Although some people speak, it’s not guaranteed that they have a true voice. Some speak up and stand out, while others remain silent with thoughts rushing through their head, only to speak when needed or forced. In places like China, the percentage of women and girls who don’t have a voice is far greater than that of men and boys. Gendercide and gender expectations in that country are much worse than one could expect. Women are viewed as “less than,” they’re not treated as though they have importance or exist, and they’re forced to always obey men and do things they would prefer not to. In the writings of Maxine Hong Kingston 's “Girlhood Among Ghosts” and “No Name Women” the ideology that women are not viewed as equals and are undeserving of a voice is portrayed quite clearly. Kingston’s stories prove that although women may speak, men and boys are more desired, “greater than” any female, and have a special voice women do not and can not posses. A voice that helps them to be who they are, to stand out, rather than be hidden away, a forced silence placed upon them like women.
In Kingston’s writing “No Name Woman”, men are seen as superiors over women, they’re allowed to have a voice, to have a say, and to do as they please. Women
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The silence forced upon chinese women is a key factor as to how easy it is to both abandon and forget them. In “No Name Woman” the narrator’s family acts as though her aunt never existed. Because the aunt was a female who became pregnant out of wedlock, she brings ‘dishonor’ to her family’s name. After the aunt kills herself along with her baby, it’s so easy for her own family to act as though she were never born, never existent. The narrator’s mother says: “‘You must not tell anyone,’ my mother said, ‘What I am about to tell you. In China your father had a sister who killed herself. She jumped into the family well. We all say that your father has all brother because it is as if she had never been born.” (Kingston- “No Name Woman”
In the novel Everything I Never Told You, Celeste Ng describes a Chinese American family living in the 1970s in Ohio, and how they go through the tragedy of the favorite child’s death. The Lee’s family is the interracial family that makes up of the white American woman, Marilyn, and the Chinese immigrant man, James, with their three children, Nathan, Lydia, and Hannah. Lydia becomes the favorite child of her parents because she is inherited the blue eye from her mother and the black hair from her father. Therefore, she is expected to do things that fulfill her parents’ dreams. However, the Lee’s family’s poor communication within their family dynamic, the pressure of parents’ expectations and social environment results in Lydia’s frustration
In The China Coin Leah was strongly rejected her Chinese identity at the beginning when she said “couldn’t the women see? She was not Chinese, not even an ABC-Australian born Chinese” to herself. The use of rhetorical questions demonstrates how Leah disagrees with her identity. Her acceptance of her Chinese background was growing during the exploration in China. After Leah found her mother’s long lost family, she started to accept her Chinese identity,“I am definitely not a Chinese, but I am not not a Chinese”, the high modality of “definitely not”shows her confusion of her self identity, it also illustrates Leah was beginning to accept her Chinese identity as her discovering in China.
Travel Writer Kellie Schmitt wrote the essay The Old Man Isn’t There Anymore when she lived in China for two years. She writes about the death of a neighbor and a case of mistaken identity. It begins with the news that a family in her communal apartment building has experienced a loss in their family. Her confusion with the layout of the building, the identity of her neighbors and their connection with each other, and her halting progress with the Chinese language sets the stage for her confused progress through this strange social world.
4. Both Abigail Adams and Stanton are making it understood that change for women is long overdue. Both selections have a specific highlight on the “tyrannical” way men have ran their society and with no “impunity”. Stanton goes into great length with this among with many of instances marking the patriarchy, with Abigail Adams sticking mainly to addressing the men who have already recognized this discrimination and making an importune call for the change in women’s rights.
During the early decades of the twentieth century, opportunities for women to speak up and share their voices were extremely limited. A defying woman of the era, Zora Neale Hurston, found an opportunity for her voice to be heard through her writing. At the Literary Awards Dinner in 1925, Hurston made a flamboyant entrance when she walked into a room of crowded people and shouted the title of her famous play: “Coooolor Struckkkk!” Clearly, Hurston proved she was not afraid to speak out and let her voice be heard. In her book Their Eyes Were Watching God, Zora Neale Hurston demonstrates many factors can influence a person’s decision to speak up or not by charting Janie’s relationships with those around her.
In the tale "No Name Woman," Kingston talks about common cultural practices in China. An aunt, in the story, also referred to as the "No Name Woman" committed adultery and was ostracized because of it. She was to bear the torture of humiliation, even by the aunt 's friends or family. The man who also committed adultery with her is not punished at all, thus, portraying major considerable inequality. Kingston does a wonderful job explaining his disgust of this rude, sexist behavior and believes that it does not receive the scorn it deserves.
In nearly all historical societies, sexism was prevalent. Power struggles between genders mostly ended in men being the dominant force in society, leaving women on a lower rung of the social ladder. However, this does not always mean that women have a harder existence in society. Scott Russell Sanders faces a moral dilemma in “The Men We Carry in Our Minds.” In the beginning, Sanders feels that women have a harder time in society today than men do.
During this week, we have covered numerous topics, none more prominent than the oppression of women. Everyone had different opinions, allowing me to take into account different views on the issue. In one of the texts we examined, “Oppression”, Marilyn Frye, a philosopher, debates the subjugation of women. She states the cultural customs that causes oppression of women. I do agree with her view that women are oppressed, but I do not agree that it is just women.
Awesome Title in “The Yellow Wallpaper” by Charlotte Perkins Gilman and “Aunt Jennifer’s Tigers” by Adrienne Rich The feminist movement has grown and spread in the past decade. Women all over the world are standing up for basic rights, such as education, that all people, regardless of gender can enjoy. This movement is not a new one, though. Women from times past had already started paving the way towards some of the rights women have today.
The book and the movie possess similar qualities. First, in both the movie and the book, all the mothers left their old lives in China for a new one in America. ” My mother could sense that the woman of these families also had
Throughout the entire novel, the mothers and daughters face inner struggles, family conflict, and societal collision. The divergence of cultures produces tension and miscommunication, which effectively causes the collision of American morals, beliefs, and priorities with Chinese culture which
Fahrenheit 451, a novel by Ray Bradbury, depicts a man named Guy Montag, a “fireman” who burns books. It is broken up into three sections; "The Hearth and the Salamander,” "The Sieve and the Sand,” and "Burning Bright.” Through a feminist, mythological, and Marxist approach we see that Bradbury’s story acknowledges gender inequalities and reflects the ideals of the times. From a feminist perspective it is apparent that the women in the story are unequal to men. All of the females in the story, other than Clarisse McClellan, are conditioned by society to be mindless.
In the essay “The No Name Woman” by Maxine Hong Kingston, the story of living in a traditionally male-dominated Chinese society with a very dysfunctional family structure is told. The villages would look upon the men as useful, and women as useless to their society. Kingston, the main character, learns this first hand from how her aunt was treated. Kingston’s aunt, The No Name Woman, is victimized by a male-dominated society by being shunned for an illegitimate child. As a woman, the odds were automatically against you in their society.
This novel is also autobiographical. Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a
Women have less to say about what they need or want but they have to pay much and also to face the results when the men around them botch. It is dreary to see these frail willed men delineated in the novel who failed to stay up for women, who recognize an overall population where women are set backs of their