Chris Shea
ENG 203
Professor Meghan Evans
10/26/15
Mini-Paper #3, Question #1 In the final pages of Chapter II of The Tales of Genji, Genji is involved in a conversation with his best friend To no Chujo along with a warden and a secretary. And the subject of the conversation they are having is a very interesting one: what qualities must a woman possess to please and satisfy her husband? To set this up, Genji and To no Chujo are having an initial conversation of the three types of women there are.
The first type is the noble-class woman. According to Genji and To no Chujo, a noble-class woman is highly educated and intelligent. However, due to this high intelligence from her education, a noble-class woman can also be secretive and cunning.
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According to Genji and To no Chujo, a middle-class woman still has her own personality just like the noble-class woman. However, she has many more overall flaws than the noble-class woman. And to pour salt on the wound for the sake of Genji and To no Chujo, a middle-class woman is not ashamed of who she is, regardless of the many flaws she may have in their eyes.
And the third type is the lower-class woman. This is the worst type of woman according to Genji and To no Chujo. A lower-class woman is not properly educated, nor does she have any sort of real talent. And the worst part is that she has a terrible personality and has many, many flaws. And even despite all this, she is absolutely not ashamed of who she is. This is mainly due to her standing in the class hierarchy, ultimately leading to her lack of education.
Later on, the warden and the secretary hear what Genji and To no Chujo are talking about and want to jump right into the action. And when they do jump in, they ultimately take the conversation into a bit of a different direction (although the same principles apply). Instead of talking about the different types of women in the world, they shift direction to talking about what an ideal wife would be like (and boy is it a laundry
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With a 9 main qualities and 5 sub-qualities bringing in a total of 14, clearly this is a very lengthy (and perhaps impossible) list of qualities a woman must possess in order to satisfy her potential husband. And this also clearly speaks volumes of how women were portrayed in Japan. In most other cultures at the time, women were simply viewed as producers of offspring. But at least in the interpretation seen in The Tales of Genji, it appears as though Japan took it several steps further and turned women into essentially robots.
According to Genji, To no Chujo, the warden, and the secretary, a woman is expected to shove her instincts aside and serve her husband in as many ways as possible. And of course given various circumstances, there would likely be a 99.9% chance that a woman would not be able to fulfill this laundry list of qualities to be a good wife. A woman might be talented in the arts and a good listener and supporter, but she might just like to be as fashionable as possible. Or she might be young, supportive, and be able to succeed in all of the ‘wife duties’, but she might be pretty mad if her husband cheats on her with another woman.
Some of these are the roles of the military leaders and that women were not allowed to be involved in any sort of combat in Medieval Europe. Conversely, in Tokugawa Japan women were able to train to become a Samurai and would still be a regular wife. Also, in Medieval Europe women were much lower in society, but in Tokugawa Japan, women were almost equal to men at the time. This is one of the many differences between Tokugawa Japan’s social system and Medieval Europe's social system. Medieval Europe also had a slightly different warrior system.
Women are overly emotional and obsessed with relationships. 5. Women should be sexy, but not overly sexual. 6. The worst thing a woman can be is a bitch: strong women are bitches and rich women are bitches.
These were the roles suggested to them by their society. Man lacking such attributes was considered as a not mannish person. Some ancient heroes like Hercules and Achilles fit in such mannish roles. On the other hand, fragility, tenderness, depending or emotional nature were the qualities or roles ascribed to women by the society. She was expected to run home, do house chores and bear children.
As a woman in Japan at this time, Koharu 's social mobility is limited and she is stuck in the role of a prostitute until her ransom can be paid, but despite this, finds herself deeply invested in the impoverished Jihei and refuses to see any other prospective patrons. Complicating this already difficult situation is Jihei 's wife, Osan. Loyal to her irrational husband, Osan must mind not only her children and her husband 's shop, but also mind the stifling social constraints that dictate the manners of women, present at this time. Finally, there 's Mogamoen, flour miller and elder brother of Jihei. More responsible than his brother, Mogamoen ventures to help Jihei when he hears of his increasingly risky behavior in the pleasure quarters.
This middle class would have some of the luxuries of the upper class and would be way better off than the working class, but would still have to manage their money wisely. Some of these luxuries were authentic; however, many were just a cheaper version that was mass produced to look like it costs one hundred dollars, when in turn it only costs ten. These middle-class citizens would buy these things to make themselves look like the upper class, which wanted to be better than everyone else and have nicer things than everyone else. In this case, it was good that these things had a false side to them, but in other cases it can be good or bad depending on your side in things; like the
Sex and Temperament Summary In Margaret Mead 's book "Sex and Temperament" she displays that individuals of various societies contradict the meaning of being brawny versus ladylike. Mead observed three primitive societies to compare their temperament differences. Mead claims that masculinity and feminism are not specific to either gender, but depends on the expectations and social qualities of the individuals culture. If a woman is equal to or better at something than a man, the man will question his own manhood; If a man is better than a woman at something, the woman will judge the man or extremely dislike the man.
However within the novel this is definitely not the case. Many people share many wives treat them all as objects. Many a times, women are not educated in the slightest manner and are only taught how to do basic chores such as cook and clean. They are seen as prized objects who hold no worth other than to do house chores. In fact,”Men saw it as an insult that their daughters had to leave home, attend school, and work alongside men”(Hosseini 136).
There were supposed to be modest, virtuous, sweet and should also be weak and be dominated by strong men. They were always looked down upon by society; there were moderated by their physical appearances, ability to bear children and to please their husband. Has society’s expectation for men become so lower that there are being judgmental towards women? These society’s boundless expectations towards women leads to the end of their individuality.
Jig is well aware of herself yet wants to keep her man so much that she is willing to hurt herself physically and mentally. It is normal for the woman of any story to have to listen and decide with the permission of the man, consequently not doing what she feels is right. The undefined pressure and inclusivity of men without women is an understood thank you for life, but “what I want is what it will be.” Women of all time can compare themselves to Ernest Hemingway’s writings and the way it is written is not shy of the rules that are still played by today. With prevalent changes such as women’s rights, and abortion rights there is still barrier of equality that makes for a familiar type of religion practiced by all humans.
The beauty in this era covered was a wide range of years, allowing different influences to develop. Women were praised for their natural features and body types. The ideal woman was that on the more voluptuous side, paintings from the Renaissance period often focused on women who would today be considered overweight. Her bust would appear full of no signs of bones. The ideal female would also have pale skin, unlike the tanned look that is popular in our modern day.
In a society that is heavily influenced by mass media, women are repeatedly compartmentalized into unrealistic, and often degrading standards of appearance and sexuality. Doris Bazzini’s research on magazines and Caroline Heldman’s blog explores themes related to a woman’s appearance, while Jessica Valenti elaborates on the concept of virginity in her essay titled, “The Purity Myth”. Despite the diversity in scope when it comes to womanhood, there is a numerous set of expectations that a female must fit in order to be “ideal”. However, this checklist is so specific and debasing that it renders the criteria useless. The three main pre-requisites in being the ideal woman include physical attractiveness, sexual accessibility, and purity.
Judy Brady’s “I Want A Wife” is a revolutionary piece that attempted to reveal the unequal roles men and women held in society. She goes through her prose by listing all the responsibilities her wife must have and the ways to make her happy. Brady’s whole article is satirizing these roles and is, in general, very sarcastic in her tone. She mocks a society that has given women an impossible standard and she starts with the deprivation of her education then continues with the role her wife should play in domestic ways, and then finishes with the expectations the sexual aspects of their relationship. I believe that Brady’s underlying message was and still is important for the development of equality in our nation.
This relates back to the claim of how women were placed as the inferior sex since birth where they were raised to take advantage of their youth in order to simply please the opposite sex. Thus, society’s “ideal woman’s”
In both Japanese and English, there is a word which means “a domineering husband”. A wife of such a husband is often depicted as an obedient stay-at-home wife always showing her gratitude to her husband for working for his family. In Lamb to the Slaughter and Hey You Down There!, two main characters appear to be this kind of wives, but the stories reveal their hidden feelings. Though Mary Maloney and Dora Spender’s attitudes toward their husbands seem similar, how they actually think of / feel about their husbands are quite different. Respecting first impressions of Mary and Dora, both of them are typical full-time housewives who think their bosses are their husbands.
The middle class wore dark and black colors as a symbol of wealth. • Fashion for men was more elaborate than women. • Middle class were morally conservative and wanted to dress like royalty. • Lower class dressed according to their occupation. (Barton,M n.d)