautiful, as innocent as

Again, the humans place Grendel in a position opposing them, as if expecting him to be a horrible, murderous creature. Hrothgar’s tribe condemns him to a villainous role. Additionally, the dragon encourages the acceptance of this villainous role by suggesting “You [Grendel] improve them, my boy! Can’t you see that yourself? You stimulate them! You make them think and scheme. You drive them to poetry, science, religion, all that makes them what they are for as long as they last. You are, so to speak, the brute existent by which they learn to define themselves,”(Gardner 72). The dragon confirms Grendel’s expected role in relation to the humans, and instills in him that that is his place in the world. So before Grendel can be labeled “evil” by the readers, they must first understand that he is simply operating under the label given by Hrothgar’s town, and acting in response to the hatred and rejection he is earlier shown. Grendel is not an evil being, he is merely a creature who is judged early on, and established as an enemy before anything is really known about

In conclusion, in both of the novels the theme of isolation is presented through Grendel. He becomes evil, wants to be accepted, he feels helpless and he wants to take revenge. Both of the novels show that Grendel is alone and he is characterized as a evil monster because he doesn't know anything, but to do bad things to other people. Grendel doesn’t have intentions to kill people but his loneliness leads him to become evil because he feels that he is unwanted in his world. All in all, Grendel’s isolation is caused by not being understood and listened. Loneliness can affect people's self esteem and lead them to take many bad decisions.

In Grendel there is many different main themes in the story. They all share their own important part on how Grendel is view by the reader and the people in the story. Most of the main themes make you feel more sympathetic with Grendel; than you did in Beowulf.

Grendel's loneliness is expressed greatly through his thoughts. The authors describes Grendel's need to jeopardize others people life just because Grendel is unhappy. The quote, "Pointless, ridiculous monster crouched in the shadows, stinking of old men, murdered children, martyred cows" (Gardner 6). This proves Grendel's view of the world is horrid and he has nothing in his life meaningful to him. Grendel believes he has no role in this world and he's always on the outside of everything, and he doesn't really know why he exists. Gardener wants to portray Grendel as an angry, lonely monster at the beginning to give the readers a good understanding of the main character. As Grendel continues his

Comparing society in Beowulf and society in Frankenstein is like comparing a simple farm to the processing plant; futuristic and totally dissimilar. Although, the core ‘monsters’ are unchanged; grotesque, horrifyingly pagan-esque beings of the dark that strike terror in to the hearts of even the stoutest of fighters and the sanest of men. In the Christian and Medieval world, monsters were human beings with an unnatural birth or a birth deformity (Stitt, 2003). The term ‘monster’ derives from the Latin term ‘monere’ which means ‘To warn’ or ‘to advise’ and ‘monstrum’ which is ‘a sign or portent that disrupts the natural order as evidence of divine displeasure’. The aspect of ‘Divine Displeasure’ is attributed almost perfectly to Grendel, the monster of Beowulf and the terror of Hrothgar. Both authors paint a grotesque picture of their creations and how they both desire to destroy beauty; Aesthetic Iconoclasm, that is shared between the two figures. However, both authors present their monsters separate to one another in philosophy; with Grendel being a mindless savage and the Monster being more contemplative and questioning the nature of its own creation.

“He twisted in pain, and the bleeding sinews deep in his shoulder snapped, muscle and bone split and broke,” (Lines 347-377). It is obvious that Grendel is in pain but, the reader for the rest of the poem does not know what Grendel’s struggles are or how he describes himself. Because this poem is not in first person or even in Grendel's view there is no relationship between the reader or Grendel. “So Hrothgar’s men lived happy in his hall till the monster stirred, that demon, that fiend, Grendel, who haunted the moors, the wild marshes, and made his home in a hell…” (Lines 15-18). This quote from the poem only makes Grendel seem like he is a vicious monster but, if anyone had read the novel they would know that Grendel was all alone in a world where he was like no one else. Now in the novel and the poem there is philosophy but the difference is that in the poem it is an older form of philosophy. “That I, alone and with the help of my men, may purge all evil from this hall,” (Lines 244-245). This philosophy was written in. Time where people believed that they would fight because they wanted to be the hero for the

Always we portray Grendel as the monster and destructive character. However, in the novel by John Gardner that is a different case. We see Grendel as a emotional and sympathetic character. For example, Grendel states, “It wasn 't because he threw that battle-ax that I turned on Hrothgar. That was mere midnight foolishness... It wasn 't until later, when I was full-grown and Hrothgar was an old, old man, that I settled my soul on destroying him—slowly and cruelly” (Gardner 30). This quote is justifying that fact that Grendel is not such a monster and his actions were mere foolishness. So to elaborate even though Grendel maybe destructive he doesn 't do the things he doesn 't do these things for fun or to be devious he is just foolish. He really doesn 't want to actually hurt anyone. Another example that Grendel is not a monster is that he states in the novel, “And so begins the twelfth year of my idiotic war. The pain of it! The stupidity!” (Gardner 5). This quote is very straightforward and simple although we can get so much from it. For instance, this quote is conveying that Grendel hates fighting with the humans and he is suffering from it. This is because the war causes him to have so much pain with the humans. The last example that Grendel is not truly a monster is that Grendel states in the novel, “I would feel, all at once, alone and ugly, almost—as if I 'd dirtied myself—obscene.

Beowulf: A New Translation for Oral Delivery, translated by Dick Ringler, utilized the dark and the ominous to foreshadow or to portray the impending savagery of mankind. Darkness could be defined either by the absence of light or by the lack of intellectual enlightenment. The monstrous creatures are shrouded within the darkness or associate with the ominous. Throughout Beowulf the theme of violence and darkness are intertwined, which is manifest by correlating the darkness with the unknown through Grendel. The unknown generate fear among the mass through their inability to control and understand the existence of inhuman beings. Therefore, ultimately resulting in the use of violence and brutality to restore order and peace once again.

In the end, for Grendel to find out that balance is needed throughout the universe is brilliant. Grendel symbolizes the evil while the humans symbolize good. The balance between these two forces is what Grendel is talking about in his quote. There is always a counterpart to evil and good, in which both will try to gain ground, but one day be vanquished by the other. At the end, Grendel was defeated by the good or humans, and ended the novel. In conclusion, it is very clear what the humans and what Grendel represented in the yin and yang, which really made the novel Grendel stand out. “Balance is everything” according to Grendel and this may hold true with us

Grendel was a being sung about in the songs of the shaper, who twisted tales to fit his own means. In the song Grendel was made out to be a wretched monster, without intellect, who only sought to kill. This wasn’t the case entirely. Grendel was determined to enter society, to be a part of their gatherings, instead at every turn he was chased away, cursed, and attacked. He was only a monster to those in the mead hall, a beast who could never be a part of them. Society shunned him and, again, he was alone. Left to struggle with determining who he was and what his place was in the world. He had no self-identity, no idea as to who or what he was meant to be. Grendel seemed to only want to be accepted into society, to interact in their songs and gatherings. He would often ask, “Why can’t I have someone to talk to”. (Gardner 53) He had no friend to speak to, no companion to share in his woes. He became bitter, jealous, and enraged. His false portrayal and constant rejection never stopped him from adapting to society, evidently it did turn him down a dark and vengeful path. Just as it did for the Monster. When Frankenstein attempted to join society, he was rejected and chased out due to his differences, but he wasn’t as interested in joining the society as Grendel was. The monster was content staying away from humans until he happened upon the family of

This reinforces the idea that Grendel’s mother is also a monster, since put in the same position as the prior one. The two monsters, Grendel and his mother are also associated with the night as a time for action. This reinforces their animal-like behavior, and the monstrosity of their actions because they are not giving fair warning to the humans. The monstrosity of Grendel is also seen through his savagery when killing the men. He is carnivorous and feeds on human flesh. He does not seem to have a limit when killing “(…) greedy and grim, he grabbed thirty men from their resting places and rushed to his lair, flushed up and inflamed from the raid, blundering back the butchered corpses” (ll.120-125). Finally, Grendel does not seem to have emotions about those he kills, he is "insensible to pain and human sorrow” (ll.119-120) and he never showed remorse”(l.137). By his beast-like physical appearance, as well as his gruesome actions and his lack of emotions, the monstrosity of Grendel becomes evident throughout the