Though she is not yet a popular poet in the sense that great numbers of people read her works, one could praise the poetry of Saleha Obeid Ghabesh for its thematic diversity, brilliant use of language, its structural inventiveness and its subtle depiction of Arab dreams and frustrations as well as its exploration of revolutionary feminist issues. In addition to its feminist perspective, the poetry of the female Emirati poet is imbued with lyricism and textual complexity that resist generic categorization. Besides an engagement with social and political issues, Ghabesh 's poetry is characterized by its existential concerns and universal motifs which make it appealing to those interested in promulgating historical and universal pursuits. Since she is largely unknown in the Arabic literary canon, her poetry, particularly her anthology Beman Ya Buthayn Taluthin (2002) requires critical explication and analysis. Capturing the catastrophic history of the Arab world at present, the poet reconstructs episodes from the history of Islamic Andalusia engaging into intertextual dialogues with feminist Andalusian poetry in which narratives of …show more content…
Serving as a potential signpost in Emirati cultural criticism, her poetry attempts to abolish all distinctions between men and women in the Arab world as well as other binarisms that constitute a legacy of patriarchal ways of thinking. Incorporating feminist and social issues rooted in the collective consciousness of the Arab people, Ghabesh attempts to locate contemporary Emirati poetry in the context of current transformations in global relationships linking local cultural discourses with the intellectual concerns and orientations originating at the central sites of Western literary
The essay will consider the poem 'Practising' by the poet Mary Howe. It will explore how this poem generates its meaning and focus by analysing its techniques, metaphorical construct and its treatment of memory. The poem can primarily be seen to be a poem of missed opportunity. In this way is comes to form, alongside other poems of Howe's a study about a certain kind of loss and the recuperative efforts of memory, alongside the certainty of the failure of this recuperation. The paper will begin by giving a context to the poem with regard to Howe's life and work and will then proceed to analyse it directly, drawing attention to how it can be seen to fulfil this thesis about its content and meaning.
After reading “Dothead” by Amit Majmudar I considered looking at the year in which the poem was written and right underneath the poem it marked 2011. Looking at the year I thought about the speaker's point of view, based off his writing it seemed to me as if he were going back in time and reviving his past memories. I pictured the scenario to be in a upper class school, that filled the cafeteria “Jesse sucked his chocolate milk,”(Majmudar 20) with pale faces and some seats with other skin colors. Just by picturing the scenario I became to imagine what that could do to a person who is different from everybody else. Majmudar poem gives us a glance of his past experience of being an indian in an all american white school.
In “Some Are Born to Sweet Delight” written by Nadine Gordimer, foreigners and especially Arabs are portrayed as poor, secretive and different as opposed to the Westerners who are classified as “normal”. Gordimer represents this negative portrayal through the characterization of Rad and Vera. The negative representation of foreigners is made to underline and criticize the stereotypes and generalizations that Westerners tend to make about them. In this short story, Gordimer focuses on Arabs as her main representation of foreign populations.
Gender ideologies are used to “rationalize the social hierarchy and inequities in the freedom of individuals to make choices about their lives and to influence others. Nowhere is this clearer than in Bedouin gender ideology… the network of values associated with autonomy is generally associated with masculinity” (118). Men are often affiliated with 'autonomy ' and women with 'dependency '. This notion depicts the social hierarchy assimilated within society of the Bedouins. Customarily, within the confines of economic and social systems incorporated into the society, women are seen as dependents, being conclusively reliant upon the male senior provider within their direct nuclear family.
‘For What It’s Worth’ by Buffalo Springfield has a logical message because it is referring to the Sunset Strip Riots that took place in Hollywood during the 1960’s. People protested when they lost their civil rights due to a curfew law that was put into place. The song says, “Stop, children, what’s that sound. Everybody look- what’s going down?”
“Poetry Is Not a Luxury” (1982) intertwines feminism and poetry together. Author Audre Lorde says that for women, “poetry is not a luxury, but a necessity of our existence” (Lorde, 1982, pg. 281). In today’s society, women’s opinions aren’t really expressed, because it’s not widely accepted in this man-built world. Lorde’s quote “poetry is not a luxury, but a necessity of our existence” means that women should use their voices and channel their energy into poetry. Since poetry is accepted, women aren’t being deviant.
One among the universal themes in poetry or literature in general is family conflict. For Theodore Roethke, George Bilgere, and Raymond Carver, the difference between a good parental role model and a flawed role model is what creates conflict between parents and children. Each poem, “My Papa’s Waltz,” “Like Riding a Bicycle,” and “Photograph of My Father in his Twenty-Second Year” all focus on a toxic father-son relationship. Major images that describe the dysfunctional father-son relationships are fears of a drunken father, pretense, and regret. In addition, these poems imply that fathers or parents in general, often pass their flawed parenting styles down to their children.
Mahfouz, as well as Said, shared a direct contact with the Arabian lifestyle because they grow up in that society. Mahfouz’s novel depicts the real world with the touches of the supernatural and mystic, but as a form of evil in the world not as exotic and uncivilized as the Europeans did. Mahfouz’s Arabian Nights and Days “takes new depths and insights as it picks up from where the ancient story ends” (Fayez 229). Mahfouz uses the Arabian Nights tales and Shahryar’s and Scheherazade’s society to portray the contemporary social and political issues of his people. Mahfouz aims to show various thematic concerns of the people of the East than the early versions left out.
A. PREAMBLE The terrorist attack on September 11, 2001 has sparked intense curiosity and interest in the world especially the West to learn and investigate the religion of Islam. The Muslim people are portrayed as violent and barbaric, and Islam as oppressive and antithesis to human rights values. Thus, escalation of public opinion about Islam has encouraged debates and forums, and also stirred demonstrations and movements which have compelled the Muslims to speak out their minds and interpret and recast their texts viz. Quran and Sunnah of prophet Mohammad and even question and challenge the prevailing culture and practices, and domineering structures.
In October 1905, James Joyce wrote “Araby” on an unnamed narrator and like his other stories, they are all centered in an epiphany, concerned with forms of failures that result in realizations and disappointments. The importance of the time of this publication is due to the rise of modernist movement, emanating from skepticism and discontent of capitalism, urging writers like Joyce to portray their understanding of the world and human nature. With that being said, Joyce reflects Marxist ideals through the Catholic Church’s supremacy, as well as the characters’ symbolic characterization of the social structure; by the same token, psychoanalysis of the boy’s psychological and physical transition from one place, or state of being, to another is
Arab Open University Faculty of Language Studies Tutor Marked Assignment (TMA) EL121: The Short Story and Essay Writing Fall Semester 2015-2016 Part (I): STUDENT INFORMATION (to be completed by student) 1.
When someone mentions World War 1, thoughts of death, war, and annihilation may come to mind. One person who knew and was extremely familiar with these ideas and terms was Wilfred Owens, a poet who lived during the Great War. Owens fought in WW1, and he became thoroughly interested in war at an early age. During the early 20th century, propaganda posters and poems, such as Jessie Pope's 'Who's for the Game?' were published to persuade young men to join the army and fight against the enemies. No one knew what war was like until Owens published 'Dulce et Decorum Est'.
Naomi Shihab Nye has exposed the need for coexistence, and the affirmation of the Arab-American identity in "Arabic Coffee", "Half-and-Half", and "Blood" from 19 Varieties of Gazelle: Poems of Middle East, and "Arabic" from her collection Red
Rina Morooka Mr Valera Language Arts Compare and Contrast essay on “The poet’s obligation”, “When I have fears that I may cease to be”, and “In my craft of sullen art” The three poems, “The poet’s obligation” by Neruda, “when I have fears that I may cease to be” by Keats, and “In my craft of sullen art” by Thomas, all share the similarity that they describe poets’ relationships with their poems. However, the three speakers in the three poems shared different views on their poetry; the speaker in Neruda’s poem believes that his poems which were born out of him stored creativity to people who lead busy and tiring life, and are in need of creativity, while the speaker in Keats’ poem believes that his poems are like tools to write down what
This highlights the importance of how these acts of cruelty Mariam and Laila faced; ‘fear of the goat, released in the tiger’s cage’ is what ultimately defines their inner feminist strength, ‘over the years/learned to harden’ which shows that Mariam and Laila’s past indirectly prepares them for The Taliban’s arrival. The Taliban take away the basic rights of Mariam and Laila ‘jewellery is forbidden’, but they fail to do so. Ironically, it is the society itself that gives them the strength and platform to strike back against Rasheed, who is a cruel, male-dominating character who symbolised and reinforced everything the term ‘anti-feminist’ stands