Othello Movie Analysis

The movie "O" is the perfect representation of a modern-day Othello, each element in the movie from the characters to the plot all correspond to the original play. Though they had many similarities in the plots, characters and even theme, they had minor differences that made it obvious which was the more modern version. For every character in the play Othello there 's a character in the movie that goes through the exact same thing. For example in the play Iago and Roderigo team up and plot against Othello, and Iago pretends that Desdemona and Iago are going to break up so Roderigo can come into the picture but the end of it all Iago ends up killing Roderigo. The same thing happens in the movie. Hugo uses Roger to plot against Odin he also tells him that Desi and Odin are going to break up. When his plan fails Hugo ends up killing Roger.

Comparison Paper Things Fall Apart and Othello are two stories that the main characters have tragic flaws. The tragic flaws between the two have many similarities and differences. The Differences in the characters societies and situation they find themselves in still relate back to one another.

The common aim of playwrights of any time or location is to capture and hold the attention of their audience; this is what Shakespeare has clearly done. The tragedy of Othello, the Moor of Venice, is one of Shakespeare 's most renowned plays. Through construction of intriguing characters, exploration of universal themes, use of comic relief and a well-written script featuring a compelling plot, Shakespeare ensured the tragedy of Othello would hold the interest of the audience; despite being over four centuries old. It possesses so many conditions that can be accentuated to hit nerves with both a Shakespearean and modern audience. The entire plot of Othello is very much like the attitudes and methods of our modern day society.

Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.

During the Elizabethan Era, drama began to flourish in Western Europe. Plays have become more violent and dramatic as well as new ways of driving a performance. William Shakespeare’s Othello involves a man named Iago who wants to get revenge on Othello who is known as ‘the Moor of Venice’. Iago is able to get Othello to fully trust him and manipulates Othello to believe in false claims which eventually brings both of them to their downfall. A soliloquy acts as an aid to the audience in order to understand a character’s internal thoughts. Shakespeare utilizes this technique frequently throughout the performance especially for the antagonist for the play, Iago. The soliloquies enhance Iago’s villainous characteristics by giving him moments to

The play of Othello is a tragedy that exposes the characters in several ways, causing conflict and envy, eventually leading to a tragic end. To achieve this tragic end, Iago uses manipulation in order to change the views of, and bring out multiple personalities in the characters.

Both texts have the same plot line where Iago or Ben Jago is set out to destroy Othello in vengeance for not getting the title/position that he thought that he deserved. He makes up the same lie where Desdemona is accused of cheating on Othello with Cassio/Michael Cass. In the play, Iago is very persistent when it comes to making Othello suffer by manipulating him and others throughout the whole novel without any empathy. Whereas in the novel Ben Jago does manipulate others but halfway through the film he does realize that maybe things have advanced past what he ever expected them to be. In the play itself, Iago does not know when to stop manipulating people and he also does not realize when things get pushed past it limits.

Othello is for instance not really Othello 's play. Othello is not Othello 's story” (Buntin). Othello is focused more on the schemes of Iago and the tragic life of Desdemona. By retelling this story Sears is putting Othello in the centre of the narrative and giving focus to the nuances of his life as a black man. Dickson

Research on the following literary theories: • New Historicism - New Historicism is a school of literary theory that first developed in the 1980s, primarily through the work of the critic and Harvard English Professor Stephan Greenblatt, and gained widespread influence in the 1990s. - When I looked for a definition for New Historicisms I found that it is seen as the every expressive act that is embedded into a network of material practices. - When we look at the Historical Criticism in a novel or a movie it is important to look at the author’s biography and social background, the ideas circulating at the time as well as the cultural era. - New Historicism is concerned with the political function of the literature and also the concept of

The novel Things Fall Apart and the tragedy Othello were not created during the same time period, nor were these two passages originally meant for the same readers. However, despite their logical differences, both pieces and their protagonists share various qualities along with stark differences. Furthermore, through the character development of Okonkwo, the protagonist in Things Fall Apart, and Othello, the protagonist in Othello, not only the similarities, but also the juxtaposition between the two characters is notable.

The play introduces us to two characters Roderigo and Iago, which sets up the first external conflict of which Roderigo owes Iago money , “That thou, Iago, who hast had my purse as if the strings were thine, shouldst know of this.” (Shakespeare, Act I) . Roderigo was referring to his payments to Iago in return Iago would get him his dream girl, Desdemona, which brings up another external conflict because Desdemona is married to the illustrious general Othello. Iago has some animosity towards Othello because Cassio got the job of lieutenant instead of himself. Iago instigates a fight between a drunken Cassio and Roderigo which results in Cassio being fired by Othello.

When the play begins, the reader discovers that Othello and Desdemona have eloped. Desdemona’s father, Brabantio, does not approve of her marriage to Othello. Learning about the secret and unapproved marriage, he angrily declares that Desdemona “is abused, stol’n from me, and corrupted by spells…” In this outburst of passion, Shakespeare uses diction to subtly comment on the sorcerous power of love. Brabantio’s claim evokes negative connotations associated with witchcraft and black magic. Indeed it is commonplace to describe lovers as under one another’s spell. Under the influence of a spell, a lover loses all control over his or her behavior. Shakespeare observes that this characteristic of love exposes the lover to “corruption,” foreshadowing

In William Shakespeare’s Othello the two main characters are Iago and Othello. The entire story centers around Iago 's plan to achieve revenge on Othello for not promoting him to lieutenant. Throughout the story Iago tries to convince Othello that his wife Desdemona has cheated on him with his lieutenant Cassio. Iago’s plan is successfully and easily executed. Othello is tricked into believing that desdemona has been unfaithful and in the end he kills her.

Iago is the mastermind behind all of the mayhem in this play, and it all starts in act one when Othello made Michael Cassio the lieutenant over him. This left Iago flabbergasted saying Cassio "never set a squadron in the field" (I.i.22) and he sarcastically says " And I-God bless the mark! His Moorship 's ancient" (I.i.33). Iago was more qualified than Cassio, in experience and also, as Iago thinks, ability.

In Shakespeare 's play, Othello, the main character, Othello, displays actions that are classified as weak or strong emotionally. Throughout the play, Othello shows more weakness than strength when he turns over to jealousy, hits Desdemona, and calls her names shortly before wrongfully killing her.