A variety a specific film genres also rely on the use of nostalgia and nostalgic themes within the film making process. Within the Science Fiction genre of films, it can be said that the use of nostalgia and familiarity creates the foundation for the popular time travelling sub-genre within films that are Sci-Fi in nature.
Sweeny (2015) describes this sub-genre as an ‘exercise in reactionary nostalgia, a longing for an imagined ‘simpler’ time’. Describing time travelling sci-fi movies as provoking a longing and sense of mystery amongst the audience. The author also describes the ‘retro-fetishism’ associated with the directors of these types of films in creating a familiar world for which the audience can travel to and how these worlds ‘reassures
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Both Fevry (2016) and Rushing (2014) focus on niche areas of film in their findings giving depth into this research and building on the themes already explored.
In conclusion, the literature discussed in this paper has outlined the importance for film makers and other media forums to show an interest in nostalgia and nostalgic themes. Creating familiarity for the audience within films has shown how the audience react positively to the use of nostalgia and relating themes in the films. Genre specific investigations such as literature focussing on sci - fi and animation have revealed gaps in this research within cinema. It can be said however that drawing from these genres and others that were more focussed on niche areas of film (French films and Italian westerns), an overall understanding of how film directors, producers and audiences relate to nostalgia and nostalgic themes was outlined. Furthermore, several other gaps within the research have also been identified. This is due to the present-day shift in pop culture towards the element of 90s nostalgia, and how certain films and television shows are being rebooted and remade to recreate the sense of nostalgia within the audience. Making note of this gap within the research a new and specific area of investigation can now be identified. This area will relate specifically focus on the use of 90s nostalgia in modern day texts and propose the question of An investigation into audience perception and the use of 90s
In the book Behind the Beautiful Forevers, by Katherine Boo, there are a few themes; the main themes being hope, sacrifice, and loss. Despite the awful events that all of these characters go through and witness, they are compelled to survive and carry on for their families and futures. For example when Abdul, his father, Karam, and his sister, Kehkashan, are accused of provoking Fatima’s suicide. They are interrogated unfairly and Abdul was even beaten by the police, trying to force them to admit that they were guilty or get some money out of them. Despite this, the family stays strong and goes to court bringing themselves into financial ruin.
The concentration is on comparing and finding the changes that history made to this movie genre, especially considering the gender roles. Results will clearly explain the psyche of society in two different periods, which confirms that people reflect the movies as movies have an impact on people. The Introduction It is often said that the element of surprise makes the movie more interesting and leads the plot. There are many masters of storytelling
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
A Long Way Gone is an autobiographical novel that informs people about the civil war in Sierra Leone. This war caused massive destruction to the country physically and mentally. The citizens of Sierra Leone were forced to kill, starve, die, and leave their country for peace somewhere else. This novel describes the horrifying experiences a young boy, Ishmael Beah, had been through during the Sierra Leone civil war. The author used great motifs to describe the importance of war and familial love in the novel.
The French New Wave was a film movement in the 1950’ and 60’s that consisted of an explosion of new film techniques, values, and styles that became a defining moment of cinematic innovation that’s impact is still present in the modern film industry. An influx of new, young directors sought to narratively, ideologically and stylistically veer off from the dominant, traditional mainstream cinema production standards and redefine the French film industry. The movement didn’t happen overnight and its origins and influences stem back to the occupation of France by Nazi-Germany during World War II, the subsequent Italian Neo-Realism movement, and a combination of previous film periods. During World War II, Paris was occupied by the Germans. This was a
“Only in dreams can men be truly free,” says Robin William, a famous actor. From time immemorial, human never ceased to pursue freedom, but in fact, many impossibilities exist. However, this still cannot stop their aspiration to freedom, in this case, movie come into the world, for from a very large extent, movie satisfied people’s fantasy. Especially when the technique of special effect at present age grow more and more mature these days, human can create any visual effects they want, and even in the past, when the technique has not yet matured, people use simple theatrical properties and cut the films to create special effect. Hugo, a movie that brings people back to the old days, contains a large number of elements that demonstrated people’s
Regardless, the most common cause of people’s adoration to films is that they link the presented events to a specific time in their lives. Most films, especially the classics, are being constantly watched or remade to remind people of their childhood or “the good old days” that they do not want to forget. To illustrate, many people still watch the animated Cinderella movie to re-live their
From the cinematic techniques to the plot line, the film incorporates many elements of the style of film. Despite being set in an older period of time and adapting the elements of the spaghetti westerns, it appeals largely to the modern audience due to the certain things which capture their attention. Director Jocelyn Moorhouse
Topic 1: Film genres Through the 1995 film “Clueless”, written and directed by Amy Heckerling, the idea that film genres are located in industry and texts and audiences is clearly shown. “Clueless” is an American typical romantic comedy. This film can be seen as a hybrid genre as it include different characteristics of two film genres. In this movie, elements of humour and romance are both illustrated by its generic formulas and story content. The film talked about the heroine Cher goes through her perplexed teenage and finally realizes she is interested in Josh, her stepbrother.
In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
Introduction Concentrate (2015) by Olivia Rowan is an incredible short film featured as a finalist in the Screen It competition within the live action genre. The following case study will analyse and appraise how the technical and symbolic codes have been effectively used to touch on the theme of TIME. The film showcased the challenges faced by a young girl struggling with mental illness in a world where it is heavily stigmatised and her problems are misunderstood. Simultaneously, she battled the guilt of feeling as if she has burdened her family by struggling with everyday tasks. These struggles left the protagonist to lose the ability to understand or even recognise the passing of time (Film Freeway, 2022).
Viewing the future as something mysterious and unknown is a part of human nature. But what makes us unique is that we are curious and thirsty for knowledge, even when we are uncertain about the consequences of this knowledge. This paradox makes us both fear and anticipate getting out of our comfort zone by broadening our knowledge, especially when it comes to technology. Although most of us are too busy with mundane activities to follow the advances of technology and the way they change the world around us, some people are ambitious enough present their ideas to the audience. As filming movies has always been a way to provoke imagination and challenge common beliefs, it is one of the easiest ways to change the way people see the future of
There appears to be a certain type of pessimism regarding how the future of our world will be depicted within science fiction. Moreover, the genre feels as if it has transcended itself into a cookie-cutter style format, with these large, overbearing industrial skyscrapers, and, cold, desolate wastelands, mixed with the cynical ideas of how the world as we know will be eclipsed by lawlessness and greed. Not only, would many critics consider these attributes as the minimum criteria for a blockbuster movie, but also, themes within that regard seem to be a prominent staple of modern science fiction. Inasmuch, this infatuation that general audiences exhibit when viewing a gloomy and dark tomorrow, make movies like Spike Jonze’s 2013 film, “Her,” a genuine breath of fresh air. “Her,” is a melancholy love story that takes place in a not too distant future, where, rather than featuring a gritty and warped reality, Jonze flaunts his visual storytelling abilities in order to conduct a world that not only sees through the lens of an optimist but, also pivots a sense of purism, realism, and futurism in an era we are not too familiar with.
La Jetée by Chris Marker is a 1962 science-fiction featurette that experiments with the concept of time travel, memories and one’s mere experience of time. This essay will discuss the use of narrative style in La Jetée by Chris Marker, in relation to the techniques used and their effects, and evaluate its effectiveness in conveying theme and concept, and argue that it was successful to a large extent. Firstly, Marker uses narration to carry the plot of his film forward. Although La Jetée is a verbal and visual construct, the narration serves as the spine of the narrative, and maintains the suggestion of time. He connects the careful succession of images with a narration which further gives the impression of a narrative moving forward even