Characterization of O-lan Pearl S. Buck’s The Good Earth is a story about a poor farmer and his wife’s rise to wealth. In The Good Earth, Buck depicts Wang Lung’s wife, O-lan, as a near perfect person. O-lan is a very quiet and humble person who is content with living her rather simple and bland life. Similarities between O-lan and the Virtuous Woman of the Bible can also be seen as both woman are strong and always put their families first. The only exception to this comparison is the fact that the Virtuous Woman gives to the poor and there is no evidence in The Good Earth that suggests that O-lan ever gave to the poor. With all considered, O-lan is a model of the perfect Chinese wife considering her humility, contentment, and resourcefulness; in many respects, O-lan is the virtuous woman. O-lan is actually a very …show more content…
The Virtuous Woman of the Bible is one who is mentally strong, has a strong faith in God, gives to the poor, and cares for her family. In many respects, O-lan is the Virtuous Woman as she is strong and seems to live to serve her family. O-lan may not be a devout member of the Christian faith (or any organized faith for that matter) but she does have a strong faith in the land. The similarities between O-lan and the virtuous women are too great to ignore, even considering their minor differences. In the Bible, one aspect of the Virtuous Woman is that she gives to the poor. In The Good Earth, there is never any mention of O-lan giving to the poor. While O-lan does take care of her family and gives them everything, she never gives to anyone else. Furthermore, while O-lan does seem to praise the earth and some faith in one or more deities, she does not seem to be devout in her faith. O-lan does not attend mass or ever pray to her deities. With these minor differences recognized, however, there are still too many similarities between O-lan and the Virtuous Woman to
Throughout the story she places judgement, she lies and manipulates her family, and she proves to only care for herself. She does all of this while claiming to be a lady, and holding herself is higher regard than everyone else around her. She continually shows that she is not lady, and she is also doing the things that she looks down upon other for, This is an example of a true hypocrite. Another shining example of her hypocrisy is shown when she brings up religion when speaking to The Misfit. “Do you ever pray?(258).”
This relationship clearly shows that Sang Ly may be poor but she is much more of a loving mother than a poor housewife. In “The Rent Collector”, Sang Ly comes back from the healer and everything is stolen but since everyone knows how much of a caring person she is they all chip in to help her out. “Mother, Nisay, Tera Mao, and I are organizing out home, and, before my eyes, friendship is soothing the sting of injury.” It is evident that everyone loves Sang Ly since they are helping her out in a time of need. “And do not worry about the things you lost.
When I first began to read the short story “Leng Lui is for Pretty Lady” by Elaine Chiew, it appeared like a simple story about a maid’s routine or simple life is explained. As I read further, I felt that the author is not just recognizing the life of a maid but it is portraying the importance of a maid in the family. As a reader, the part that stood out to me the most was where Mr. Kong tries to seduce Alina, I was stunned because I realized that there are people who think that maids would do anything he wants them to do. From the beginning itself
Despite the mass amounts of similarities however it is only fair to acknowledge the difference, though they be mostly superficial, between this two fits of
While the similarities are smaller, like the considerate personalities shared between the main characters of both
“Her actions remind me that, even under unbearable circumstances, one can still believe in justice,” in David Henry Hwang’s foreword, in Ji-Li Jiang’s memoir Red Scarf Girl, commemorated even during the Great Proletarian Cultural Revolution anyone can overcome adversity (9). Ji-Li Jiang was a young teenager at the beginning of the Cultural Revolution, and living through a very political time in China’s history made Ji-Li into the person she is today. Ji-Li’s intelligence, her choices, and family devotion made her into the headstrong and successful person she is today. Even when Ji-li thought she was unintelligent, others saw she was wise. There were many moments when Ji-Li was reminded she was very smart.
‘The Good Earth’ and the Possibility of ‘Anti-Orientalist’ Orientalism In 1931, American author Pearl S. Buck published The Good Earth, an English-language novel depicting a peasant’s life in rural China. The novel was immediately a financial and critical success; after selling millions of copies, it would win the Pulitzer Prize in 1932. Buck’s writing was praised for its evenhanded and insightful portrayal of Chinese culture and society. Retrospectively, however, many scholars have criticized it as a well-intentioned but reductionist and Orientalist treatment of China. Using Said’s conception of Orientalism as an analytical framework, this essay examines and evaluates charges of Orientalism in The Good Earth.
In The Joy Luck Club, written by Amy Tan, we are introduced to Suyuan and her daughter Jing-Mei “June” Woo. As with any relationship, there is conflict between Suyuan Woo and her daughter, as it seems that Jing-Mei doesn’t understand her mother’s Chinese culture and ambitions. In the Chinese culture, women are seen as inferior and often lack basic rights such as the right to marriage or financial holdings, thus deprived of their potential. This is why the rights in the U.S. are seen as privileges to Chinese women, among other minorities, and why Suyuan endeavored for her daughter to become a prodigy and excel in anything and everything. Yet as Jing-Mei was forced into this ideal, and the more her mother tried to enforce this idea, the further she begun to despise her mother for attempting to turn her into a “fraud”.
on the other hand Jing-Mei is America born and has more of an American culture mind set, which cause her to seem rebellious to her mother. Said by Jing-Mei’s Mother, “only two kinds of daughters!” she shouted in Chinese “those who are obedient and those who follow their mind! Only one kind of daughter can live in this house. Obedient Daughter!”
Women are weak, helpless, and have no real purpose other than to serve men and take care of children. . . or so they were perceived in history. In the Odyssey, one can see that Homer’s portrayal of women challenges the depiction of women during that time period. Throughout the book, many women intervened in Odysseus’ journey home to Ithaca, for better or for worse. One will see Penelope, Athena, Circe, and other women impact Odysseus’ expedition home.
The respectable male characters such as Odysseus treat women well, but mostly for their appearance and marriage potential. Near the beginning, after washing up on the island of the Pheaecians, he meets a girl and says, “Mistress: please: are you divine, or mortal? If one of those who dwell in the wide heaven, you are the most near to Artemis, I should say,” (8). To
Homer’s epic poem, The Odyssey, chronicles the homeward bound voyage of the main character, King Odysseus of Ithaca. After Trojan War which lasted ten years, Odysseus sets foot on another adventure, which also spans ten years, to return to Ithaca. Odysseus is gone from his home for a total twenty years, but upon his arrival back to Ithaca, he finds that his title has been defended by his wife Penelope and his son Telemachus, who have been awaiting his return this entire time. Odysseus and Penelope are meant to be a model couple, so people often argue about which of the two is more admirable. To be admirable is to have faced a struggle with honor and dignity.
In the words of Jing-Mei in the last line of the story, “Together we look like our mother. Her same eyes, her same mouth, open in surprise to see, at last, her long-cherished wish” (Tan 159). Throughout her life, Suyuan, their mother, held onto the hope that she would see her daughters again. In this hope, she named Jing-Mei in connection to her sisters, keeping the “long-cherished wish” that someday her daughters would reconcile and complete their family circle. The occasion that
In addition quote shows Lu Ling's connection to her dead father who is named Baby Uncle. He says that Precious Auntie speaks the language of the stars, which creates a connection between father and daughter. The final story, Two Kinds is generally focused on a mother and her daughter. The mother who is named Daisy wants the best for her daughter who is named Jing-mei. Enforcing this and trying to teach that hard work can pay off, Daisy says, "You can be best at anything" (Tan, "Two Kinds" 413).
However, this determination sometimes appears to be obsessive to the point of running her daughter’s life for her. Regardless, she is only trying to help, as she encourages Jing Mei by asserting “‘You can be best anything.’” (1). Because of this, it suggests that although she is very harsh on her daughter at times, it is only to make sure that Jing Mei can use her full potential and not end up losing everything like her